About a decade ago, it seemed Mark Titchner was popping up in every high-profile group show in London, and this exposure naturally led to his Turner Prize nomination in 2006. He didn’t win, but his popularity remains high, bolstered by UK and international shows.
Mark Manders’ Cose in corso is currently on display at Collezione Maramotti until 28 September. Bringing together found, reconstructed and reinvented objects, the exhibition is a kaleidoscopic series of organic constellations. The different elements within the work juxtapose and creative a narrative, like the pages of a diary in a very personal artistic development. The artist often leaves sculptures and objects to settle for long periods of time in his studio, letting them naturally transform over time.
Having been selected from thousands of entrants to be part of the 100 longlist for the Aesthetica Art Prize 2013, Jurgen Winkler is a contemporary artist who experiments with form and sculpture to visualise human behaviour. Alienation and intimacy, power and impotence are recurring themes in his work. With the Aesthetica Art Prize 2014 now accepting entries (until 31 August) we speak to Winkler about taking part in international art competition and what inspires him.
In addition to Aesthetica’s very own Art Prize Exhibition at York St Mary’s, York, there’s a number of wonderful art shows on display this weekend. If you’re near York, you can catch some of the most exciting emerging talents and trends in contemporary art today and if you’re elsewhere, you can be bewildered by Tobias Rehberger’s overwhelming installations in Frankfurt. At London’s Thomas Dane Gallery, Abraham Cruzvillegas destroys entire movements, while in Sheffield Wu Chi-Tsung creates entire cities from mere shadows. Wherever you are, make sure you see something this weekend.
What does “science fiction” mean in the 21st century? A traditional definition is that it is writing, or other artistic works, that presuppose a technology, or an effect of technology, such as humanity has not yet experienced. However, over the years, the genre has come to be represented by distinctive tropes and visual hallmarks, even when they are more closely associated with eras of the past – think of the monochrome screens in the film Alien from 1979, or how The Hitch Hiker’s Guide to the Galaxy, due to the TV adaptation of 1981, is more synonymous with flared trousers than intergalactic space travel.
This year at the Art Paris Art Fair there was a dizzyingly fascinating gathering of art galleries from around the world. China was the guest of honour, after Russia last year. In front of the Grand Palais entrance to the art fair lay a rusting metal fist larger than a man: its tantalisingly paradoxical political image suggested both oppressive power and the severing of that power from the arm that propels it.
The UK’s leading artist-led fair returns to Ambika P3 this April for its sixth edition. The Other Art Fair runs 24 – 27 April and will feature work by 100 of the best, unrepresented artists coupled with a dynamic program of talks, workshops and events. With a growing number of art fairs in London, The Other Art Fair stands as a unique but inclusive experience which appeals to both art experts and novices. The event allows visitors to interact directly with the artists, learning about their practice and the thoughts behind the works.
The Aesthetica Art Prize exhibition is now open to the public, showcasing innovative works that push the boundaries of media and engage with key issues relevant today. From the extinction of bees to playing with form, and questioning what makes a painting or drawing, are just some of the topics explored by this year’s artists. Last year’s inaugural Art Prize show set the bar high for the international art it represented; Joon Park was longlisted with his work Ceramics Field Array that draws upon the history of the Korean bowl. We speak to Joon about the meaning behind this art form.
The highly acclaimed American artist Ursula von Rydingsvard arrives at Yorkshire Sculpture Park, Wakefield, for her first large-scale survey in Europe. Running until 4 January 2015, the exhibition, which is the artist’s most extensive to date, features more than 40 works of drawing and sculpture made over the last two decades. Presented in YSP’s purpose-built Underground Gallery and the open air, the show represents the full scope of von Rydingsvard’s diverse practice.
Since the 10th Unilever Turbine Hall commission at Tate Modern back in 2009, this is Miroslaw Balka’s first solo show with new works in London and his fourth at White Cube gallery. Titled DIE TRAUMDEUTUNG 25,31m AMSL after Sigmund Freud’s book The Interpretation of Dreams (1899), the Mason’s Yard exhibition runs with another parallel exhibition of the Polish artist at the Freud Museum in Northwest London, DIE TRAUMDEUTUNG 75,32m AMSL. The accompanying numerals in both titles refer to the altitude (height above sea level) of each venue respectively.
This April there are a number of outstanding art exhibitions on display across the world, and we take a look at the best shows open this weekend. Munich’s Haus der Kunst focuses on the wide-ranging works of Ellen Gallagher, while the city gates open in Glasgow for the start of the sixth international festival. Catch the first weekend of the Saatchi Gallery’s re-joining of Africa and Latin America in Pangaea, or follow the themes of social unrest with Welcome to Iraq at South London Gallery, and across the Atlantic there’s SFMOMA’s Public Intimacy, a revelation of the politics entwined in the everyday of South Africa.
German artist Sybille Neumeyer was announced as the winner of the Main Prize for the Aesthetica Art Prize 2014 at the exhibition preview last night. Her stunning light installation Song for the Last Queen (2013) is comprised of 7,614 bees – one eighth of the colony – that were collected from a naturally collapsed bee hive and placed as a rhythm of black spots in honey creating a silent score.