Concerned with the reclamation of natural objects, Stephens’ use of textures are suggestive of urban living, pushing the boundaries between fine art and architecture. Made from nine different archival pigment prints, wood and wire, Α.Φ.Ρ.Ο.Δ.Ι.Τ.Η.Σ is a site-specific installation featuring a repeated image of “Petra tou Romiou” – also known as “Aphrodite’s Rock”.
Amy Stephens, Α.Φ.Ρ.Ο.Δ.Ι.Τ.Η.Σ, 2017.
