Aesthetica Issue 59 is now available to purchase online and in stores internationally. The new edition explores the idea of the unexpected and the notion that what actually happens is different from what was originally planned. Inside this issue, we start with Barbara Kruger’s new major site-specific installation at Modern Art Oxford, alongside her iconic 1980s paste-ups that continue to critique our consumerist culture.
UK theatre company Forced Entertainment present the UK premiere of their new performance, The Notebook, as part of After a War in the festival LIFT. A festival of international theatre and performance, LIFT transforms the city into a stage for artists to bring radical and inventive stories from their own countries to London. After a War is co-curated by Tim Etchells and Mark Ball and brings 22 artists from across the world to the Southbank Centre and Battersea Arts Centre to reflect on the lasting shadow of World War I and contemporary issues of war and peace.
SohoCreate opens next week, 4-6 June, for its inaugural creative festival. With an outstanding line-up of guests, including Rob Ryan, Michael Craig-Martin and Yinka Shonibare, the event runs panel sessions with some industry experts. SohoCreate offers a rare opportunity to hear from the UK’s leading creatives in panels crossing a variety of genres. Audiences will also have the chance to be privy to a number of conversations between experts, such as world-renowned architect Sir Nicholas Grimshaw, Frieze Art Founder Matthew Slotover and celebrated artist Yinka Shonibare as they discuss how our imagination is what makes us human and how essential creativity is to our future.
Degree Show season is upon us once more and art students up and down the UK are in the process of preparing their final projects for examination. The concluding exhibitions offer a public audience an insight into the brightest new talents at work in the art industry. From Edinburgh to Plymouth, London to Norwich, Aesthetica takes a look at the best emerging artists.
This summer Cornerhouse in Manchester will host the first major European show by American conceptual artist Clifford Owens, across all three of its galleries. Owens’ work explores the intersection of photography, video, text and performance. His practice seeks to challenge the boundaries of performance, and the possibilities of interaction between artist and audience.
Cherie Federico is the Editor of Aesthetica Magazine, and judge for the Aesthetica Art Prize. She will be leading the fourth talk in the series held at York St Mary’s as part of the Aesthetica Art Prize exhibition – a dynamic and innovative display of outstanding contemporary art from around the world, running until 22 June.
Today there is one month left to visit the Aesthetica Art Prize Exhibition at York St Mary’s – York Art Gallery’s contemporary art space. Featuring eight artists working in media from photography to film and painting to installation, the show represents the breadth and quality of work being produced today in the UK and internationally. The finalists hail from New Zealand, Chile, Germany, Italy and Britain; and the works of a further 92 international artists is displayed on monitors with the gallery. To celebrate this landmark exhibition in contemporary international art, we highlight works within the Video, Installation and Performance category, which can all be viewed here via YouTube and Vimeo.
Krakow Film Festival in Poland opens this May for its 54th edition. Running for eight days from 25 May until 1 June, the event is one of the oldest film festivals dedicated to documentary, animated and short fiction films in Europe. Audiences have the opportunity to watch about 250 films from Poland and abroad. Films are presented in competitions and in curated sections looking at particular a filmmakers’ output, themes within the industry and historical footage. The screenings are accompanied by exhibitions, concerts, open air screenings and meetings with the filmmakers. Every year Krakow Film Festival hosts about 600 Polish and international guests: directors, producers, film festival programmers and numerous audience from within the city.
Curated by Sarah Williams, TTTT responds to recent developments amongst artists around language, technology, image dissemination, sentimentality and anxiety. A series of reconfigured works from artists exploring sculpture and screen-based practices will be shown alongside new works by Oliver Laric and Benedict Drew.
A retrospective of the work of Walerian Borowczyk (1923-2006) is due to go on display at the ICA, London, this week. The Listening Eye highlights the artist’s extensive work in filmmaking, painting and sculpture. Primarily know from his erotic films such as Immoral Tales (1974) and The Beast (1975), Borowczyk also produced a number of animations, including Les Jeux des Anges (1964), Le Dictionnaire de Joachim (1965) and Le Théatre de Monsieur & Madame Kabal (1967). We speak to Associate Curator at the ICA, Juliette Desorgues, about what audiences can expect from the exhibition and their partnership with the BFI.
The third in the series of free lunchtime talks taking place as part of the Aesthetica Art Prize is led by University of York Lecturer and Art Historian, James Boaden. From 12.30pm to approximately 1pm on Wednesday 21 May, join Boaden at York St Mary’s – York Art Gallery’s contemporary art space, as he talks about the evolution of artists’ film, drawing upon the works in the exhibition.
Originally commissioned and presented by Film and Video Umbrella and De La Warr Pavilion at the time of the London 2012 Olympics, Dryden Goodwin’s film installation piece Poised, returns for the Yorkshire Festival 2014. The festival will run until 6 July and is the first ever arts festival to precede the Tour de France, the world’s biggest annual sporting event, in its 111 year history.