Darren Nisbett is a photographer who has been exhibiting in group and solo shows for three years. His imagery explores the border zones between nostalgia and nature, and his piece Anesthetic was selected for the Aesthetica Art Prize Longlist of 100 artists. He experiments with different print media, including aluminium panels as well as traditional paper, and has exhibited at the 2013 Royal Academy Summer Exhibition. We ask Nisbett about his approach to photography.
Pedro Reyes, Vasco Araújo and Akram Zaatari, The Power Plant Contemporary Art Gallery, Toronto, Canada.
Part of the internationally-focused Harbourfront Centre, The Power Plant showcases the latest work from artists around the world. This summer it opens three exciting new exhibitions by Pedro Reyes (b. 1972), Vasco Araújo (b. 1975) and Akram Zaatari (b. 1966). Although hailing from very different backgrounds, these artists are united by their perspectives on the world and their exploration of ideas.
As much as it might seem provincial that non-western art is categorised by geography and ethnicity, Here and Elsewhere at the New Museum, New York, does justice to this grouping. Encompassing a vast territory of over 15 countries in the Middle East that include Iran, Syria, Lebanon, Egypt, Turkey, Palestine, UAE, and Morocco, the question of fetishising locality at the cost of undermining high standards of art is met head on. Here we see artistic productions by artists challenged by exile and war.
Time is a key part of competitive sport, much of which is rated according to speed; it’s an essential element for designating winners and losers and establishing records. This new exhibition at The Olympic Museum in Lausanne, Switzerland explores the concept of time as it is understood and experienced in sport.
The World Photography Organisation and Montgomery announced earlier this year the inaugural edition of Photo Shanghai – the first international art fair dedicated to photography in China. The Fair will run from 5 – 7 September at the landmark Shanghai Exhibition Centre, and aims to establish the most professional and international platform for fine art photography in the Asia-Pacific region.
This weekend there is the chance to a series of exceptional exhibitions across the world. The art on display ranges from provocative pieces of Neo-Concretism at MoMA, New York, to 17th century still life paintings at Queensland Art Gallery. Meanwhile in London, Whitechapel Gallery presents audiences with a thought-provoking retrospective of Giulio Paolini, charting the interweaving progressions of art itself. We handpick the very best in contemporary creative production this weekend, read on to find out more.
The new 525m² Media Space of London’s Science Museum plays host to Spanish photographer, Joan Fontcuberta in a surreal show which challenges the authority of museum exhibitions. Comprising six of Fontcuberta’s best-known works, Stranger Than Fiction includes not only large-scale digital prints, photograms and small analogue works but also grotesque hybrid taxidermy pieces, narrative text works, found objects and land art.
With the Aesthetica Art Prize call for entries countdown in full swing, we bring you a selection of 2014’s Photographic & Digital Art Category that highlights some of the most exciting emerging talent from around the world. These artists are Royal College of Art postgraduate Jonny Briggs, award-winning photographer André Lichtenberg and Terry O’Neill Tag Photography Award nominee Alice Gur-Arie.
Since being selected for the Aesthetica Art Prize earlier this year William Reardon has received a number of commissions for paintings and sculptures, and has also begun developing more computer-based artworks. As a professional motion graphic designer Reardon uses his animation skills to create video art – specifically interactive pieces using knobs and sliders to control elements of the animation.
Remote, beautiful – and increasingly endangered – the Arctic has long been a subject of fascination for many and a source of inspiration for artists. SALT is an ambitious concept to create arts and cultural experiences in the northernmost regions of our planet. It will invite world-famous artists to the Arctic Circle to create works which respond to the breathtaking landscapes, nature and history of the Arctic – while always aiming to treat the landscape with care and respect.
Previous Aesthetica Art Prize finalists include photographer Pamela Z. Daum, whose Same Scene, Different Day, aka SSDD, is part of an ongoing infrared series of the view of West Twin Lake from her house, which she captures each day. The bones of the landscape remain static and suggest a reassurance of permanence, though the atmosphere and sky speak of constant change, evoking the ephemeral nature of memory.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.