The windswept drama of the carefully composed, haunting landscapes of Melbourne-based artist Lilli Waters (b. 1983) is interspersed with predominantly female figures whose incandescent skin, enshrouded in jewel-toned fabrics and illuminated by firelight, offsets the water-logged darkness of their surroundings. At first glance the photographs appear laden with doomed romance and a macabre eroticism. It is only on closer inspection that the viewer begins to glean a message of empowerment. The images are delicate and audacious, offering insight into the complexity of their inhabitants, just as the elemental background evokes a sense of foreboding. Waters challenges the conditioning of women in contemporary culture, which she attributes to an internalisation of sexism. Through her photographs, Waters encourages self-acceptance, emotional awareness and defiant celebration in her subjects and, subsequently, in herself. www.lilliwaters.com.
5 to See: This Weekend
International photographers explore human experiences in the 20th and 21st centuries, responding to events shaping the landscape.
Nicolas Righetti: Yes To A Rosy Future
Yes To A Rosy Future is a collection of unsettling photographs that cast new light on the conflict in Syria. Nicolas Righetti arrived in Damascus when preparations for the Syrian election were under way.