The 11th edition of Ceramic Art London, the leading international showcase for contemporary ceramics, returns to London this year to take over the Royal College of Art.
Since 2011 Sky Academy Arts Scholarships (previously Sky Arts Futures Fund) have supported five promising artists under 30 annually with a £30,000 bursary and mentoring opportunities. The Scholarships aim to release the financial and second-job shackles of life as a young artist and provide an opportunity for each to take their practice to the next level with the help of dedicated mentors in their field. Last year’s Scholars were visual artist James Lomax, dancer and choreographer Eleesha Drennan, theatre designer David Shearing, jazz drummer and composer Ollie Howell and creative producer Tom Mcdonagh.
This week’s 5 To See features work from the internationally renowned, the critically acclaimed, the culturally overlooked, and promising newcomers. Mima presents the fine art of David Lynch, charting a relationship with names and identity which has come up time and again in his filmography. Belgian designer Dries van Noten invites visitors to explore his creative inspirations at the MoMu in Antwerp. Meanwhile, the work of Georges Noël is on display at the Musée d’Art Moderne, paying tribute to the Béziers-born artist.
Carriageworks is a fitting space to house the grand structures created by artist Zhang Huan (b. 1965) in his current exhibition, Sydney Buddha (2015). As viewers make their way down the concrete decline and through the entrance of the large glass doors, they are greeted by two structures standing at more than five metres tall. Made of two pieces, one is an aluminium structure acting as a mould for the second piece, which is a composition of more than 20 tonnes of incense ash. The pristine aluminium sculpture sits facing its slowly disintegrating opposite – a scene that reflects the confronting essence of time.
Victoria Miro, London, will be showcasing a selection of international artists at Art Basel Hong Kong from 15-17 March. Exhibiting artists include Yayoi Kusama, Grayson Perry and Isaac Julien. The newest Art Basel show, the Hong Kong edition features a wide variety of galleries from Asia, Asia-Pacific and the rest of the world.
Antonio Berni: Juanito y Ramona showcases more than 150 works of one of Argentina’s most dynamic and acclaimed artists of the 20th century. Berni was a well-known public figure by the end of his life, and this exhibition – a collaboration between the MALBA and the Museum of Fine Arts in Houston – gives us a clear understanding as to why Berni’s work has transcended art history and entered Argentina’s national folklore.
Argentine author and theater director, Mariano Pensotti, is best known for creating theatre that explores the tension between fiction and reality. The director is heralded as one of the most important experimental directors and writers in Argentina, who creates theatre written for the stage as well as site-specific performances for public places.
The Hayward Gallery has put on a brave set of displays curated by seven artists, who each look at elements of British history from 1945 to the present day. Running until 26 April, the central part of the exhibition is deeply political. This section of the show openly and proudly displays a fusion of art with contemporary politics. “Ulster is Protestant” and “We stand by the IRA” are just two statements Conrad Atkinson included in his piece Northern Ireland 1968 – May Day 1975 (1975-76). In 126 photographs and statements typewritten onto orange, white and green card, Atkinson takes the visitor on a journey through the “troubles” where Catholic and Protestant both uphold their political campaigns through graffiti on the streets of Northern Ireland. One anonymous statement that stands out is: “Northern Ireland has a problem for every solution”. This display highlights the idea that art should create questions, and ask the viewer to explore.
This exhibition bridges the gap between the two figures Ricardo Brey sees within himself: the historical artist working at a critical time in the history of Cuban art; and the highly contemporary artist who lives and works in Flanders, whose artworks discuss the widespread consumption of slick, mass-produced imagery.
This weekend’s 5 To See reflects on photography, looking at several large-scale exhibitions as well as more personal and subjective projects. Tate St Ives presents its largest display of photography, spanning several continents and decades to chart the development of Modern Art practises. João Maria Gusmão and Pedro Paiva present a Western African voodoo ritual from the perspective of the performers, whilst Renzo Martens questions the ethical integrity of Western journalists documenting African poverty. The CAM Houston blurs lines of performance and real world encounters, and Iveta Vaivode connects with her family home on a personal journey.
Artists Lisa Wright, Emma Vidal, Penny Byrne, Aaron Smith and Henry Hussey reference historical imagery and objects in a selection of new works, ranging photography and painting to porcelain fig-urines, charcoal and pencil sketches to bronze sculpture.
Four artists reconfigure and manipulate the conventional idea of photography using strange new processes and transforming traditional methods in a new group show at Vitrine, London. A nostalgic exhibition, this collection of works looks back to the traditions of the medium with an incredibly contemporary eye.
Encounters, comprising of 20 large-scale projects by artists from across Asia and beyond, opens to the public on 15 March. A sector of Art Basel‘s Hong Kong show, this year’s edition of Encounters will present artworks from a wide selection of countries including Indonesia, Germany and the United States.
Our 5 to See This Weekend focuses largely upon the power of retrospect. Our retrospective society can help to preserve art movements and the oeuvres of influential figures, such as the work of avant-garde Sonia Delaunay, as well as shape the future of the art world. Mark Klett constructs a conversation with the writing of Raphael Pumpelly by traversing the same stretch of desert, and the artists at Saatchi Gallery examine the amazing power of Pop Art. Meanwhile, Iris Van Herpen uses her knowledge of traditional craft techniques to shape a new form of couture with 3D printing.
The story behind the latest sculptures of Daniel Silver (b. 1972) at Frith Street Gallery makes the work all the more compelling. It sounds like an old wives’ tale: Silver found ancient marble in a stone yard in the Italian town of Pietrasanta, blocks buried in the undergrowth, quarried years ago but now merely strange stone ghosts of the landscape. After closer inspection Silver saw that some of the stones were carved with mysterious numbers, others retained the wear of chisel marks and workman’s tools, scars that had yet to heal. It was a feature that drew Silver to the stone, to rescue these leftover fragments of a forgotten time.
American artist Sarah Sze is known for large scale works that penetrate walls, hang from ceilings, delve into the ground, and stretch across museums; now her installations run throughout Victoria Miro’s London gallery spaces.
Unlike many juried art fairs in the West led by a selection committee that evaluates the quality of work being displayed, the India Art Fair has been indiscriminately open to galleries across the globe. This seemingly democratic process has often resulted in a disparate show of works in the past. Artists such as Marc Quinn and Atul Dodiya have been shown alongside decorative works of glittering dancing peacocks. The resulting hodgepodge of fine art with commercial bling has dismayed collectors, museums and seasoned viewers looking for consistently high quality art.
In a major two-part solo exhibition at South London Gallery and Spike Island, French artist Isabelle Cornaro presents a series of installations which explore themes of cultural heritage and the value attached to objects when placed in a gallery or museum context. Paysage avec poussin at South London Gallery and Témoins oculaires at Spike Island is the first collaboration of its kind between two leading public British galleries.
The solo show of Julio Le Parc at Palais de Tokyo in Paris back in 2013 was a blockbuster that the French capital will remember for a long time. In a more compact format this time but still with the same fervour, the Argentinean-born (1928) Parisian artist presents his first major UK exhibition at the Serpentine Sackler Gallery in London.
A student of Paul McCarthy, Jason Rhoades (1965-2006) lived and worked in Los Angeles and built what he claimed was the world’s largest sculpture at the Deichtorhallen in Hamburg, Germany in 1999, and had a major installation at the 52nd Venice Biennale in 2007. Despite these achievements, the sculptor did not have a major UK exhibition in his lifetime – having died in 2006 at age 41. BALTIC‘s upcoming celebration of the artist’s work in four interpretive paths will be Rhoades’ first large-scale show in Britain.
The UK’s leading artist fair has announced the details of its line-up for April 2015. Now in its eighth edition, The Other Art Fair opens on 23 April at its new location in Bloomsbury, London. The new venue, Victoria House, will provide 22,000 sq. ft. of space for an extended live programme and more opportunties for rising stars of the art world to showcase their work to the public.
Issue 63 of Aesthetica hits shop shelves 1 February. In the February / March edition we explore innovation through experimentation with the new. Moving outside of comfort zones can be invigorating. It’s in these moments that we have the opportunity to embrace fresh ideas and apply them to everyday life. Drawing upon a range of influences can create something entirely original and interdisciplinary. Each artist featured in this issue follows that ideology. Many of the practitioners are people that have backgrounds in other areas but have moved between art forms and disciplines cross-pollinating their output along the way.
Our 5 to See this Weekend provides plenty of opportunities to interact with the artists, whether it’s discovering the quiet life of photographer Vivian Maier, whose work was encouraged by the children she’d cared for as a nanny, or catering to Bruce Asbestos’ marketing whims. There’s also the chance to meet Alec Soth at his Songbook exhibition in New York on Saturday 31st January, or discuss DIY culture with Graeme Durant in Newcastle, and Pep Dardanyà’s exhibition at MACBA includes a QR code to encourage the further discussion of his work with visitors.
The Art Fund has teamed up with one of the most respected names in the travel industry, cazenove+loyd, to offer audiences insightful and luxurious art tours to international destinations. The Inspired Journeys programme unites industry experts with art lovers in various locations across the globe, offering them a behind-the-scenes look at revered artistic locations. Some of the trips in 2015 will see Princess Xenia Hohenlohe present the hidden treasures of Bavaria; Director of Wilfredo Lam Centre of Contemporary Art, Jorge Fernandez, uncover the cultural heritage of Cuba and artist Olivia Dalrymple explore the creative history of India. We speak to Co-founder and director at cazenove+loyd, Christopher Wilmot-Sitwell, about the initial idea behind the tours and his favourite destinations.
Taking place in Encounter Contemporary, a nomadic gallery initiating unexpected ‘encounters’ with cutting-edge contemporary art practice, Wait Until It Dries is a major exhibition of new works by acclaimed, engaging and forward-thinking, Taiwanese artist Shih Hsiung Chou.
In this retrospective exhibition of American artist Jeff Koons, the Pompidou Centre has provided viewers with an illuminating chronology on the evolution of one of contemporary art’s most controversial figures. Koons is best known for his reproductions of ordinary shopping-mall items – like blow-up dolls and balloon animals – into metallic and glossy stainless steel objects. His work has fiercely divided many in the art world who argue that Koons offers a wonderfully ironic comment on the normative aesthetic value of art, while others condemn the pieces as kitschy self-merchandising for the Koons brand.
In Nottingham Contemporary‘s latest exhibition, 20 international artists reflect upon the ecological, economic, political, and cultural crises of our modern world, opening up topics such as the current and catastrophic climate change, runaway global warming, and environmental destruction worldwide. Rights of Nature reveals how contemporary art contributes to the global rethinking of our species’ relationship with other living things – upon whose regeneration and survival our future depends.
Continuing Christian Marclay’s long-standing interest in the relationship between image and sound, this exhibition is comprised of a series of new works on canvas and paper that feature onomatopoeia taken from comic books as well as a lively programme of weekly performances.
Sidsel Christensen, Andrew Leventis and Lisa Slominski: We Never Dream Alone, Kristin Hjellegjerde Gallery, London
In We Never Dream Alone, works by Sidsel Christensen, Andrew Leventis and Lisa Slominski see the borders between real and unreal, fact and fiction, virtual and visceral, and blurred and explored. Diverse media, from video and painting to installation, bind together the diverse yet complementary practices of these three artists, as each navigates the ‘other’ space.
The UK’s premier fair for Modern and contemporary British art opens for its private view today. Situated in the Business Design Centre, Islington, the 27th edition of the London Art Fair will be on view to the public 21-25 January. With 128 exhibtors from across the world, the fair gives a unique overview of the art world and has an exiting programme of curated exhibitions, talks, films and performances. There are a number of highlights at this year’s event, including the inaugural Art Projecs Artist Award and the premiere of William Mackrell’s North South live performance on 22 January.
In the build up to its 45th anniversary, Flowers Gallery brings a diverse showcase of international practitioners to the London Art Fair. Established in 1970 by Angela Flowers, the family run gallery was one of the first to open in London’s East End – now known as the capital’s most vibrant art scene. Growing into two spaces in London and one in New York, Flowers prides itself in its dynamic programme of all media by both established and emerging artists. The gallery is also an active publisher of prints and multiples. Aesthetica speaks to Sophie Hall, Gallery Director at Flowers, about the upcoming art fair and the gallery’s plans for 2015.
Ahead of new museum exhibitions in the USA, The Arts Club in London presents a selection of work spanning the career of American photographer Laurie Simmons. Born 1949 and working in the same period as Cindy Sherman and Barbara Kruger, Simmons uses photography to expose and critique media representation of women. Gender and sexuality are recurring themes in her work and she is notorious for using dolls and miniature objects to create staged realities.
The Zabludowicz Collection Invites series is a unique opportunity for UK-based artists without commercial gallery representation to showcase their work in a solo exhibition at a dedicated project space at Zabludowicz Collection. This spring, Canadian born artist Athena Papadopoulos (b. 1988) presents her multidisciplinary practice. Following her MFA at Goldsmiths, London, Papadopoulos shows a new group of works made especially for the exhibition at Zabludowicz Collection.
In 2011 Susan Hiller took London by storm with a massive retrospective at Tate Britain and new works at the Timothy Taylor Gallery. We delve into the Aesthetica archive and reflect on the American-born artist’s career explored in The Collective Conscience, which featured in Issue 39. Hiller’s work can currently be viewed at Den Frie, Copenhagen, until 5 March.
During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition. India’s first and currently only biennale of contemporary art, the first edition saw a total of 400,000 visitors (just 60,000 less than the Venice Biennale) over its three month run, giving this hotly awaited second edition a lot to aspire to. Unveiling a multi-venue exhibition of 100 works by 94 artists from 30 countries, not including the numerous collateral projects initiated by independents, KMB’s second edition began with a very promising start.
Artists have been recreating their own image for centuries, from self-advertisement and preserving legacy, to figurative studies, political commentary and biographical exploration, self-representation via portraiture has shaped Western art. In more than 100 artist self-portraits from the 16th century to the present day, from Sir Anthony van Dyck and JMW Turner to recent work by Louise Bourgeois and Yinka Shonibare, this exhibition explores the diverse ways in which artists have chosen to represent their identities. These works give an expansive look at the self-portraiture genre by covering mediums including drawing, painting, sculpture and even film, and derive from institutions such as the National Portrait Gallery as well as public and private international collections.
The second show at Dominique Lévy’s new London space will map the progression of the abstract white relief geographically and through time, with a focus on the 1930s to 1970s. Alongside the earliest unfolding of figuration by Henri Laurens produced in Paris to the harmonious constructions of the Brazilian Sergio Camargo, the exhibition will feature works by Jean Arp, Ben Nicholson, Lucio Fontana, Piero Manzoni, Enrico Castellani, Agosto Bonalumi, Fausto Melotti, Günther Uecker, Luis Tomasello, Mira Schendel, and Sol LeWitt, amongst others.
Discover the best in contemporary art exhibitions from across the world in our 5 to See. This week, we have compiled a fantastic list of shows to see over the weekend, throughout the rest of January and beyond. Bringing you into 2015 is Parafin‘s showcase of British artist Tim Head’s latest innovations in print. In Australia, Carriageworks‘ colossal Zhang Huan installation challenges the viewer’s thoughts on life cycles, whilst in the U.S., MMoCA presents the first installation of Narayan Mahon’s photographic exploration of living in unrecognised countries. Over the weekend, don’t forget to check out an Aesthetica Subscription – yours to own for as little as £12 a year.
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