Humans have shared a complicated and necessary history with animals. Loved or abused, these relationships vary greatly depending on our view towards each particular species. There are times where the importance of animals in the lives of humans is misunderstood or forgotten, and so circumstances have risen where certain animals are treated with apathy, neglect and mistreatment. A recent group exhibition, Elephant in the Room is currently on display at Brenda May Gallery. This selection of work highlights the importance of animals in the lives of humans. Elephant in the Room is not only a conceptual display of art that sheds light on unspoken realities; it also serves a purpose of giving back to the animal community as a portion of sales goes directly to the Animal Welfare League NSW. This generous charity assists with the care of surrendered, neglected and abandoned animals.
Guggenheim Abu Dhabi’s new exhibition introduces the future museum’s curatorial vision through a theme-based collection presentation, featuring artworks by 18 international artists from the 1960s to today and exploring the theme of light. The gallery’s curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.
Laura Buckley expertly combines moving image, kinetics, sound, light, sculpture and digital print, to recontextualise the everyday. She uses scanned imagery to create projected videos that are combined with footage from her life. The resulting pieces create an immersive and highly abstract environment. Buckley is shortlisted for the Jarman Award, an annual prize inspired by one of Britain’s most innovative, esteemed and controversial artists of the late 20th century, Derek Jarman. Aesthetica speaks to Buckley about her admiration for Derek Jarman and her approach to art.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture. Meanwhile, Elín Jakobsdóttir’s Eyes Cast, is a commissioned moving image work shot in Super 8 on location in Leeds Art Gallery. This silent visual poem traces a route through the building with a focus upon two bronze portrait busts by the sculptor Jacob Epstein. This new film is shown alongside plumpe Denken Modalities, a new series of paper cut-outs and drawings.
Noise is Europe’s biggest open community for the best up and coming talent who want to break into the Creative Industries, network and self-promote with an outstanding online portfolio recognised by top professionals. The artists who submit to the online community are judged by a panel of experts. Photographer Christine Eastwood was Elaine Constantine’s Curator’s Choice. Eastwood shoots captivating images of dilapidated spaces. She speaks to Aesthetica about her unconventional photography career and her plans for the future.
Since a few Basel gallerists put their passion and determination behind an ambitious vision in 1970, Art Basel has continued to grow in size and is now recognised as the premier international art show, held annually in Basel, Miami Beach, and Hong Kong. Providing a platform for artists and gallerists from around the world, Art Basel supports galleries in nurturing their artists, and is a driving force in the development and promotion of visual arts.
Joachim Brohm rose to prominence in the early 1980s as one of the first photographers in Europe to shoot exclusively in colour. From the late 1970s Brohm connected the visual possibilities of colour photography with a newly defined “everyday cultural landscape.”
In recent years cultural institutions across the world have seen a renaissance in architecture and architectural presentation. The vigour and enthusiasm with which the development of London and Bejing’s respective Olympic parks were reported in the mainstream press reached a fever pitch unfathomable 15 years ago. The constant development and new witty monikers of the latest high-rises to crop up on London’s skyline has become common parlance while the phenomenal growth in Dubai is a source of fascination with the ability of architects and engineers to achieve ever-higher feats.
The UK’s most talented new artists appear in the much-anticipated sixth edition of The Catlin Guide. Over the years the volume has become an indispensable reference for followers of contemporary art. The publication highlights prevailing and future trends, and has become a collectable item in its own right. Oliver Hickmet’s work is due to appear at the London Art Fair on The Catlin Guide stand. He speaks to Aesthetica about the origins of a new piece and the illusion of reality.
Every four years, the Moderna Exhibition presents an inventory of Swedish contemporary art, however this year the the focus is not only on Swedish, but contemporary art from six other Baltic countries; Finland, Denmark, Poland, Estonia, Latvia and Lithuania.
Presented by London based independent film company Day for Night, Nordic Film Festival returns to the UK with a diverse mix of fresh and classic features, documentaries and shorts, showcasing some of the most celebrated and emerging filmmaking talent of the Nordic region.
Artes Mundi 6 opened in Cardiff on 24 October at the National Museum Cardiff, Chapter and Ffotogallery, features a varied and thought provoking collection of work from nine international artists. Artes Mundi is an exhibition with a difference – both an opportunity to see bold, original art and also to study the entries in an internationally renowned competition before its closing stages when the winner is announced. A panel of independent judges will award one of the artists featured £40,000 on 22 January.
Over 40 photographs by Vivian Maier, dating from the mid-1950s to the mid-1970s, are on view at Howard Greenberg Gallery in New York – many of which are here exhibited for the first time. Not only does the exhibition present rare lifetime prints, but it also include prints made this year, since the vast majority of Maier’s work was never printed. In addition, a selection of Maier’s black and white 35mm has been printed and shown for the first time.
Major exhibition, Knitting Nottingham places the spotlight on the Nottingham’s position as a world centre of creativity and innovation. It has been organised by Nottingham Trent University at Bonington Gallery, as part of this year’s anniversary of 170 years of art and design. Rather than just include conventional knitted pieces, on display will be tea sets made from electro-plated knit, exhibits by internationally renowned designers, samples of 3D print combined with knitwear and technology embedded into yarn.
Sarah and Joseph Belknap’s current practice reflects upon our place in the cosmos, their newest works which have been made for the exhibition include sculptures, a site-specific installation, and a multi-channel video. The Belknaps, who were married in 2008 and began working together in the same year, have an interdisciplinary practice which draws from a range of sources including the history of science, notions of space in the popular imagination, and personal observations.
Type Motion at FACT Liverpool features over 200 outstanding examples of text and typography being used alongside the moving image. Currently on display and running until 8 February, the exhibition showcases the creative possibilities of opening up uses of text, extending the medium beyond print and highlighting the importance of writing as an artform in itself.
A key strand of Asia Triennial Manchester 2014, Harmonious Society is a major exhibition of new commissions and UK premieres featuring over 30 major artists from China, Taiwan and Hong Kong. Exhibited across six key spaces in Manchester, the project curated by the Centre for Chinese Contemporary Art is on view until 23 November.
Turner Prize-winning artist Grayson Perry presents a provocative and fascinating new exhibition which makes us question identity in modern day Britain. Perry has become a celebrity on the modern art scene, regularly presenting a refreshingly subversive view of British life. In his latest exhibition, 14 portraits of individuals, families and groups, which represent many different aspects of modern day Britain, including a disgraced politician, a young female-to-male transsexual, Northern Ireland Loyalist marchers and X-Factor contestant Rylan Clark, occupy the Gallery’s nineteenth and 20th century rooms on Floor 1.
The first person to have driven by Prada Marfa (2005), Michael Elmgreen & Ingar Dragset’s re-creation of a Prada store set within the desolate Texan landscape, must have thought they had stumbled upon a mirage. A window display showcasing Prada shoes and handbags interrupts the minimalist white stucco walls of the store, illustrating the discrepancy between the luxurious products and the building itself. The Scandinavian artists, who live and work in Berlin and Los Angeles, have created these shocking sculptural tableaux again and again throughout their career, each time hitting upon an element of society perhaps less than complimentary, whether it be our greed and consumerism or – as with their installation, Tomorrow, at the Victoria & Albert Museum, London – loss, loneliness and alienation. In collaboration with the V&A and curator Louise Shannon, the duo has created a fictional architect’s apartment, which has transformed the former textile galleries of the museum into an abandoned home.
“Illusion does not free us from reality. Ironically, through employing the very medium I critique, my work speaks to the disenchantment of the social psyche, which takes place at the hands of the modern media apparatus and at the expense of the natural world.” Through photography Sam Heydt comments on consumerism and constructed narratives of the past with a concern for the perversity of production, consumption and decay. We speak to Heydt about her ideas and what inspired her work Chrysanthemums in particular, selected for the Aesthetica Art Prize Anthology 2014.
Diversity – Malaysia Art reflects the nature of Malaysia and its people. Curated by Tony Godfrey and featuring 10 contemporary artists, the exhibition opens at La Galleria, Pall Mall, London, on 23 November. Running until 5 December, the showcase brings together some of the outstanding art coming out of the region in 2014.
We spend our lives immersed in ever-changing environments of light, where no two moments are ever quite the same. Whether it’s a cloud acting as a gauze over the sun, a glorious sunset or a total eclipse, we tend only to notice the most pronounced effects of light, and ignore the constant flux of conditions that plays out in our everyday existence. However, it is just these shifts in our perceptions that the work of Arizona-based artist James Turrell (b. 1943) has been drawing attention to for over half a century. Creating work with light as its principal medium and object, Turrell makes immersive environments that encourage the viewer to be more aware of changes in the illuminated landscape and, by extension, the act of observation itself. Previously the subject of three major exhibitions at The Guggenheim in New York, The Museum of Fine Arts in Houston and the Los Angeles County Museum of Art, the artist’s hallucinatory, epiphanic and sublime installations are recognised as among the most searching and affecting of our time.
The Royal Scottish Academy’s dual-part Resident ’14 exhibition has brought together 15 artists who have undertaken residences at venues across Scotland funded by the Royal Scottish Academy Residences Programme. By its very nature, the exhibition is diverse, with artists included in the show working across the full range of media, with film, multimedia, painting, drawing, photography and sculpture all represented.
Collezione Maramotti and Whitechapel Gallery announce a special evening of conversation, reading and performance with Corin Sworn, winner of the Max Mara Art Prize for Women. The event forms part of the Glasgow-based artist’s showcase of work currently being created during the prize’s six-month Italian residency. An avid storyteller, Sworn uses drawing, video and installation to explore the assemblage of narrative through an infusion of collected and sometimes random stimulus.
HADA Contemporary is the first East Asian art gallery on Vyner Street, London. Representing a number of stunning artists, the gallery cultivates a conversation between art in the East and the West. Founder and director Tom Woo seeks to recognise the rich history of art from East Asia with an emphasis on Korea, showcasing both established and emerging artists. Aesthetica speaks to Woo about his selection of practitioners and his future plans for the gallery.
On 6 November, the city of Turin welcomed the 2014 edition of Artissima, Italy’s largest and most prestigious contemporary art fair. A well-established event already in its 21st edition, it sees 194 galleries exhibit works at Oval Lingotto. A vast space, originally designed for the 2006 Winter Olympics, it is now frequently employed as an artistic arena for the many fairs and festivals hosted by the Alpine city.
The season of literature festivals is well and truly upon us. October saw the 23rd annual Off the Shelf Festival in Sheffield. For as long as the festival has existed, it has attracted plenty of famous faces. This year was no exception. From literary newcomers to veteran writers, the festival was a unique celebration of the written word. This year marked the biggest Off the Shelf festival yet, with over 200 events taking place across the steel city. Aesthetica takes a look at some of the best events across the City.
Located on an old port, on the banks of the river Nervion is the titanium-clad, cathedral like Guggenheim Museum Bilbao. Designed by Frank Gehry and built in 1997, the museum resembles a fantasy ship, with soaring elevated arcs and soft sandstone and has become synonymous with cultural regeneration. The once degenerated city has been transformed into one of the most popular tourist attractions in Europe, and is now bustling with Michelin star restaurants, luxury hotels, satellite museums and “starchitecture”. Earlier this month, The Art of Our Time: Masterpieces from the Guggenheim Collections opened at the Bilbao museum, curated to celebrate the Solomon R. Guggenheim Foundation’s part in the rebirth of the city.
Fashion in Motion at the V&A showcases the work of leading international designers through one-off catwalk events. This innovative programme strives to show fashion as it is meant to be seen: in motion. For the museum’s next Fashion in Motion edition, the V&A are collaborating with knitwear collective Sibling to present highlights from the London-based label’s menswear collection.
The Courtauld’s latest exhibition offers a glimpse into the work of Egon Schiele, who can be viewed in terms of the Expressionist tradition. Expressionism evolved as a reaction to the modern world and in its broadest terms can be seen as an approach to art and literature rather than as a coherent movement. Numerous galleries have focused on this renowned period within art, but this is the first UK show to dedicate itself in its entirety to the works of Schiele.
Cooper Gallery, Dundee showcases the first major exhibition in the UK of the work of pre-eminent German conceptual artist Anna Oppermann. Centring on one of her crowded ensembles completed in 1982, the show also catalogues her history through drawings, prints, gallery invites, Polaroids and documentary films. While an interactive archive forms an invitation to scrutinise, through detailed annotations, the intricate complexities of her practice.
Although it was more than 125 years ago that lumber baron Thomas Barlow (T.B.) Walker built a room onto his Minneapolis home on Hennepin Avenue, mounted his 20 favourite paintings on the walls, and opened his home to the community, it was the year 1940 that marked the birth of the Walker Art Center we know. To celebrate the 75th anniversary of its founding as a public art centre, the Walker Art Center presents a series of WAC@75 exhibitions and programs. This begins with Art at the Centre: 75 Years of Walker Collections, which looks at 75 years of collecting at the Walker—a history distinguished by bold acquisitions that challenge artistic conventions and examine current social and political conditions.
A new solo exhibition of the work of American photographer and filmmaker Alex Prager, opens at the National Gallery of Victoria from 14 November. Founded in 1861, Australia’s oldest public art gallery proudly introduces its audiences to Prager’s lusciously rich photographic oeuvres. In her elaborately conceived and poignantly staged photographs, Prager freely references the aesthetics of mid-20th century American cinema and photography.
All That Matters Is What’s Left Behind at Ronchini Gallery brings together abstract works from a distinct group of young international artists, each of whom explore the act of “leaving their mark.” These artists – Alex Clarke, Phoebe Collings-James, Ziggy Grudzinskas, Prem Sahib, Rebecca Ward and Jens Wolf – do so in a repertoire of mediums from sculpture to hand-drawn scrawls, to painted bodily imprints and lyrical abstractions. Each of the exhibition’s heavily experimental works reveal the artistic process alongside the completed art form: the manipulation of materials is evident and a gestural style allows for imperfections which add to the physicality of the work, and actively remind the viewer of the artists’ bodily presence.
The National Galleries of Scotland and Tate announce their schedule for the seventh year of Artist Rooms On Tour. Next year, the Artist Rooms travelling project will see Robert Mapplethorpe in Clydebank, Aberystwyth and County Durham, Don McCullin in Shetland, Diane Arbus in Kirkcaldy and Francesca Woodman in Powys. An outstanding year for photography, 2015 will see pioneers of this seductive medium reach new audiences.
This year FIAC was once again a resounding success. While the Grand Palais hosted well-established artists, and a few no-risk galleries, the (Off)icial branch of FIAC held in the Cité de la Mode et du Design allowed visitors to get a taste of less well-known artists. A few of the exhibits are destined to become iconic. The larger pieces are, as usual, the best contenders in this respect. Richard Jackson’s Bobble Head is probably the one that most would have selected as the mascot of the fair. It’s an overlarge kitsch car gadget bearing the artist’s own traits. The touch that made the sculpture more than just striking were the tips of the puppet’s fingers, coated in a green substance that evoked both blood and paint, suggesting the intimate link between madness and art. Jackson’s mixture of the sinister and the comic make his work memorable. Jan Fabre’s giant marble representation of a brain with a marble corkscrew sticking out of it struck a similarly pathological serio-comic note.
Drawing its title from the antithesis inherent to the making and the experience of art, Freezer Burn focuses on the idea that artists are able to experience powerful forms of life and subsequently transform them into subtle yet potent sensorial realities, expanding the smallest sentiment into a world of its own. Organised by Hungarian-born, New York based artist Rita Ackermann, this group exhibition unites the work of 15 individual practitioners, each exploring the juxtaposing emotions of freeze and burn.
Stuart Semple’s Anxiety Generation opens at Delahunty, London, 13 November. Running until 4 December, Semple focuses his language of sampled popular culture, intense imagery, song lyrics, direct humour and text towards a very defined agenda of playing the image world at its own game. Just as poignant, potent and outspoken as any of his previous projects, the exhibition of painting will be presented in his trademark colour-fuelled style. Aesthetica speaks to Semple about his love for painting and the collective anxiety of young people today.
Have you ever thought that contemporary art could play a pivotal role in the understanding of our past through our present and future hypostasis? Contemporary Greek artist Aemilia Papaphilippou explores the interconnection of realities with a major intervention set at the iconic public site of the Ancient Agora of Athens, right at the foot of the Parthenon. Papaphilippou’s Pulsating Fields (commissioned and produced by NEON and part of its City Project for 2014) is an installation triptych embracing a site-specific marble sculpture, a video projected on a surface of 440 x 40 feet of the 2nd century BC monumental Stoa of Attalos, and a performance.
This exhibition is – as it always has been –all about Tracey. But it is about a mature Emin who has absorbed the ravages of time and embodied them in a new materiality. Somewhere beneath the layers of gouache and the surfaces of the bronze, Mad Tracey from Margate is lurking, but the seriousness and resolve of this new body of work keep her at bay. This is a sober, provocative show, where traditional notions of beauty collide with the ugly truth of human striving.