Aesthetica Art Prize Call for Entries Countdown: Experimental Video Art

The latest edition of the Aesthetica Art Prize featured outstanding artists working in video, installation and performance. These practitioners are breaking new ground within their given fields, and we are delighted to showcase their selected works, while each artist brings us up to date with their progress since being longlisted for the Aesthetica Art Prize.

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5 To See This Weekend

This weekend there is the chance to a series of exceptional exhibitions across the world. The art on display ranges from provocative pieces of Neo-Concretism at MoMA, New York, to 17th century still life paintings at Queensland Art Gallery. Meanwhile in London, Whitechapel Gallery presents audiences with a thought-provoking retrospective of Giulio Paolini, charting the interweaving progressions of art itself. We handpick the very best in contemporary creative production this weekend, read on to find out more.

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Mario Schifano 1960-1967, Luxembourg & Dayan, London

One of Italy’s most significant post-war painters, Mario Schifano considered painting as an intrinsically human art form capable of capturing the lifeblood of contemporary culture. This exhibition at London’s Luxembourg & Dayan displays some of his seminal works from his most artistically intense period, 1960-1967. During this decade he experimented with media and other, new techniques.

Review of Joan Fontcuberta: Stranger Than Fiction, Media Space, London

The new 525m² Media Space of London’s Science Museum plays host to Spanish photographer, Joan Fontcuberta in a surreal show which challenges the authority of museum exhibitions. Comprising six of Fontcuberta’s best-known works, Stranger Than Fiction includes not only large-scale digital prints, photograms and small analogue works but also grotesque hybrid taxidermy pieces, narrative text works, found objects and land art.

Aesthetica Art Prize Call for Entries Countdown: Highlights of Photographic & Digital Art

With the Aesthetica Art Prize call for entries countdown in full swing, we bring you a selection of 2014’s Photographic & Digital Art Category that highlights some of the most exciting emerging talent from around the world. These artists are Royal College of Art postgraduate Jonny Briggs, award-winning photographer André Lichtenberg and Terry O’Neill Tag Photography Award nominee Alice Gur-Arie.

Interview with Syrian Artist Tammam Azzam

Stepping into the Dubai based studio of acclaimed Syrian artist Tammam Azzam feels like a teleportation back to Damascus, where his career started. The Arabic tunes playing on the radio and the pleasant odor of coffee, paired with the vision of this organised, artistic mess found in studios, are a refreshing change from the glitz and glamour often associated with Dubai. Stacked against the walls, lay the experiments for his new work, in which he focuses on destroyed buildings seen in Damascus. He will explain about them soon, he says. Because they are only the result of his life experience, which he finds is important to describe first.

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Aesthetica Art Prize Call for Entries Countdown: Artist William Reardon

Since being selected for the Aesthetica Art Prize earlier this year William Reardon has received a number of commissions for paintings and sculptures, and has also begun developing more computer-based artworks. As a professional motion graphic designer Reardon uses his animation skills to create video art – specifically interactive pieces using knobs and sliders to control elements of the animation.

Interview with Abbey Walk Artist Robert Priseman

Abbey Walk Gallery, Grimsby, opens Easterlines today. The exhibition is a curated selection of work from the East Contemporary Art collection, founded by Simon Carter and Robert Priseman in 2013. In bringing a number of artists together, the showcase develops a dialogue between the individual concerns of each artist, reflecting on the nature of contemporary art today. We speak to curator and artist Robert Priseman about the ideas behind the project and his own approach to artistic production.

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Aesthetica Art Prize Call for Entries Countdown: Artist Pamela Z. Daum

Previous Aesthetica Art Prize finalists include photographer Pamela Z. Daum, whose Same Scene, Different Day, aka SSDD, is part of an ongoing infrared series of the view of West Twin Lake from her house, which she captures each day. The bones of the landscape remain static and suggest a reassurance of permanence, though the atmosphere and sky speak of constant change, evoking the ephemeral nature of memory.

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Special 60th Edition of Aesthetica Out Now

Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.

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5 To See This Weekend

This weekend numerous galleries across the world present some outstanding contemporary exhibitions. Audiences can explore an extraordinary series of shows at the Edinburgh Art Festival, where emerging and established Scottish artists are celebrated together. The rhythmic poetry of photographer Machiel Botman is on display at  Fotomuseum Den Haag, tracing his early images to his most recent. In our 5 To See This Weekend we also take a look at art at the Gagosian Gallery, Camilla Grimaldi and the Victoria and Albert Museum.

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Family Ties: Reframing Memory Various Artists, Peltz Gallery, London

In Family Secrets: Acts of Memory and Imagination, Annette Kuhn commented that a photograph should not be considered a ‘mirror of the real’ but ‘material for interpretation, evidence in that sense: to be solved, like a riddle; read and decoded, like clues left behind at the scene of a crime. Evidence of this sort, though, can conceal, even as it purports to reveal, what it is evidence of. A photograph can certainly throw you off the scent’. While Kuhn’s comments may be applied to any genre of photography, they are particularly relevant to family photography in which, when face to face with a camera, the conventional response is to smile, an act which often masks a much wider range of emotions.