To mark its 10th anniversary, Istanbul Modern is home to the first ever group exhibition to explore the interaction between visual arts, sound and music in Turkey from the late Ottoman period to the present.
Elke Finkenauer featured in the Aesthetica Art Prize Exhibition 2014 with her selected piece Draw A Line Somewhere. This work is a reflection upon the many facets of human nature. No-one who achieves huge success does so alone. Whereas a monument commemorates only heroic qualities, the piece can be considered as an “anti-monument” which instead celebrates the mundane reality of the “everyperson.” It reveals a certain softness, fluidity, brightness and darkness, all compressed into one whole.
Designer, painter, educator, mentor and social campaigner, Peggy Angus (1904 -1993) could be considered one of the 20th century’s most overlooked creative practitioners. Peggy Angus: Designer, Teacher, Painter presents Angus’ artistic and industrial practice in the context of Furlongs, her Sussex home which was once described as “the matrix of much strange and inventive creation”.
There is one week left to enter the Aesthetica Art Prize, an annual award which celebrates excellence in contemporary art. Entries are welcome from artists at all stages in their career and working in any medium. We present a selection of longlisted artists from the latest edition of the award in anticipation of the call for entries deadline.
Unprinted at Paul Stolper gallery, London, is an extensive overview of the art of YBA Angus Fairhurst (1966-2008). Running until 30 August, the exhibition brings together his printed works from 1992 to 2006, including silkscreens and etchings. Founder and Director of the gallery, Paul Stolper speaks to Aesthetica about the unique elements of Fairhurst’s practice and the ideas behind the current exhibition.
Aesthetica Art Prize longlisted artist Tamara Dean, born in 1976, is a photographer whose practice extends from New York to Australia. Dean’s work explores the relationship between humans and nature, and her works are exhibited internationally. Her new series The Edge opened in 2014 at Olsen Irwin Gallery in Sydney, Australia.
This weekend seize the opportunity to experience the innovative and ground-breaking in contemporary art. From Polish artist Pawel Althamer’s first exhibition in China at Ullens Contemporary Art Centre to Henri Matisse’s “cut-outs” at the Tate Modern , there is something for everyone on offer in the world’s leading galleries. Read on to see our five recommended shows.
Pamela Bowden is a fine artist with a background in archaeology and ethnography. Her experience as an ethnoarchaeological ceramicist led her to explore concepts of time, fragility and the impermanent nature of life. She has participated in group shows as well as two solo exhibitions, and is currently undertaking research at South Gloucestershire and Stroud College.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. In 2012 Jordi Ruiz Cirera won the Taylor Wessing Photographic Prize for the portrait he shot when he spent time with the Menonites, a closed community in Bolivia. Ruiz Cirera tells us about what draws him to take a photo and the impact of awards on his career.
Shortlisted for the Aesthetica Art Prize, Deb Covell exhibited a selection of pieces from her series Black and White Paintings throughout spring and summer 2014 in the Aesthetica Art Prize 2014 group show at York St Mary’s – York Art Gallery’s contemporary art space. In the run up to the current call for entries close on 31 August, we look at Covell’s practice as a source of inspiration and as a dynamic contribution to the contemporary art scene – intriguingly crossing the boundaries between painting and sculpture.
“I think there is a world market for maybe five computers” said Thomas Watson, chairman of IBM, in 1943, proving again that in the realm of technology it is very dangerous to make any prediction at all. So although the Barbican’s Digital Revolution is an exhibition of 30-ish years of digital art, computers, websites, CGI, music videos and games rather than a manifesto, there is still some slight hubris-in-the-making at work in its putting games made in the 1990s alongside examples of contemporary technology and artwork. You feel the future looking over your shoulder throughout, and the future has a tendency to assume we were all quaint. So the Barbican is to be admired and not envied: it has curated a show that will end up being discovered as what 2014 thought of itself.
MANIFESTA 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia
Manifesta originated in the post-communist period in the 1990s with the aim of balancing the information gap between the East and West, North and South. Offering audiences an opportunity to exchange knowledge and rethink the platforms and influences of art and its expressions, Manifesta considers both the poetic and political nature of art and contextualises the contemporary with the historical. Operating within contested areas allows the biennial to demonstrate the way in which art can aid understanding within this complex world and Manifesta encourages a critical dialogue.