Romain Thiery (b. 1988) started out by documenting the forgotten patrimony of southwest France, the region in which he was born. Building on the desire to capture places that people no longer inhabit, the photographer has since moved into offering a visual sense of renewal to universal structures through an attention to texture, light and the notion of absence. Dusty windows and ivy-laden pillars are dappled with the warmth of yellows and greens – signs of life despite the overriding sense of silence that fills the spaces. Meanwhile, concrete rubble, marble ceilings and strewn branches provide spontaneous textural contrasts amongst the manmade structures. Emptiness, whilst inherently a negative concept, provides the entire basis for the images – cracked floors, overgrown pathways and iconic staircases are left without an audience, to become evidence of the passage of time.
Esther Hovers’ False Positives features intelligent surveillance systems – cameras that are able to detect deviant behaviour within public spaces.
Martin Parr: Early Observations
Known best for honest and often critical portrayals of the Great British public, Martin Parr has been unafraid to capture humanity through his vision.