From a casual glance at the advertising for Conflict, Time, Photography you might assume it to be an exhibition of war photojournalism; in fact the concept is far more novel. The images on display show the aftermath (rather than the unfolding of) the conflicts they depict.
Ronchini Gallery’s latest exhibition Home is artist Adeline de Monseignat’s second solo show. Curated by Samia Calbayrac, it offers as its focal point an installation piece constructed from the awnings of the artists’ family home. In conjunction with this architectural centre-piece, de Monseignat incorporates sculptural, drawn and mixed media pieces, all of which explore “the nostalgia of childhood memories.” The work is physically linked to the artist’s childhood in its construction from the very same awnings she grew up with and which she uses to demarcate the exact dimensions of her childhood bedroom within the gallery space. De Monseignat skillfully draws the audience in with her playful approach, inviting her audience to accommodate themselves within her “bedroom,” which seemingly acts as a synecdoche for her juvenile years.
The end of November saw canvas and canapés meet at the opening night of Diversity: Malaysia Arts. Organised by the Malaysia External Trade Development Corporation (MATRADE), the evening was a cavalcade of speeches, ceremony and gift-giving intended to showcase the country’s up-and-coming artists. Opening proceedings was Tony Devenish, Councillor to Knightsbridge and Belgravia and who, to the great surprise of many attendees, recounted with fondness his years spent in Kuala Lumpur (or ‘KL’, as he familiarly called it); laughter exploded from the audience as Devenish name-dropped the Proton car he once drove about the city.
The Photographers’ Gallery announces Nikolai Bakharev, Zanele Muholi, Viviane Sassen and Mikhael Subotzky & Patrick Waterhouse as the four shortlisted artists for the Deutsche Börse Photography Prize 2015. The annual prize, established by the gallery in 1996, aims to recognise and reward the exhibited work or publication of a living photographer of any nationality, who has significantly contributed to photography in Europe over the past 12 months. This year’s selection showcases a diversity of photographic approaches, which include video, object and text based works and encompass social documentary, portraiture and contemporary art photography.
The use of physical theatre by DV8 honours the company’s name. Deviating from any traditional performative categories, it sits between finely tuned body language, as in theatre, and the body as language, as in dance. The company’s method is well suited to John, whose script retells verbatim an interview with the show’s eponymous hero, a drug addict and general malcontent. Entwined with movement, the anti-drama of the script begins to sing. Yet the reins are never fully loosed to the physical by director-cum-choreographer Lloyd Newson, whose guiding principle, it seems, is control. That this remains apparent despite the show’s use of a revolving stage is testament to the firmness of his creative grip.
Latitude Platform for Brazilian Art Galleries Abroad brings an energetic programme to Art Basel Miami Beach. Over the next few days, the Latitude programme will support 15 Brazilian galleries in showcasing leading contemporary art at Art Basel’s 13th Miami Beach edition. As a premier international destination for Latin American galleries, Latitude’s creative platform also invites nine additional Brazilian galleries to display work at three satellite art fairs across the region: Context, Untitled Art Fair and Pinta Miami.
For those who are passionate about contemporary art and culture, Aesthetica Magazine is the ultimate guide for keeping up-to-date with the latest news from the international art scene. Order a Gift Subscription for someone special this Christmas and save 20% off newsstand prices while also benefiting from a free gift wrapping service and a chance to write a personal message.
Art Basel Miami Beach brings together contemporary works for its extensive art fair from over 250 participating galleries worldwide. Running from 4-7 December, the exhibition is inclusive of photography, paintings, sculptures, multimedia and many other mediums. The annual event attracts tens of thousands of visitors, and each year, it grows. Everyone from admirers to collectors will attend. We feature five of the galleries and some of the artists represented this year.
Frederick Wiseman’s National Gallery takes the audience behind the scenes of a London institution and into the heart of a museum inhabited by masterpieces of Western art from the Middle Ages to the 19th century. National Gallery is the portrait of a place, its way of working and relations with the world, its staff and public, and its paintings. In a perpetual and dizzying game of mirrors, film watches painting watches film.
A Hayward Touring Show with support from the Art Fund, Art from Elsewhere brings together works that depict different realities of profound global change. This Hayward Touring exhibition, curated by David Elliott, runs at the Gallery of Modern Art before touring to five museums and galleries across the UK. This exhibition recognises the vital importance of continuing to enrich collections of contemporary art throughout the whole country.
Derek Jarman is one of Britain’s most important and ground-breaking artists of the late 20th century. The Jarman Award is inspired by his practice and celebrates some of the most innovative filmmaking in the UK today. The 10 shortlisted practitioners all demonstrate a spirit of experimentation, imagination and inspiration. This year the films have toured across the country and arrive at Whitechapel Gallery, London, this weekend for the announcement of the winner on Monday 8 December. The winner will not only receive a £10,000 cash prize, they will also win a broadcast commission — to produce a series of film artworks for Channel 4. Find out more about each of the shortlisted artists.
The December/ January issue of Aesthetica is now available to purchase online and in stores internationally. In Issue 62, Aesthetica focuses on the idea of the unconventional. It’s a celebration of practitioners who are experimenting in their field by working in interdisciplinary ways and introducing concepts from other areas of art and design into their work.
Widely known for her elaborate collages that explore and subvert cultural preconceptions of the female body and the feminine. Wangechi Mutu’s practice has been described as engaging in its own unique form of myth-making. This exhibition, Nguva na Nyoka meaning “Sirens and Serpents” in Kiswahili presents her latest body of collage, video and sculptural works.
With the start of advent it is time to write those Christmas lists and get shopping. We’ve curated a selection of goodies for a variety of tastes from independent businesses, high-end fashion houses and cultural institutions. From candles to trainers, books to skirts, we’ve got it covered. Read on to find out more about each of our top products.
Issue 62 of Aesthetica is out in shops now. One of the most thrilling discoveries is someone who is breaking new ground and embodying the word “innovation.” It’s important to look at both established and emerging artists that are the driving force behind this type of progress. At Aesthetica, we are interested in people who are experimenting while stepping outside of the everyday. We want to engage with works that challenge us and change perspective.
From an early age Stephen J.E. Davies was fascinated by aeroplanes and flight, especially when studying the Airfix artworks by Roy Cross and the paintings of Michael Turner, as well as many comic book illustrations. Inspired by these artists, he began to create work ranging from World War II German Panzer’s and aircraft to RAF Spitfires, Hurricanes and Lancasters. As an artist, he aims to inspire the viewer to marvel at the close detail of each work, from complete subjects to close ups alike, and find enjoyment from discovering something new each time they view the work.
At the 2001 Tate Turner Prize, Yorkshire-born artist Martin Creed (b. 1968) presented Work No. 227: The lights going on and off. Consisting of an empty room, the work existed as, quite literally, the lights in the room going on and off every five seconds, cyclically submerging the room in darkness only to be lit up again. The work prompted outrage from both critics and visitors, a problem revisited again in 2013 when the Tate announced that it had purchased the work for its permanent collection. The upset is undeserved, and this winter, Creed has the chance to answer the critics with his first ever retrospective, which opens at the Hayward Gallery. The exhibition, curated by Cliff Lauson, is described as “genre-defying” and includes works from the past 25 years. Although, Creed has been the focus of several recent solo exhibitions (Museum De Paviljoens, Almere, 2013; Fruitmarket Gallery, Edinburgh, 2012) this will be the first major survey of his work, and it is a long time coming.
Contemporary art duo known for their provocative and confrontational art, Jake and Dinos Chapman return to the town in which they grew up with previously unseen works and brand new commissions, in an exhibition at Jerwood Gallery, Hastings, crowd-funded through the Art Fund’s new Art Happens platform. This scheme was launched in June 2014 to help UK museums raise money for new, small-scale, achievable and highly creative projects, with the Realm of the Unmentionable standing as the second project to take rise from it.
Humans have shared a complicated and necessary history with animals. Loved or abused, these relationships vary greatly depending on our view towards each particular species. There are times where the importance of animals in the lives of humans is misunderstood or forgotten, and so circumstances have risen where certain animals are treated with apathy, neglect and mistreatment. A recent group exhibition, Elephant in the Room is currently on display at Brenda May Gallery. This selection of work highlights the importance of animals in the lives of humans. Elephant in the Room is not only a conceptual display of art that sheds light on unspoken realities; it also serves a purpose of giving back to the animal community as a portion of sales goes directly to the Animal Welfare League NSW. This generous charity assists with the care of surrendered, neglected and abandoned animals.
Guggenheim Abu Dhabi’s new exhibition introduces the future museum’s curatorial vision through a theme-based collection presentation, featuring artworks by 18 international artists from the 1960s to today and exploring the theme of light. The gallery’s curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.
Laura Buckley expertly combines moving image, kinetics, sound, light, sculpture and digital print, to recontextualise the everyday. She uses scanned imagery to create projected videos that are combined with footage from her life. The resulting pieces create an immersive and highly abstract environment. Buckley is shortlisted for the Jarman Award, an annual prize inspired by one of Britain’s most innovative, esteemed and controversial artists of the late 20th century, Derek Jarman. Aesthetica speaks to Buckley about her admiration for Derek Jarman and her approach to art.
Shezad Dawood’s Towards the Possible Film brings together new film, textile painting and neon work, alongside his selected works from the collection to inspire a meeting point between modernism and mysticism, mapping out enquiries into histories of place and the significance of landscape and culture. Meanwhile, Elín Jakobsdóttir’s Eyes Cast, is a commissioned moving image work shot in Super 8 on location in Leeds Art Gallery. This silent visual poem traces a route through the building with a focus upon two bronze portrait busts by the sculptor Jacob Epstein. This new film is shown alongside plumpe Denken Modalities, a new series of paper cut-outs and drawings.
Noise is Europe’s biggest open community for the best up and coming talent who want to break into the Creative Industries, network and self-promote with an outstanding online portfolio recognised by top professionals. The artists who submit to the online community are judged by a panel of experts. Photographer Christine Eastwood was Elaine Constantine’s Curator’s Choice. Eastwood shoots captivating images of dilapidated spaces. She speaks to Aesthetica about her unconventional photography career and her plans for the future.
Since a few Basel gallerists put their passion and determination behind an ambitious vision in 1970, Art Basel has continued to grow in size and is now recognised as the premier international art show, held annually in Basel, Miami Beach, and Hong Kong. Providing a platform for artists and gallerists from around the world, Art Basel supports galleries in nurturing their artists, and is a driving force in the development and promotion of visual arts.
Joachim Brohm rose to prominence in the early 1980s as one of the first photographers in Europe to shoot exclusively in colour. From the late 1970s Brohm connected the visual possibilities of colour photography with a newly defined “everyday cultural landscape.”
In recent years cultural institutions across the world have seen a renaissance in architecture and architectural presentation. The vigour and enthusiasm with which the development of London and Bejing’s respective Olympic parks were reported in the mainstream press reached a fever pitch unfathomable 15 years ago. The constant development and new witty monikers of the latest high-rises to crop up on London’s skyline has become common parlance while the phenomenal growth in Dubai is a source of fascination with the ability of architects and engineers to achieve ever-higher feats.
The UK’s most talented new artists appear in the much-anticipated sixth edition of The Catlin Guide. Over the years the volume has become an indispensable reference for followers of contemporary art. The publication highlights prevailing and future trends, and has become a collectable item in its own right. Oliver Hickmet’s work is due to appear at the London Art Fair on The Catlin Guide stand. He speaks to Aesthetica about the origins of a new piece and the illusion of reality.
Every four years, the Moderna Exhibition presents an inventory of Swedish contemporary art, however this year the the focus is not only on Swedish, but contemporary art from six other Baltic countries; Finland, Denmark, Poland, Estonia, Latvia and Lithuania.
Presented by London based independent film company Day for Night, Nordic Film Festival returns to the UK with a diverse mix of fresh and classic features, documentaries and shorts, showcasing some of the most celebrated and emerging filmmaking talent of the Nordic region.
Artes Mundi 6 opened in Cardiff on 24 October at the National Museum Cardiff, Chapter and Ffotogallery, features a varied and thought provoking collection of work from nine international artists. Artes Mundi is an exhibition with a difference – both an opportunity to see bold, original art and also to study the entries in an internationally renowned competition before its closing stages when the winner is announced. A panel of independent judges will award one of the artists featured £40,000 on 22 January.
Mira Hnatyshyn is a San Antonio-based artist who uses her work to explore issues of culture, gender and human behavior. Referencing her original photographs of women from around the world, Mira’s installations are modern simulacra constructed with painted canvasses, sculpted appendages and found objects. She seeks to present an amplified version of reality that capture isolated moments in time but carry a sense of timelessness. Her work has been shown nationally and internationally and is included in the Saatchi Gallery in London as well as private and public collections.
Over 40 photographs by Vivian Maier, dating from the mid-1950s to the mid-1970s, are on view at Howard Greenberg Gallery in New York – many of which are here exhibited for the first time. Not only does the exhibition present rare lifetime prints, but it also include prints made this year, since the vast majority of Maier’s work was never printed. In addition, a selection of Maier’s black and white 35mm has been printed and shown for the first time.
Major exhibition, Knitting Nottingham places the spotlight on the Nottingham’s position as a world centre of creativity and innovation. It has been organised by Nottingham Trent University at Bonington Gallery, as part of this year’s anniversary of 170 years of art and design. Rather than just include conventional knitted pieces, on display will be tea sets made from electro-plated knit, exhibits by internationally renowned designers, samples of 3D print combined with knitwear and technology embedded into yarn.
This autumn, the seventh Sacred season of live art and contemporary performance at Chelsea Theatre premieres new work from interdisciplinary artists, who explore our taboos, examine assumptions about gender and family love, challenge public art policies and toy with the boundaries of multimedia. Some investigate consumption, compulsion, and mental health, and others wonder what happens when the label of ‘human’ no longer applies.
Sarah and Joseph Belknap’s current practice reflects upon our place in the cosmos, their newest works which have been made for the exhibition include sculptures, a site-specific installation, and a multi-channel video. The Belknaps, who were married in 2008 and began working together in the same year, have an interdisciplinary practice which draws from a range of sources including the history of science, notions of space in the popular imagination, and personal observations.
Type Motion at FACT Liverpool features over 200 outstanding examples of text and typography being used alongside the moving image. Currently on display and running until 8 February, the exhibition showcases the creative possibilities of opening up uses of text, extending the medium beyond print and highlighting the importance of writing as an artform in itself.
A key strand of Asia Triennial Manchester 2014, Harmonious Society is a major exhibition of new commissions and UK premieres featuring over 30 major artists from China, Taiwan and Hong Kong. Exhibited across six key spaces in Manchester, the project curated by the Centre for Chinese Contemporary Art is on view until 23 November.
Turner Prize-winning artist Grayson Perry presents a provocative and fascinating new exhibition which makes us question identity in modern day Britain. Perry has become a celebrity on the modern art scene, regularly presenting a refreshingly subversive view of British life. In his latest exhibition, 14 portraits of individuals, families and groups, which represent many different aspects of modern day Britain, including a disgraced politician, a young female-to-male transsexual, Northern Ireland Loyalist marchers and X-Factor contestant Rylan Clark, occupy the Gallery’s nineteenth and 20th century rooms on Floor 1.
The first person to have driven by Prada Marfa (2005), Michael Elmgreen & Ingar Dragset’s re-creation of a Prada store set within the desolate Texan landscape, must have thought they had stumbled upon a mirage. A window display showcasing Prada shoes and handbags interrupts the minimalist white stucco walls of the store, illustrating the discrepancy between the luxurious products and the building itself. The Scandinavian artists, who live and work in Berlin and Los Angeles, have created these shocking sculptural tableaux again and again throughout their career, each time hitting upon an element of society perhaps less than complimentary, whether it be our greed and consumerism or – as with their installation, Tomorrow, at the Victoria & Albert Museum, London – loss, loneliness and alienation. In collaboration with the V&A and curator Louise Shannon, the duo has created a fictional architect’s apartment, which has transformed the former textile galleries of the museum into an abandoned home.
“Illusion does not free us from reality. Ironically, through employing the very medium I critique, my work speaks to the disenchantment of the social psyche, which takes place at the hands of the modern media apparatus and at the expense of the natural world.” Through photography Sam Heydt comments on consumerism and constructed narratives of the past with a concern for the perversity of production, consumption and decay. We speak to Heydt about her ideas and what inspired her work Chrysanthemums in particular, selected for the Aesthetica Art Prize Anthology 2014.