Including works which have never been exhibited as well as paintings, films, sculptures, notebooks, slide projections and photocopies from across five decades, Alibis: Sigmar Polke 1963-2010 will be the first exhibition to fully encompass the enormously varied range of materials with which Polke worked.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Joachim Fleinert bases his practice on found photography. Inspired by the flea market rifling that defined his childhood, Fleinert loves to search for lost stories and lives in imagery. Fleinert speaks to us about the way he transforms old photography and his upcoming projects.
The UK’s largest international photography festival returns for the sixth time this year, filling venues and public spaces in Brighton & Hove and beyond with a series of remarkable collaborations. Rather than be organised by a single curator, ‘Communities, Collectives & Collaboration’ will present a series of projects which feature over 45 photographers, artists, collectives and partners bound by an innovative collaborative approach which gives rise to unexpected partnerships between practitioners from varying fields.
Saluting the work of Frisian author and poet Jan Slauerhoff, the 21st Noorderlicht International Photofestival highlights those who, dissatisfied with the status quo, think ‘outside the box,’ seek alternatives or create their own. An Ocean of Possibilities is dedicated to ventures which underwrite our freedom to start something new and to do the unexpected in a world where it can feel as if the fundamentals cannot change.
Bernd & Hilla Becher’s project to document the industrial landscape of post-war Europe, ongoing for over five decades, is timeless: contemporary photographs of monumental structures that bear no trace of current affairs, past events or future projections. This selection of works exemplifies their rigorous examination of architectural typologies, treading a fine line between similarity and difference, seemingly devoid of both utility and humanity.
A Road Through Shore Pine focuses on a new body of work by Robert Adams, a series of 18 never-before-seen photographs made in Nehalem Bay State Park, Oregon, in the autumn of 2013, which will be presented alongside Robert Adams: The Complete Books, 1970–2014. This is to be a survey of the artist’s deep involvement with the book form over a span of almost 45 years.
In a town whose faded seaside glamour is both complimented and disturbed by a swath of public art, it is only at low tide that the feverish digging can commence. A swatch of beach that in the morning looks like the realisation of a grim prophecy in a Morrissey song is by late afternoon swamped by an ecstatic crowd. Michael Sailstorfer has buried £10,000 worth of gold bullion in the unforgiving sands of the Old Harbour.
Photo.clothing combines the fad of all over prints on t-shirts with art, to produce vibrant and unique items of clothing. The team have joined up with Magnum photographers Martin Parr and David Alan Harvey and have created 500 t-shirts with their distinctive photographs. All of the shirts are hand printed in London on high-quality materials that stays wrinkle free and soft to the hand. Photographers are invited to join the community and submit their own photographs to be transformed into a fashionable garment. We speak to the developer of Photo Clothing, Michael Hanreck, about the company and his favourite designs.
Dave Wise was once described by the producers of hit TV show Britain’s Next Top Model as “… part of the fashion elite” and is now a long way from where he began with his camera at the age of 5. Describing his work, he says: “The thought of tomorrow is so exciting, the next project, one step closer to the day after that; and it all starts all over again”. His work has appeared across the globe and clients include United Agents, The Artists Partnership, EFFIGY Magazine, FIASCO Magazine, Vogue.com, Universal Records, BOX Boutique, Christophe Willem, Channel 4, Junipero Magazine and Concierge Magazine.
With his London debut, Berlin-based Australian artist James Reka explores the splendour of the dancing female form using fluid lines to create a hypnotic and dynamic movement. The title of the show derives from John Milton’s 1645 poem L’Allegro, in which to “trip the light fantastic” alludes to those who dance without inhibition – and Reka’s characters do just this.
Degrees of Separation at Maddox Arts explores the legacy of the Modern Masters who were pioneering geometric abstraction and kinetic art in the 1950s and 1960s. The exhibition responds to the work of these influential artists and looks at how contemporary practitioners are continuing to uses these art forms today. Artists such as Carlos Cruz-Diez, Abraham Palatnik and Julio le Parc are included in the show and the presentation of their work together develops a unique discourse between the various approaches to the genre. Aesthetica speaks to curator Laura Culpan about the development of Degrees of Separation and the future plans for Maddox Arts.
From Nowt to Summat is a new installation by Aesthetica Art Prize finalist Deb Covell, opening at mima, Middlesbrough, on 18 September. The work has been produced as part of her Artist’s Open Studio event at mima (until 12 September) and is also accompanied by Absolute Zero, an exhibition of Covell’s work in the area outside our education space, Project Space 2 Gallery, until 18 September.
International video art is celebrated in an exhibition at Birmingham Hippodrome and across the city this November. About Town is presented in partnership with Ikon and showcases a wide variety of free night-screenings by artists from the UK and abroad, in unique urban spaces. Running 13-16 November, the event combines new commissions and pieces from the Ikon’s recent programme.
To coincide with the centenary of the outbreak of World War One, Osborne Samuel gallery will hold a comprehensive exhibition of CRW Nevinson’s prints alongside the launch of a new book titled CRW Nevinson: The Complete Prints, which is to bethe first complete survey of Nevinson’s printmaking career.
This year, 55 artists join the assembly of Bloomberg New Contemporaries, chosen by the UK organisation which supports emergent art practice from British Art Schools. New Contemporaries provides a critical platform for recent fine art graduates by means of this annual, nationally touring exhibition – of which previous exhibitors include Jake & Dinos Chapman, Tacita Dean, Mona Hatoum, Damien Hirst, David Hockney and Mike Nelson.
The opening of the Black Cultural Archives (BCA) in Brixton marks a significant milestone in the life-cycle of the south London borough of Lambeth. Proudly housed in the listed Raleigh Hall on the corner of the iconic Windrush Square, the archive finally exposes the fragility, the battle and the joy experienced by Black-Britons as they came to forge an indelible and unique contribution to the cultural landscape not only of London where the S.S. Empire Windrush docked in 1948 but spiralling outwards to encompass the entire island, creating in its wake a wave of activism and defiance.
This year, the Artangel Longplayer Conversation brings together Brian Eno and David Graeber to discuss present concerns and the long term potential for change. Eno is a cultural polymath, an artist, writer, producer and musician; Graeber meanwhile is an activist who has worked extensively with the Global Justice Movement and Occupy Wall Street and author of a number of books including the highly-acclaimed Debt: The First 5,000 Years and regularly writes for The Guardian, Al Jazeera and Harpers. In addition to this, he also currently holds the position of Professor of Social Anthopology at the London School of Economics.
This September, Rashid Johnson’s critically acclaimed piece, Dutchman, will run at Chicago’s Red Square Russian and Turkish Baths for five evenings with performances beginning at 11pm as part of Performa 10 Years. Dutchman is Johnson’s first live performance and is a reimagining of the Obie Award-winning theatrical play written in 1964 by LeRoi Jones (Amiri Baraka), re-enacted within the setting of a traditional bathhouse – having premiered at the historic Russian & Turkish Baths in New York City’s East Village.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Katie Bret-Day is influenced by the work of the Surrealists and has an interest in the materiality of photography. She has an affection for the traditional format of photography, but likes to combine this passion with digital methods to produce new and provocative pieces. Bret-Day speaks to us about the practitioners that have inspired her and how she communicates with her audience.
Leeds and Bradford’s festival of pioneering, experimental and underground music, film and art makes its return with new commissions from performers including avant-garde guitarist Stephen O’Malley of Seattle drone metallers Sunn O))), Nick Cave collaborator Blixa Bargeld, large folk ensemble Dark Northumbrian, legendary anarcho punks Zounds, Detroit hip hop group Slum Village, as well as Owls, David Thomas Broughton, Tom Hopkins, Giulia Ricci and many more.
GM Architects: Museum of Civilizations is Nominated for an Award at The World Architecture Festival, Singapore
The Museum of Civilizations, presented by GM Architects at Venice Biennale of Architecture 2014, has been nominated for an award at The World Architecture Festival in Singapore. The World Architecture Festival is the world’s largest festival and live awards competition dedicated to celebrating, and sharing architectural excellence from across the globe.
The 20/21 British Art Fair opens today at the Royal College of Art, London. It is the only fair to specialise in Modern and Post-War art, but also feature work up to the present day. The college is often dubbed “the spiritual home of British art” and is the ideal setting for the fair. Running 10-14 September, the fair presents 55 exhibitors, who offer an inclusive collection of paintings, prints, drawings, photography, sculpture from the Modern (1900-1945), Post-War (1945-1970), and Contemporary (1970 onwards) periods. The intimate and friendly atmosphere appeals to the young, the first time buyer and the dedicated collector.
An established annual celebration of new photography, Unseen focuses on brand new photography talent as well as unseen work by established photographers. This year the fair takes place in the dramatic, vast expanse of Amsterdam’s Westergasfabriek which will house over 50 galleries from across the UK, Europe and Asia.
City Visions: A season of films, talks and debates exploring modern cities, Barbican Cinema, Barbican Centre, London
50% of the earth’s population live in urban centres, a figure that is predicted to rise to over 75% by 2050; City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing memorable images of urban decay and deprivation. The season engages with conversations around architecture, urban planning and globalisation, and will run alongside the Barbican Art Gallery exhibition Constructing Worlds: Photography and Architecture in the Modern Age.
Most air traffic between London and Sao Paolo this summer was one way, well at least until the England football team limped out of the World Cup against Costa Rica on the 24th of June. Those fans who stayed out in Brazil beyond the remit of their original objective to support the England team may have been lucky enough to witness a match which in many ways eclipsed the tournament and provided a compelling portrait of Brazil itself. The selecao’s 7-1 humiliation by Germany epitomised the Brazilian tradition of collapsing the boundaries between art and rubbish, poetry and tragedy.
Daniel Buren is widely considered to be France’s greatest living artist and one of the most influential and important figures in contemporary art for the last 50 years. This summer Buren has transformed the west façade of BALTIC into a kaleidoscope of colour, visible outside and also inside the galleries, where Buren exhibits a major large-scale commission.
This exhibition currently on display is the first survey of works by David Farrell (1919-2013) since his death earlier last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro, Margot Fonteyn and the Rolling Stones. The British photographer is internationally renowned for his iconic images of the greatest musicians, actors, authors, dancers and artists of the 20th century, as well as documentary works depicting domestic life in Britain and anonymous street subjects.
Spanning nine months and encompassing five decades of the artist’s oeuvre from 1969 to 2014, You Can’t Keep Acid in a Paper Bag is an iconic exhibition for several reasons. Not only is it the first comprehensive retrospective of Nalini Malani’s work to be exhibited in India – bringing home several installations and projects that have never been shown in her home country – it is also one of the largest solo exhibitions to be held at the Kiran Nadar Museum of Art (KNMA).
The 31st Bienal de São Paulo will deal with things that don’t exist, it is a poetic call to the promise of art, and addresses these things that don’t exist in several ways: how to talk about them, how to learn from them, how to live with them, how to struggle with them.
Initially realised in 1972 at The Student Cultural Centre in Belgrade, White Space was a room lined with white paper containing a tape recording of Marina Abramović repeatedly saying the words “l love you”. This work has never been recreated, until now, as it forms the centrepiece of a display of rare, historic Abramović works.
To celebrate ten years of existence, Dover Street Market holds The Next Ten Years: a series of events, installations and special products. For the duration of September, the basement and second floor of Dover Street Market will be totally transformed, the Rose Bakery will be enlarged and artists design four new fitting rooms. Furthermore, an event space on the first floor, an expanded jewellery section and wallet display will be given over to Louis Vuitton for the entire A/W14 season.
There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery, Wirral, before it closes on 21 September. Exploring the paintings, drawings and photographs of the Pre-Raphaelite star, the exhibition marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s chief muse. Uniting rarely displayed works, the showcase details the artist’s fixation with Morris and his depiction of her as the ultimate femme-fatale.
Photographer Rotimi Fani-Kayode was a highly influential figure in 1980s black British and African contemporary art, and although his career was cut short by his untimely death at the age of 34, Fani-Kayode remains one of the most significant names in the history of black photography.
In his Festival lecture The Culture of Violence in the Twentieth Century, Alan Kramer points out that, unlike the Germans, the English did not during World War I rely on prisoners of war as a labour force. Not only this, but English POWs were treated comparably well. As Professor of European History at Trinity College Dublin, Kramer is precisely one of those who, in the words of Albert Camus, “make history.” Yet as Festival Director Jonathan Mills quotes in full from Camus in his introductory statement in the Festival programme, “It is the destiny of the artist not to serve those who make history, but to serve those who are its victims.”
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Corinne Silva’s vibrant photographs examine the use of the still and moving image in suggesting metaphysical space. Her visual language engages with the limits of lens-based media and its potential to explore the evolving relationship between politics, landscape and art histories. Silva speaks to us about her Imported Landscapes series and her dual use of photography and film.
Louise Bourgeois: A Woman Without Secrets currently on display at Middlesbrough Institute of Modern Art showcases the work of one of the greatest and most confessional artists of the 20th century. Most people associate the artist’s name with her overwhelming spider sculptures but there really is so much more to the works of the “woman without secrets”.
The Aesthetica Short Film Festival (ASFF) is delighted to announce it is now a BAFTA recognised festival, an achievement that is unprecedented for a festival in its fourth year. This latest accolade stands testament to the creativity and bold programming of ASFF, which has now firmly established itself as a dynamic player on the film festival circuit.
This September Sam Eugène’s second solo exhibition opens at Art Galleries Europe in London. A Digital Fauve introduces a brand new artist genre: Digital Fauvism. The form comes from the influence of les Fauves, a group of influential artists at work in the early 20th century. Eugène restores the techniques of the masters but adapts them for his individual practice as he merges Fauvism with photography and digital media.
The artists to be shortlisted for the Turner Prize in its 30th year are Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell. The Prize was founded in 1984 promote discussion of new developments in contemporary British art, and this year’s shortlist reflects the diversity of the UK art scene today.
Turner Prize nominee Marvin Gaye Chetwynd and American photographer Anne Collier mark the 20th anniversary of Studio Voltaire with their first solo presentations to take place within one of London’s public galleries. Chetwynd will present her largest commission to date, Hermitos Children 2, within a large-scale installation whose props and interiors will immerse visitors within her world of 16th century wandering troupes and wild, costumed, carnivalesque live performances.