Ellen Carey came of age artistically in the 80s, which was a decade in photography that saw radical innovation and a move away from merely representational and reportorial image-making.
Playtime is Ad Minoliti’s first UK exhibition and is paired with a solo exhibition of two large paintings by Dale Lewis. Both exhibitions address what it is to have a gendered or non-gendered body in the digital age.
Castlefield Gallery is showcasing Inside Out, a look at Outsider Artists and their followers. The term ‘outsider art’ was originally used to describe works created outside mainstream artistic boundaries.
Runo Lagomarsino is the son of Argentinian migrants, although by currently being based in Sweden and Brazil, he has become a sensitive litmus test of recent Mediterranean turmoil.
Curated by Vicente Todolí, Doubt at Pirelli HangarBicocca collates key pieces from Carsten Höller’s vast and impressive oeuvre. The show intends to evoke feelings of joy, illusion and doubt.
Kalliopi Lemos’ work has been dedicated to raising questions about the processes and politics that cause forced migration and the impact that ‘neo-capitalism and the irresponsibility of political powers’ have on its victims, particularly women.
Gareth Cadwallader’s work has always sought to portray an idealised representation of the world. Sailor Girl II has been longlisted in theAesthetica Art Prize and will feature in the exhibition.
Though filling only two small rooms on South London Gallery’s first floor, Paul Maheke’s I Lost Track of the Swarm has scope far exceeding its confines. A ‘self-taught feminist’ with a particular interest in the pro-black and pro-sex movements, Maheke shies away from aligning his work with academia, preferring to think of it as poetical over theoretical. It is, nonetheless, both intellectually sophisticated and affectively powerful: the kind of output that can be felt and thought about with equal effect.
Tate hosts the first major exhibition to celebrate the spirited conversation between early photography and British art. It brings together photographs and paintings including Pre-Raphaelite, Aesthetic and British impressionist works.
This year sees the inaugural edition of the Aesthetica Art Prize Future Now Symposium – a new two-day event running on Thursday 26 May and Friday 27 May at York St John University as part of the annual Aesthetica Art Prize. The Future Now Symposium focuses on talent development, and tackle’s themes in today’s current artistic climate through lectures, workshops and panel discussions from within the arts ecosystem and broader social context.
John Baldessari’s recent works, created in the past year, examine the relationship between language and image, primarily through dislocation and the juxtaposing text and pictures at Sprueth Magers.
Once again, in Italy, the private gallery Massimo De Carlo Gallery has supported an institutional exhibition focused on highlighting a relevant international artist: Tony Lewis (b.1986).
Changes are afoot at Art Brussels with its relocation to a striking new site for its 2016 edition. Running from 21 April, the event will take place at Tour & Taxis, a turn of the 20th century customs house.
The Koppel Project, led by Gabriella Sonabend and Hannah Thorne is a creative hub bringing together a contemporary art gallery, project space, cafe and Phaidon pop-up bookshop. Located at 93 Baker Street, London, in a recently decommissioned Barclays Bank vault, the inaugural group exhibition currently on display – Pandiculate! The Joy of Stretching – sees the viewer delve deep into stage-set of unseen characters and absurd trophies amalgamated by tropes equally triggered by the viewer’s curiosity and physical demands of the architecture as commercial function of the bank is reallocated and adapts to becoming an exhibition space.
Lisa Immordino Vreeland’s portrait of the patron of modern art provides insight into an individual’s relationship with her creative contemporaries.
A platform for innovation and originality, the Aesthetica Art Prize Exhibition returns to York St Mary’s, 14 April – 29 May. To mark its 9th year, the award invites audiences to engage with some of today’s key cultural, social, political, environmental and economic themes through a selection of works by 10 shortlisted artists. There will also be talks and a new Symposium running alongside the exhibition.
Revealing the impact of William Henry Fox Talbot’s experiments with the form, the Science Museum unveils a major exhibition on the rise of a medium that changed the way people saw the world.
Henry Hussey creates artworks informed by significant moments in his life, choosing to juxtapose digital processes and a variety of fabric techniques such as embroidery, dyeing…
Longlisted for the Aesthetica Art Prize 2016, Sandra Wadkin’s They Came By Sea investigates the displacement of people through history. See her work in the upcoming exhibition at York St Mary’s.
Opening tomorrow at the Hamiltons Gallery, London, Mocafico’s work features the intricate glass designs of the Blaschka family. Ethereal, introspective and arresting, the works inspired him to create a series of photographs which blur the lines of perception in their audience. We talk with the artist about inspiration, ownership, and the concept of beauty.