Manifesta originated in the post-communist period in the 1990s with the aim of balancing the information gap between the East and West, North and South. Offering audiences an opportunity to exchange knowledge and rethink the platforms and influences of art and its expressions, Manifesta considers both the poetic and political nature of art and contextualises the contemporary with the historical. Operating within contested areas allows the biennial to demonstrate the way in which art can aid understanding within this complex world and Manifesta encourages a critical dialogue.
MANIFESTA 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia
The Aesthetica Art Prize invites submissions from artists at all stages in the career, working in any medium and celebrates innovation and excellence in technical skill. Entries are open until 31 August 2014. Selected works for the latest edition of the Prize, spanning film, photography, sculpture and painting are presented here as demonstrations of the breadth and quality of works being produced today; and we highlight the longlisted artists’ achievements since the award. These include Henry Iddon, Ana Catarina Pereira, Wycliffe Stutchbury and Wilson-Eflerová (Kye Wilson and Helena Eflerová).
This weekend is an opportunity to visit a range of diverse and extraordinary exhibitions. From foregrounding emerging Welsh photographers at Ffotogallery in Cardiff to a retrospective account of artist Oscar Muñoz’s forty year career at Jeu de Paume in Paris, galleries across the globe are showcasing the best of the art world, both past and present. Read on to see our five recommended shows.
Pedro Reyes, Vasco Araújo and Akram Zaatari, The Power Plant Contemporary Art Gallery, Toronto, Canada.
Part of the internationally-focused Harbourfront Centre, The Power Plant showcases the latest work from artists around the world. This summer it opens three exciting new exhibitions by Pedro Reyes (b. 1972), Vasco Araújo (b. 1975) and Akram Zaatari (b. 1966). Although hailing from very different backgrounds, these artists are united by their perspectives on the world and their exploration of ideas.
As the final month to enter the Aesthetica Art Prize is upon us, we catch up with last year’s longlisted artist Karl Singporewala to discover how being selected for the Prize has furthered his creative practice. Selected for his work Dial M for Monument, Singporewala now exhibits this piece in a group show for the HIX Award 2014, hosted by the Cock ‘n’ Bull Gallery in Shoreditch, London. Designed by Damien Hirst and judged by Tracey Emin among other leading art professionals, the prize presents a month long exhibition of the 20 finalists throughout August.
As much as it might seem provincial that non-western art is categorised by geography and ethnicity, Here and Elsewhere at the New Museum, New York, does justice to this grouping. Encompassing a vast territory of over 15 countries in the Middle East that include Iran, Syria, Lebanon, Egypt, Turkey, Palestine, UAE, and Morocco, the question of fetishising locality at the cost of undermining high standards of art is met head on. Here we see artistic productions by artists challenged by exile and war.
Selected for the Aesthetica Art Prize in the Three-Dimensional Design & Sculpture category, Deborah Barrett is an emerging artist who graduated from Manchester Metropolitan University with First Class Honours. Deborah has been selected by 5plus Architects for an exhibition celebrating New Creative Talents during the Manchester International Festival. Her practice focuses on gender and often incorporates heavily loaded objects to communicate a subject’s coping strategies.
This weekend there is the chance to a series of exceptional exhibitions across the world. The art on display ranges from provocative pieces of Neo-Concretism at MoMA, New York, to 17th century still life paintings at Queensland Art Gallery. Meanwhile in London, Whitechapel Gallery presents audiences with a thought-provoking retrospective of Giulio Paolini, charting the interweaving progressions of art itself. We handpick the very best in contemporary creative production this weekend, read on to find out more.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.
Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for emerging artists wanting to make a significant impact upon the art world today. With prizes ranging from up to £5,000 to editorial coverage in Aesthetica Magazine, which has an impressive readership of 168,000 worldwide, this is a unique opportunity to generate greater exposure. Read Cass Art’s recommendations here.
We are delighted to present the Judging Panel for the Aesthetica Art Prize 2015. The Prize is open for submissions until 31 August 2014. Spanning the arts, film, music and cultural industries, our judges lend their expertise to support the next generation of leading practitioners. The panellists will be looking for innovative artworks that display excellence in technical skill and ability. The Judging Panel includes the following art-world professionals.
Austrian artist Franz West (1947 – 2012) was a pioneer in viewer participation. He achieved worldwide fame with his furniture and sculpture for exterior and interior spaces, and his Passstucke (Adaptives). The Hepworth Wakefield currently hosts a loosely chronological course of his work, distinct for an impression of charisma born of modesty. The impression of modesty comes from light-hearted good humour in the general invitation to visitors to participate and seek dialogue with the work. The charisma that crowns this exhibition emanates from the scale of the works, and the knowledge that their conceit was grounded in involved philosophical consideration.