Young Gods is a multi-disciplinary presentation of London’s most exciting graduates from the summer of 2012. The exhibition takes place simultaneously across locations in west and east London.
Tate Britain opens a new show on Kurt Schwitters. Opening on 30 January, the show focuses on his later works in Britain which began in 1940 when he arrived as a refugee until his death eight years later.
Pollen from Hazelnut is a constructed pollen field by Wolfgang Laib. Running at MoMA from 23 January, this work is Laib’s largest pollen-based installation to date, taking up a huge 18 by 21 feet.
We catch up with long-listed emerging Korean-American artist, Timothy Lee. Raised in New York City, his artistic practices have been heavily influenced by the imagery of cytology.
Three Points of Contact is the first of a new “roving residency” concept that focuses on the collaboration between artists, curators and visitors, and allows the latter to witness the creative process.
Opening tomorrow, London-based artist Lucy Whitford presents her first solo exhibition at Zabludowicz Collection. Whitford creates sculptures that challenge the divide between art and craft.
Rana Begum’s current solo show at Bischoff/Weiss consists of a selection of the artist’s recent wall-mounted metal works interspersed across the gallery’s two small rooms.
Director of the innovative project, re:play Festival and Manchester Library Theatre Company, Chris Honer speaks to Aesthetica about his work and the events involved in re:play 2013.
Each issue of Aspen Magazine was a box set containing a plethora of printed items in multiple formats along with records, slides and cine film to be projected, and cardboard models to be built.
Applauding China’s young artists, the Ullens Center for Contemporary Art opens its 2013 programme with ON/OFF: China’s Young Artist’s in Concept and Practice. Beginning on 13 January.
The art scene in Birmingham has been given a new lease of life. Alongside the main commercial galleries there has been an abundance of lesser known exhibitions orchestrated by recent graduates.
With a wry humour and sharp wit, Bedwyr Williams continues to reflect on the human condition. The exhibition feels like a tour around Bedwyr’s mind, his humour, his fears, his annoyance and bugbears.
Between 1947 and 1949, Barbara Hepworth produced around 80 works of surgeons at work. This period of activity followed the friendship that resulted from the hospitalisation of her daughter.
Occupying a liminal space between nature, science and art, Kate MccGwire’s sculptures are both ominous and sensuous. Made from masses of delicate feathers, they are “impossible creatures”.
The majority of David Shrigley’s work currently exhibited at Bradford 1 Gallery is drawn in pen. However, there are a healthy number of colour monoprints also on display. Until 19 January.
Art for The World showcases FOOD, an international travelling art project. Curated by Adelina von Fürstenberg, the show focuses on the connection between food and environmental concerns.
Alain Rodier presents New Paintings in Series 2012, a new range of 25 works. Collating works from the past 12 months, they stand as the fifth major show that the Parisian has housed in London.
The paraphernalia of the movie saturates the contemporary world. Since the Lumière brothers and George Méliès, artists have appropriated its affects and revealed its fictions. From 18 October.
In his first large-scale solo exhibition in Britain, Ivan Seal presents a collection of paintings exploring his take on the still life genre. On view as part of In Here Stands It, until 9 December in Bristol.
