In the second edition of the FotoFocus Biennial, a month-long celebration of photography and lens-based art in Cincinnati, Ohio, Artistic Director Kevin Moore has taken the modernist definition of photography and put it under the microscope. The exhibition that examines this definition the most is that of Vivian Maier, the American amateur street photographer of the 1950s-1970s whose work caused a sensation when it was discovered posthumously. In this complex oeuvre, curated by Moore to emphasise self-portraits and portraits of other women, we see not only a playful dialogue with urban life, but a deep dialogue with the self that presages the contemporary selfie, a fact that makes it less than objective. Kevin Moore speaks to Aesthetica about how Maier impacts our understanding of photo art in the context of history, and how poetic photography can point to visions of the future self.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Iranian photographer Sadaf Chezari lives and works in London and began capturing images of her father after she felt intrigued by his apparent level of displacement in the UK. In 2013 she was awarded First Prize in the Michael Wilson Award and the Flowers Gallery Professional Mentorship Award. She speaks to Aesthetica about the way she considers space when shooting and her future plans.
The Turner Prize is an annual arts event never to be missed, and this year the shortlisted artists – Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell – have the added prestige of appearing at Tate Britain alongside an exhibition showcasing the work of the great J.M.W. Turner himself.
The Carrousel du Louvre welcomes the international photography fair for the fifth time. Founded by Cécile Schall, grand-daughter to Roger Schall, this is an inimitable Parisian event which presents the opportunity to view works from a young, creative generation, soaring in popularity amongst collectors. For fotofever’s 2014 edition, a selection of over 100 international galleries will take the limelight – over half of which specialise solely in photography – all exhibiting emerging artists of tomorrow.
The work of Japanese artist Shinro Ohtake appears in a solo exhibition at Parasol Unit, London, this autumn. Running 12 October – 12 December, the presentation showcases Ohtake’s extensive, diverse and innovative body of work. With a practice spanning 30 years, the artist has positioned himself as one of the most important creative forces in contemporary Japanese art. His expansive output is based primarily around the activity of cutting and pasting, but also includes drawing, pasted works, painting, sculpture and photography, as well as experimental music and videos.
The work of fashion photographer Horst P. Horst, whose evocative images are some of the most well known of the 20th century, is showcased in a new exhibition at the V&A, London. The show features 250 photographs and describes the photographer’s collaborations with leading fashion icons such as Elsa Schiaparelli and Coco Chanel in Paris. Horst began his career as a society photographer in the 1930s and his groundbreaking style and innovative use of light and shadow helped him to create carefully structured shots of models. The perfect blend of light and shadow were used to startling effect in his work and in 1943 his editor at Vogue cited his subtle manipulation of lighting as one his key strengths.
Aesthetica Issue 61 is now available to purchase online and in stores internationally. The new edition considers progress and change. There are a few questions around this including how much time needs to pass before something needs to change, or is it simply the case that progress is continuous? The key element is to recognise developments, keeping your eyes and ears open. This is particularly important in the art world because when you start tracking artists and noticing trends, this is when things start to get exciting, especially when those trends are just under the radar.
Wysing Arts Centre celebrates its 25th birthday with a residency programme focusing upon ‘the future,’ exploring future potential through what we know of the past. In response to an open call, almost 300 artists applied to take part in the residency, The Future, and the final selection includes: Olivier Castel, Julia Crabtree and William Evans, Jesse Darling, and Alice Theobald.
The Modern Lens is the largest display of photographic works ever to be exhibited at Tate St Ives, looking at developments in international photography from the 1920s to the 1960s through the work of pioneering artists from across Europe, the Americas and Japan.
The work of the late photographer Francesca Woodman (1958-1981) is renowned for its distinct and innovative vision. Her black and white imagery exudes a unique sense of mystery and beauty that at once compels and disarms her audiences. With such a short career, it is always astounding to see how much Woodman managed to achieve in her practice and how important this work remains today.
This weekend’s exhibitions take us down memory lane in the world of photography, as we look back at the life’s work of fashion photographer Horst and the evolution of colour photography throughout Russia in the 20th Century. We also explore new projects from current artists Andrew Kerr in Glasgow and Max Beckmann Hamburg and photographer Paul Graham in New York.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Juno Calypso works with self-portraiture to explore the artificial construction of femininity. Her fictional character, Joyce, allows her to combine personal experience with critical studies into modern rituals of beauty and seduction.
In 2010, David Chancellor won the Taylor Wessing National Portrait Prize with his iconic portrait of fourteen year old girl, Josie Slaughter, riding horseback with her trophy of a hunted dead buck. This image, Huntress with Buck, forms part of Hunters, the UK’s most comprehensive exhibition of Chancellor’s work to date and is due to go on display at Impressions Gallery, Bradford on 7 October.
The Marseillaise(s) / fifteen years of collecting focuses on the artistic growth and development of five photographers: Valérie Belin, Jacqueline Hassink, Naoya Hatakeyama, Sarah Jones and Rob Nypels. Each artist has curates a gallery of their choice, starting with their most recent works and moving to include older pieces of their own work which are held by the Huis Marseille collection. The result is five retrospectives, each artist illustrating their own personal and artistic development over the last fifteen years.
Within the cavernous space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife. At first, mistakable for an abandoned theatre set, this stock photography menagerie is artist and poet Heather Phillipson’s most recent “head-sick” into a gallery space, forming an immersive terrain of film, audio and sculptural works.
Taking over the third floor of The Wapping Project Bankside’s second Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.Not only working in photography, over her twenty year career, Juul Kraijer’s meticulous, exploratory methods have yielded a body of work of over four hundred drawings, as well as sculpture and video.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today. This year, the event branches out beyond the National Museum Cardiff to include Chapter Arts Centre, Cardiff and ffotogallery, Penarth, with a programme of performance, music, site-specific installations, film, lectures and seminars.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Þorsteinn Cameron’s work takes a look at technology’s influence in modern society. While dealing with a wide spectrum of modern mediums, Cameron’s practice has remained firmly grounded in the natural landscapes of Iceland.
This is the first US solo exhibition of German photographer Mona Kuhn’s newest large-scale colour series, Acido Dorado. These photographs of nudes aim to show the human body in its most natural state, timeless and free from cultural and generational stereotypes.
RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. Through a rare selection of early vintages prints and original contact sheets, as well as paintings and collages by artists such as Günter Brus, Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler, and curated by Hubert Klocker, the exhibition is a representative survey of the formative years of Vienna Actionism.
Established in 2002, Korea International Art Fair (KIAF) has become one of the leading art fairs in Asia. The event was initiated by Galleries Association of Korea and offers an opportunity for visitors to take a look at the best artists and institutions at work in the industry. In addition to the numerous exhibitors involved, KIAF presents a range of connected programmes to provide a more detailed overview of the market. Running 25-29 September this year, the fair displays the artists of today, while predicting the creatives of tomorrow.
Including works which have never been exhibited as well as paintings, films, sculptures, notebooks, slide projections and photocopies from across five decades, Alibis: Sigmar Polke 1963-2010 will be the first exhibition to fully encompass the enormously varied range of materials with which Polke worked.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Joachim Fleinert bases his practice on found photography. Inspired by the flea market rifling that defined his childhood, Fleinert loves to search for lost stories and lives in imagery. Fleinert speaks to us about the way he transforms old photography and his upcoming projects.
The UK’s largest international photography festival returns for the sixth time this year, filling venues and public spaces in Brighton & Hove and beyond with a series of remarkable collaborations. Rather than be organised by a single curator, ‘Communities, Collectives & Collaboration’ will present a series of projects which feature over 45 photographers, artists, collectives and partners bound by an innovative collaborative approach which gives rise to unexpected partnerships between practitioners from varying fields.
Saluting the work of Frisian author and poet Jan Slauerhoff, the 21st Noorderlicht International Photofestival highlights those who, dissatisfied with the status quo, think ‘outside the box,’ seek alternatives or create their own. An Ocean of Possibilities is dedicated to ventures which underwrite our freedom to start something new and to do the unexpected in a world where it can feel as if the fundamentals cannot change.
Bernd & Hilla Becher’s project to document the industrial landscape of post-war Europe, ongoing for over five decades, is timeless: contemporary photographs of monumental structures that bear no trace of current affairs, past events or future projections. This selection of works exemplifies their rigorous examination of architectural typologies, treading a fine line between similarity and difference, seemingly devoid of both utility and humanity.
A Road Through Shore Pine focuses on a new body of work by Robert Adams, a series of 18 never-before-seen photographs made in Nehalem Bay State Park, Oregon, in the autumn of 2013, which will be presented alongside Robert Adams: The Complete Books, 1970–2014. This is to be a survey of the artist’s deep involvement with the book form over a span of almost 45 years.
In a town whose faded seaside glamour is both complimented and disturbed by a swath of public art, it is only at low tide that the feverish digging can commence. A swatch of beach that in the morning looks like the realisation of a grim prophecy in a Morrissey song is by late afternoon swamped by an ecstatic crowd. Michael Sailstorfer has buried £10,000 worth of gold bullion in the unforgiving sands of the Old Harbour.
Photo.clothing combines the fad of all over prints on t-shirts with art, to produce vibrant and unique items of clothing. The team have joined up with Magnum photographers Martin Parr and David Alan Harvey and have created 500 t-shirts with their distinctive photographs. All of the shirts are hand printed in London on high-quality materials that stays wrinkle free and soft to the hand. Photographers are invited to join the community and submit their own photographs to be transformed into a fashionable garment. We speak to the developer of Photo Clothing, Michael Hanreck, about the company and his favourite designs.
Dave Wise was once described by the producers of hit TV show Britain’s Next Top Model as “… part of the fashion elite” and is now a long way from where he began with his camera at the age of 5. Describing his work, he says: “The thought of tomorrow is so exciting, the next project, one step closer to the day after that; and it all starts all over again”. His work has appeared across the globe and clients include United Agents, The Artists Partnership, EFFIGY Magazine, FIASCO Magazine, Vogue.com, Universal Records, BOX Boutique, Christophe Willem, Channel 4, Junipero Magazine and Concierge Magazine.
This year, 55 artists join the assembly of Bloomberg New Contemporaries, chosen by the UK organisation which supports emergent art practice from British Art Schools. New Contemporaries provides a critical platform for recent fine art graduates by means of this annual, nationally touring exhibition – of which previous exhibitors include Jake & Dinos Chapman, Tacita Dean, Mona Hatoum, Damien Hirst, David Hockney and Mike Nelson.
The opening of the Black Cultural Archives (BCA) in Brixton marks a significant milestone in the life-cycle of the south London borough of Lambeth. Proudly housed in the listed Raleigh Hall on the corner of the iconic Windrush Square, the archive finally exposes the fragility, the battle and the joy experienced by Black-Britons as they came to forge an indelible and unique contribution to the cultural landscape not only of London where the S.S. Empire Windrush docked in 1948 but spiralling outwards to encompass the entire island, creating in its wake a wave of activism and defiance.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Katie Bret-Day is influenced by the work of the Surrealists and has an interest in the materiality of photography. She has an affection for the traditional format of photography, but likes to combine this passion with digital methods to produce new and provocative pieces. Bret-Day speaks to us about the practitioners that have inspired her and how she communicates with her audience.
City Visions: A season of films, talks and debates exploring modern cities, Barbican Cinema, Barbican Centre, London
50% of the earth’s population live in urban centres, a figure that is predicted to rise to over 75% by 2050; City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing memorable images of urban decay and deprivation. The season engages with conversations around architecture, urban planning and globalisation, and will run alongside the Barbican Art Gallery exhibition Constructing Worlds: Photography and Architecture in the Modern Age.
This exhibition currently on display is the first survey of works by David Farrell (1919-2013) since his death earlier last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro, Margot Fonteyn and the Rolling Stones. The British photographer is internationally renowned for his iconic images of the greatest musicians, actors, authors, dancers and artists of the 20th century, as well as documentary works depicting domestic life in Britain and anonymous street subjects.
To celebrate ten years of existence, Dover Street Market holds The Next Ten Years: a series of events, installations and special products. For the duration of September, the basement and second floor of Dover Street Market will be totally transformed, the Rose Bakery will be enlarged and artists design four new fitting rooms. Furthermore, an event space on the first floor, an expanded jewellery section and wallet display will be given over to Louis Vuitton for the entire A/W14 season.
There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery, Wirral, before it closes on 21 September. Exploring the paintings, drawings and photographs of the Pre-Raphaelite star, the exhibition marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s chief muse. Uniting rarely displayed works, the showcase details the artist’s fixation with Morris and his depiction of her as the ultimate femme-fatale.
Photographer Rotimi Fani-Kayode was a highly influential figure in 1980s black British and African contemporary art, and although his career was cut short by his untimely death at the age of 34, Fani-Kayode remains one of the most significant names in the history of black photography.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Corinne Silva’s vibrant photographs examine the use of the still and moving image in suggesting metaphysical space. Her visual language engages with the limits of lens-based media and its potential to explore the evolving relationship between politics, landscape and art histories. Silva speaks to us about her Imported Landscapes series and her dual use of photography and film.
Turner Prize nominee Marvin Gaye Chetwynd and American photographer Anne Collier mark the 20th anniversary of Studio Voltaire with their first solo presentations to take place within one of London’s public galleries. Chetwynd will present her largest commission to date, Hermitos Children 2, within a large-scale installation whose props and interiors will immerse visitors within her world of 16th century wandering troupes and wild, costumed, carnivalesque live performances.