Huis Marseille showcases the first ever retrospective of Guido Guidi (b.1941). Spanning a 40 year career, Guidi’s work in photography highlights his early interest in architecture and explores the environment around him in a unique way. After studying architecture in Venice, Guidi’s interests moved towards photography until he devoted himself fully to the medium in the mid-1960s.
The Aesthetica Art Prize is an opportunity to advance your profile on the international art scene and is open to all artists worldwide. We welcome entries from all age ranges and experience levels, from upcoming talents to established practitioners. One & Other highlight the opportunities presented by the 2015 Aesthetica Art Prize awards.
Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement. There are 100 practitioners included and they span across all media from sculpture and installation to video and performance.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. Running until 6 July, the event is Britain’s newest international art fair, showcasing work by emerging and established artists from over 50 leading national and international galleries. Part of the the cultural programme for the UK’s International Festival for Business, the inaugural edition of the fair opens with a VIP launch and preview opening night on 3 July.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios opened their private working spaces and courtyard – bustling with performance artists, educational workshops, stalls, bars, and DJ beats – to the public. Housing 150 artists, Bow Road Studios consist of a renovated Nunnery (now also a gallery space); its surrounding four-storey buildings, and the recently converted biscuit factory, P1 Studios.
The collective exhibition Memory Lane explicitly prompts memories as a result of reconstructed history through the means of art. Right at the entrance, it’s the series of photographs, Tito in War (1992-1995), by Milomir Kovačević, that commemorates Tito’s portrait in after-war public spaces. Covered with blood, protected by broken glass, hanging on a half-demolished wall, these 33 photographs of photographs enact the symbolism of the leader’s portrait presence and legitimises the space.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Visitors voted for their favourite artwork in the group show between 4 April and 22 June, which presented the finalists from the Aesthetica Art Prize along with a further 92 artworks from the longlist displayed on monitors within the gallery.
Lizzie Cawthray is challenging the outdated notions of knitwear with her fresh, stylish and playful company, Needle. Cawthray aims to produce luxurious pieces that make her customers feel fantastic. After working as the knitwear product developer at LK Bennet for a number of years, Cawthray decided to focus her attentions fully on the versatile material and Needle was born. She speaks to Aesthetica about her future plans and the designers who inspire her.
Born in Athens, Virginia Damtsa is a contemporary art dealer and the Co-Founder of Riflemaker gallery in London. Moving to Paris when she was selected by the Opera National de Paris schools to train for a career in dance, she studied in Paris, Belgium, New York and Cambridge, England before moving to London in 1990 to continue her studies in the arts whilst working on private sales including Monet and Picasso. In 2004, she co-founded Riflemaker with Tot Taylor. Damtsa speaks to Aesthetica about her thoughts on contemporary art and her inspirations.
Mexico has had a long and tumultuous history that has contributed to the making of it as such an iconic country. From ancient pre-hispanic people to the urban modernity of its contemporaries, the vast array of influences that have been adopted by its citizens has created a uniquely Mexican worldview and way of life. Now placed as an ‘emerging power,’ the country’s enduring recognition of its traditions, alongside a simultaneous ability to embrace the future, makes for an intriguing society.
The Aesthetica Art Prize is open for entries, with a new prize of £5,000 for the Main Prize Winner in addition to group exhibition, publication in an anthology of 100 top emerging artists and editorial coverage in Aesthetica Magazine. Artists in a significant point in their career have a unique opportunity to further their engagement in the international art world. The Press reports on the importance of this new award.
This weekend is full of fascinating exhibitions, utilising all sorts of media. Sebastian Errazuriz uses a 3D printer to create his sculptures, while Sonic Social in Sydney harnesses sound to create site-specific works and Stan Douglas’ Mise en scène blurs the line between photography, performance and film. Marina Abramović continues the 512 hours she’ll spend in the Serpentine this summer, using her body and her presence as media. In New York, Some Artists’ Artists brings together work in a variety of media, chosen by some of the most influential artists working today.