A pioneer of “Op” and kinetic art, artist Julio Le Parc’s ongoing contribution to contemporary art is currently being celebrated at the Serpentine Galleries in London. In Issue 52, Aesthetica looked at a landmark exhibition of Le Parc’s work at Palais de Tokyo, Paris.
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From 7 March, Yorkshire Sculpture Park will reunite an expansive selection of work by British sculptor Henry Moore (1898-1986) with the park’s vast and rolling landscape. In a major exhibition of over 120 iconic works, YSP, in partnership with The Henry Moore Foundation, will highlight Moore’s steadfast relationship with the land in Yorkshire and his unwavering exploration of the interplay between internal and external spaces of the human body and the earth.
The enigmatic, almost totemic, structures currently on view at Pilar Corrias in London, are the new body of work by Brazilian artist Tunga. Entitled From “La Voie Humide” (translated The Humid Way), this is his second solo show at the gallery. Encompassing six mixed media sculptures and six works on paper and linen, the exhibition spans across the ground floor and lower ground floor areas.
The organic sculptures and magical universe of Brazilian artist Ernesto Neto take over the gallery at Guggenheim Bilbao, allowing audiences to engage with art using their senses. Neto’s practice combines an interest with the biological form, as with Anthropodino, as well as the traditional artisanal culture of his upbringing.
Berlin-based Japanese artists Futo Akiyoshi, Kouichi Tabata and Takahiro Ueda hold the first group show to take place within White Rainbow gallery. Each artist used their own signature medium to create works surrounding the themes of time, space and psychology: Futo Akiyoshi with minimal images of spaces; Kouichi Tabata through motion paintings; and Takahiro Ueda utilises naturally occurring phenomena with a series of constructions built around quartz crystals.
Looking at human-induced climate change and exploring apocalyptic fears, Song for Coal considers the Industrial Revolution as an ongoing process. The project coincides with the end of the 30-year anniversary of the UK miners’ strike and an ongoing collaboration with the National Coal Mining Museum to give a poetic and historical response to an industry which still figures large in the cultural memory of the region. The work is ideally sited at the Yorkshire Sculpture Park, an institution that has grown from the Bretton Estate which is situated on the Yorkshire Coalfield and drew its wealth from the commodity.
In the culmination of the Hidden Schools Tour, an innovative two-year project working with young people across Bradford, pupils from 12 schools take over Impressions Gallery with photographic tableaux re-imagining the past, and playful contemporary portraits which explore history and social identity.
Curated by Francesca Pola, this exhibition features a selection of significant sculptural works exemplifying the influential six decade career of Italian artist Agostino Bonalumi (1935-2013). The bold sculptures and inventive canvases of this pivotal figure of Post-War Italian Art helped to shape the course of Abstract Art, alongside artists such as Piero Manzoni and Enrico Castellani who sought to blur the boundaries between the two and three dimensional.
Comprised of 100 photographs acquired and assembled over the last five years, The Plot Thickens celebrates the 35th anniversary of Fraenkel gallery. The exhibition revels in the richness of the photographic medium through works by its greatest masters interwoven with prints by the unknown, the majority of which are being exhibited for the first time.
British artist Jonathan Monk replays, revises and re-examines works of Conceptual and Minimal art by acts of witty, ingenious and irreverent appropriation.Through wall paintings, monochromes, ephemeral sculpture and photography he pays homage to leading figures of the art world such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, reflects on the tendency of contemporary art to devour references and asks of it “what next?”
The next exhibition in the Jerwood Visual Arts’ Encounters series will be curated by The Grantchester Pottery, an artist collaboration between sculptor Giles Round and painter Phil Root that takes the structural framework of an artist’s decorative arts studio, itself drawing on the historical precedent of Roger Fry’s Omega Workshops. Its manifesto, is to substitute the directly expressive quality of the artist’s handling for the deadness of mechanical reproduction.
Designed by Frank Gehry and having opened to the public in October 2014, Fondation Louis Vuitton is now launching the second phase of its inaugural programme with an expansive exhibition of work by artist and inventor of Little Sun, Olafur Eliasson.
Mapping the City is an innovative exhibition of works by over 50 rising stars and internationally recognised artists from the street and graffiti art scenes who seek to inspire their audience to re-evaluate their own relationship to the cities in which they live. Curated in collaboration with A(by)P, the display will be complemented by a diverse programme of events including a series of film and music evenings, artists talks, performances and interactive workshops.
In collaboration with Foundation for Art and Preservation in Embassies (FAPE), Don Gummer is to present a major site-specific sculpture for the US Embassy in Moscow, Russia, as part of its Site-Specific Collection. Founded in 1986, FAPE is the leading public-private partnership dedicated to providing permanent works of American art for U.S. embassies worldwide through site-specific commissions, original print and photography collections, preservation projects and other arts initiatives.
For its 65th anniversary, Bloomberg New Contemporaries arrives at the ICA for the fifth time and selectors Marvin Gaye Chetwynd, Enrico David and Goshka Macuga have chosen works by 55 of the most promising artists emerging from UK art schools out of 1,400 submissions. This year printmaking, moving image and performance comprise the majority of the final selection as well as an interest in modes of production and materiality, with artists exploring themes linked to current affairs, human behaviour and desires, the construction of language and narrative, and the ‘body’ in performative practices also takes centre stage.
Renowned choreographer and dancer, Akram Khan curates the second in The Lowry’s Performer as Curator series, bringing together a personal selection of his influences in the form of sculpture, painting, photography, film, live installation and performance.
With the holiday season on its way, there’s plenty of time to squeeze in a few of the best exhibitions taking place around the world. From Mike Nelson’s contemplative installation on British and Canadian culture at Tramway, Glasgow, to an insightful and inspiring showcase of photojournalism in the analogue-age at C/O Berlin, we take a look at a selection of new and ongoing shows that experiment with a range of disciplines including painting, installation and photography. Read on to see our favourite picks for the last weekend before Christmas.
India’s premier modern and contemporary art fair returns to New Delhi for its 7th edition. Supported by YES Bank, India Art Fair is one of the most important platforms for facilitating creative dialogue and promoting art trade in the region. The 2015 fair, commencing on the 29 January, sees 85 galleries exhibiting across 90 booths, each stand showcasing a breath of modern and contemporary art practices including painting, sculpture, new media, installation and performance art. The upcoming fair promises to offer a curatorial focus on international diversity.
2014 has been a great year for contemporary art exhibitions. The huge range of practices on display demonstrates the variety of artistic approaches being developed across the world. From Guy Bourdin to Barbara Kruger, Martin Creed to Annette Messager, all of the artists listed here demonstrate both skill and thought. We take a look at the top 10 exhibitions from 2014, considering why these shows were so important.
Mexican artist Abraham Cruzvillegas’ sculptures appear haphazard, disjointed and improvisational – and they are. Inspired by his parental home in Ajusco, a district in the south of Mexico City, he calls the sculptures autoconstruccións (or “self-construction”), as he sees them arising out of the environment that surrounds them. His parents, like many of their neighbours, built their house themselves, creating an improvisatory domestic edifice contingent on the availability of materials and the environment in which it was situated.
There is more to Allen Jones than those tables. As if to acknowledge this fact, the curators of this retrospective have placed two of them right at the beginning of the exhibition. Once the shock and awe is over, the show unfolds to reveal the unfailing ingenuity of a British Pop artist who turns out to be both a brilliant painter and an incisive critic of modernity.
With Christmas just around the corner, its time to weave some creativity into the busy festive schedule. In our 5 To See This Weekend we select the best in contemporary art from London to Sydney, Paris to New York. In Australia, MCA‘s expansive Chuck Close retrospective pays special attention to the American portrait painter’s lesser-known work as a printmaker and photographer, whilst Marian Goodman opened a new Juan Muñoz exhibition this week, celebrating the artist’s key works in sculpture. There’s also still time to catch Hayward Gallery‘s exploration of London’s digital age in Mirrorcity. Read on to find out more.
The Art Fund Prize for Museum of the Year launches its competition for 2015. The search for the next top UK museum or gallery begins this week, after director of the Art Fund and chair of the judging panel, Stephen Deuchar, revealed the international jury line-up of artist Michael Landy; design critic Alice Rawsthorn; Fiammetta Rocco, arts editor of The Economist , and Axel Rüger, director of Amsterdam’s Van Gogh Museum. This year’s arts institutions will be competing for recognition as one of the UK’s most outstanding venues, through the demonstration of their bold artistic vision and engaging visitors’ programme.
Moving sites in spring 2015, Manchester-based cross art form organisation, Cornerhouse, closes its current space with nine international artists, filmmakers and musicians celebrating the iconic venue: Rosa Barba, Niklas Goldbach, Andy Graydon, Lawrence Abu Hamdan, Gabriel Lester, Naomi Kashiwagi, Shannon Plumb, Humberto Vélez and Jan St Werner.
In Self, the current exhibition on display at Ordovas Gallery, London, artistic mastery by four of the most revered artists of the 20th century, Pablo Picasso, Francis Bacon, Damien Hirst and Jeff Koons, is championed. Rarely seen works deliver over a century of captivating self-portrayal, as it develops from the capturing of a moment in time fuelled by an artists’ inner most anguishes, to a tool used to help sculpt further thought on the desire for legacy after death.
The end of November saw canvas and canapés meet at the opening night of Diversity: Malaysia Arts. Organised by the Malaysia External Trade Development Corporation (MATRADE), the evening was a cavalcade of speeches, ceremony and gift-giving intended to showcase the country’s up-and-coming artists. Opening proceedings was Tony Devenish, Councillor to Knightsbridge and Belgravia and who, to the great surprise of many attendees, recounted with fondness his years spent in Kuala Lumpur (or ‘KL’, as he familiarly called it); laughter exploded from the audience as Devenish name-dropped the Proton car he once drove about the city.
Latitude Platform for Brazilian Art Galleries Abroad brings an energetic programme to Art Basel Miami Beach. Over the next few days, the Latitude programme will support 15 Brazilian galleries in showcasing leading contemporary art at Art Basel’s 13th Miami Beach edition. As a premier international destination for Latin American galleries, Latitude’s creative platform also invites nine additional Brazilian galleries to display work at three satellite art fairs across the region: Context, Untitled Art Fair and Pinta Miami.
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Art Basel Miami Beach brings together contemporary works for its extensive art fair from over 250 participating galleries worldwide. Running from 4-7 December, the exhibition is inclusive of photography, paintings, sculptures, multimedia and many other mediums. The annual event attracts tens of thousands of visitors, and each year, it grows. Everyone from admirers to collectors will attend. We feature five of the galleries and some of the artists represented this year.
A Hayward Touring Show with support from the Art Fund, Art from Elsewhere brings together works that depict different realities of profound global change. This Hayward Touring exhibition, curated by David Elliott, runs at the Gallery of Modern Art before touring to five museums and galleries across the UK. This exhibition recognises the vital importance of continuing to enrich collections of contemporary art throughout the whole country.
The December/ January issue of Aesthetica is now available to purchase online and in stores internationally. In Issue 62, Aesthetica focuses on the idea of the unconventional. It’s a celebration of practitioners who are experimenting in their field by working in interdisciplinary ways and introducing concepts from other areas of art and design into their work.
Issue 62 of Aesthetica is out in shops now. One of the most thrilling discoveries is someone who is breaking new ground and embodying the word “innovation.” It’s important to look at both established and emerging artists that are the driving force behind this type of progress. At Aesthetica, we are interested in people who are experimenting while stepping outside of the everyday. We want to engage with works that challenge us and change perspective.
At the 2001 Tate Turner Prize, Yorkshire-born artist Martin Creed (b. 1968) presented Work No. 227: The lights going on and off. Consisting of an empty room, the work existed as, quite literally, the lights in the room going on and off every five seconds, cyclically submerging the room in darkness only to be lit up again. The work prompted outrage from both critics and visitors, a problem revisited again in 2013 when the Tate announced that it had purchased the work for its permanent collection. The upset is undeserved, and this winter, Creed has the chance to answer the critics with his first ever retrospective, which opens at the Hayward Gallery. The exhibition, curated by Cliff Lauson, is described as “genre-defying” and includes works from the past 25 years. Although, Creed has been the focus of several recent solo exhibitions (Museum De Paviljoens, Almere, 2013; Fruitmarket Gallery, Edinburgh, 2012) this will be the first major survey of his work, and it is a long time coming.
Contemporary art duo known for their provocative and confrontational art, Jake and Dinos Chapman return to the town in which they grew up with previously unseen works and brand new commissions, in an exhibition at Jerwood Gallery, Hastings, crowd-funded through the Art Fund’s new Art Happens platform. This scheme was launched in June 2014 to help UK museums raise money for new, small-scale, achievable and highly creative projects, with the Realm of the Unmentionable standing as the second project to take rise from it.
Guggenheim Abu Dhabi’s new exhibition introduces the future museum’s curatorial vision through a theme-based collection presentation, featuring artworks by 18 international artists from the 1960s to today and exploring the theme of light. The gallery’s curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture. Meanwhile, Elín Jakobsdóttir’s Eyes Cast, is a commissioned moving image work shot in Super 8 on location in Leeds Art Gallery. This silent visual poem traces a route through the building with a focus upon two bronze portrait busts by the sculptor Jacob Epstein. This new film is shown alongside plumpe Denken Modalities, a new series of paper cut-outs and drawings.
In recent years cultural institutions across the world have seen a renaissance in architecture and architectural presentation. The vigour and enthusiasm with which the development of London and Bejing’s respective Olympic parks were reported in the mainstream press reached a fever pitch unfathomable 15 years ago. The constant development and new witty monikers of the latest high-rises to crop up on London’s skyline has become common parlance while the phenomenal growth in Dubai is a source of fascination with the ability of architects and engineers to achieve ever-higher feats.
Every four years, the Moderna Exhibition presents an inventory of Swedish contemporary art, however this year the the focus is not only on Swedish, but contemporary art from six other Baltic countries; Finland, Denmark, Poland, Estonia, Latvia and Lithuania.
Sarah and Joseph Belknap’s current practice reflects upon our place in the cosmos, their newest works which have been made for the exhibition include sculptures, a site-specific installation, and a multi-channel video. The Belknaps, who were married in 2008 and began working together in the same year, have an interdisciplinary practice which draws from a range of sources including the history of science, notions of space in the popular imagination, and personal observations.