Palais de Tokyo, Paris, continues to enhance it’s international agenda with Inside China – L’intérieur du Géant, running alongside the major exhibition, Inside, and opening 20 October. Curator, Jo-ey Tang, traveled across China and Southeast Asia to select five Chinese artists to be presented alongside three French artists including the renowned Nadar. Tang speaks to Aesthetica about the outstanding creatives he found and the origins of the project.
Lacey Contemporary, which officially launched last night, opened its doors for a sneak preview with a diverse and energetic show of painting at the end of September. The gallery, nestled in a quiet corner of Notting Hill, is the brain child of art-lover Andrew Lacey whose passion and ambition shine through in this show as well as in his plans for future exhibitions. Although the gallery’s heart seems to lie with painting, there is no sense of undue restraint in the programme, with a contemporary sculpture show and the final of the Winter Pride awards coming up. Even the selection of paintings on show, not to mention the painters on the roster, belies a genuine passion for the medium untainted by prejudice or fashion, which makes Lacey Contemporary stand out from the crowd.
The Other Art Fair places the spotlight on emerging artists and connects art lovers of all tastes and experience, directly with 130 of the most talented and unrepresented artists. Running 16-19 October at the Old Truman Brewery on Brick Lane, the fair presents thousands of pieces of art, starting from just £50. In addition to the various stands on display, the event is an art experience in its own right, featuring an immersive theatre with Non Zero One, art and live music performances, kids create area, Crate Brewery Bar, Soho House’s Dirty Burger pop up and much more.
Throughout the month of October, London is bustling with the annually anticipated Frieze London Art Fair. Alongside the stimulating programme of contemporary art exhibits and events, we take a look at the must see exhibitions opening during Frieze. Highlights include Tate Modern’s retrospective on Sigmar Polke, Marian Goodman’s inaugural show from the celebrated Gerhard Richter, and the launch of Dominique Lévy with a juxtaposing exploration of Post-war artists Castellini, Judd and Stella.
“The book came out of grief,” Annie Leibovitz (b. 1949) told an interviewer, speaking about her photographic memoir Annie Leibovitz: A Photographer’s Life, 1990-2005. The retrospective exhibition of the same name, which opened at the Brooklyn Museum in New York in 2006 and has since travelled across the USA and Europe, is currently in Singapore until 19 October. Singapore is the only Asian city apart from Seoul to host the exhibition.
British artist, Frank Bowling OBE is widely considered to be one of the most distinguished artists to emerge from post-war British art schools. Traingone features a series of Bowling’s large-scale abstract paintings, informed by the principles of mathematics and symmetry and made between the 1970s and 1990s.
In the second edition of the FotoFocus Biennial, a month-long celebration of photography and lens-based art in Cincinnati, Ohio, Artistic Director Kevin Moore has taken the modernist definition of photography and put it under the microscope. The exhibition that examines this definition the most is that of Vivian Maier, the American amateur street photographer of the 1950s-1970s whose work caused a sensation when it was discovered posthumously. In this complex oeuvre, curated by Moore to emphasise self-portraits and portraits of other women, we see not only a playful dialogue with urban life, but a deep dialogue with the self that presages the contemporary selfie, a fact that makes it less than objective. Kevin Moore speaks to Aesthetica about how Maier impacts our understanding of photo art in the context of history, and how poetic photography can point to visions of the future self.
The BAFTA Qualifying ASFF: Aesthetica Short Film Festival is a celebration of independent film from across the world, and an outlet for supporting and championing short filmmaking. One of the UK’s most exciting site-specific events, this year’s festival will take place in 15 iconic venues across the historic city of York from 6 – 9 November 2014. ASFF offers a first look at the latest experimental and artists’ films from leading practitioners working across the UK and the world, focusing on their aesthetic and intellectual contributions to contemporary visual culture.
“I have been thinking of the pieces as participants in the same activity. They are all similar, like patients in a lobby waiting for the therapist…they all need to talk but say different things.” -Justin Adian Featuring a series of new paintings and coinciding with Frieze London, Strangers is the first U.K. exhibition by American artist Justin Adian.The title Strangers is a mediation on the transformation that occurs once the pieces have left Adian’s studio to venture out into the world, revealing the artist’s deeply personal relationship to the works.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Iranian photographer Sadaf Chezari lives and works in London and began capturing images of her father after she felt intrigued by his apparent level of displacement in the UK. In 2013 she was awarded First Prize in the Michael Wilson Award and the Flowers Gallery Professional Mentorship Award. She speaks to Aesthetica about the way she considers space when shooting and her future plans.
The Turner Prize is an annual arts event never to be missed, and this year the shortlisted artists – Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell – have the added prestige of appearing at Tate Britain alongside an exhibition showcasing the work of the great J.M.W. Turner himself.
Artist Sarah Shaw studied Fine Art at Falmouth College of Art and has since exhibited widely in the UK, her work being purchased by private collectors in both the UK and abroad. She was shortlisted for both the Saatchi and Beers-Lambert competitions and was a finalist in the National Open Art Competition. Shaw’s piece Monolith V, in the painting and drawing category, was selected for the Aesthetica Art Prize Anthology in 2013.
Review of Mary Kelly: On the passage of a Few People through a Rather Brief Period of Time, Pippy Houldsworth Gallery
A famous critique of Jean-François Lyotard’s brassy “I define postmodern as incredulity toward meta-narratives” is that, if you go in for his postmodernism, you have to be incredulous towards this statement as well. You also have to distrust the meta-narrative of postmodernism, and have to distrust the “have to” part, then not take that distrust for granted in turn, and so on and backwards. This quickly becomes recursive, the mental equivalent of looking in a mirror at a mirror behind you. So what starts out as a defence against monolithic and dubiously agenda-driven claims to power becomes paralysing quickly – what possible action can you take when everything triggers an endless chain of distrust? For artist Mary Kelly, whose career has been devoted to a narrative-based analysis of Feminism and post-modernism, flitting between the personal and the theoretical as in her famous Post-Partum Document (1973–1979), this is of crucial importance. How much incredulity, or rather self-incredulity, is needed, is healthy – even towards the narratives of Feminism and post-modernism themselves?
Running alongside the contemporary art fair Frieze London, Frieze Masters offers a unique view of the relationship between old and new art. Visitors to Booth B5 at the fair this year will be able to enjoy a new solo presentation of works by Swiss artist Jean Tinguely, staged by Hauser & Wirth. Best known for his kinetic mechanical sculptures, Tinguely’s (1925 – 1991) work explores the aesthetics of movement and utilses found objects in a witty and whimsical way.
In a sprawling megalopolis like Mexico City it can be a pain to get from one place to the next, making it complicated to coordinate group gallery openings. However, with the explosion of contemporary art in the Mexican capital galleries are becoming more integrated, connecting through mutual interests when its not possible to connect by proximity.
The Carrousel du Louvre welcomes the international photography fair for the fifth time. Founded by Cécile Schall, grand-daughter to Roger Schall, this is an inimitable Parisian event which presents the opportunity to view works from a young, creative generation, soaring in popularity amongst collectors. For fotofever’s 2014 edition, a selection of over 100 international galleries will take the limelight – over half of which specialise solely in photography – all exhibiting emerging artists of tomorrow.
The work of Japanese artist Shinro Ohtake appears in a solo exhibition at Parasol Unit, London, this autumn. Running 12 October – 12 December, the presentation showcases Ohtake’s extensive, diverse and innovative body of work. With a practice spanning 30 years, the artist has positioned himself as one of the most important creative forces in contemporary Japanese art. His expansive output is based primarily around the activity of cutting and pasting, but also includes drawing, pasted works, painting, sculpture and photography, as well as experimental music and videos.
The work of fashion photographer Horst P. Horst, whose evocative images are some of the most well known of the 20th century, is showcased in a new exhibition at the V&A, London. The show features 250 photographs and describes the photographer’s collaborations with leading fashion icons such as Elsa Schiaparelli and Coco Chanel in Paris. Horst began his career as a society photographer in the 1930s and his groundbreaking style and innovative use of light and shadow helped him to create carefully structured shots of models. The perfect blend of light and shadow were used to startling effect in his work and in 1943 his editor at Vogue cited his subtle manipulation of lighting as one his key strengths.
Aesthetica Issue 61 is now available to purchase online and in stores internationally. The new edition considers progress and change. There are a few questions around this including how much time needs to pass before something needs to change, or is it simply the case that progress is continuous? The key element is to recognise developments, keeping your eyes and ears open. This is particularly important in the art world because when you start tracking artists and noticing trends, this is when things start to get exciting, especially when those trends are just under the radar.
Pauline Bloomfield is a freelance textile artist and part time tutor. Based in Derbyshire, she has exhibited widely in both group and solo exhibitions in various parts of the country. In 2010 Pauline stopped teaching in mainstream adult education to concentrate on her work in care homes in Nottinghamshire and Lancashire.
Wysing Arts Centre celebrates its 25th birthday with a residency programme focusing upon ‘the future,’ exploring future potential through what we know of the past. In response to an open call, almost 300 artists applied to take part in the residency, The Future, and the final selection includes: Olivier Castel, Julia Crabtree and William Evans, Jesse Darling, and Alice Theobald.
Celebrating its 30th Anniversary, Forced Entertainment has spent the last three decades pushing the boundaries of contemporary performance. Founded in 1984 by six recently graduated artists, the theatrical group have created numerous productions that have continued to play with language, staging, costume, lighting, humour, narrative sound and the very nature of a performance piece. Artistic Director Tim Etchells is also a solo artist and has seen his work exhibited internationally. This year he is officially Artist of the City of Lisbon. He speaks to Aesthetica about upcoming performance, The Notebook, and his ability to sustain a theatre company for 30 years.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Award-winning photographer Alice Myers has pursued documentary projects in Mexico, Ireland and France. Her works look at migrants attempting to cross borders and her series Nothing is Impossible Under the Sun captured people in Calais trying to get into the UK. She speaks to us about the impact of winning awards and her interest in border crossing.
The 16 October hosts the opening of Nabil Nahas’ new exhibition in London. The title of the exhibit, Phoenix Dactylifera, derives from the artist’s heritage and is the name of the native Date Palm tree from the Middle East. As one of Lebanon’s most significant contemporary artists, Nahas will be the most noteworthy and first to exhibit in the UK to date.
The Modern Lens is the largest display of photographic works ever to be exhibited at Tate St Ives, looking at developments in international photography from the 1920s to the 1960s through the work of pioneering artists from across Europe, the Americas and Japan.
The work of the late photographer Francesca Woodman (1958-1981) is renowned for its distinct and innovative vision. Her black and white imagery exudes a unique sense of mystery and beauty that at once compels and disarms her audiences. With such a short career, it is always astounding to see how much Woodman managed to achieve in her practice and how important this work remains today.
The Fondation Louis Vuitton is a new Parisian centre for contemporary French and international artistic creation, contained within a building commissioned by Bernard Arnault, and designed by the American architect Frank Gehry. The building resembles a cloud of glass: twelve large transparent sails covering a main body, itself formed from an assembly of pure white blocks. Sunken into the ground, the Fondation appears to float within the surrounding Jardin d’Acclimatation whose trees and greenery will play light tricks with and be mirrored by its vast panes.
This weekend’s exhibitions take us down memory lane in the world of photography, as we look back at the life’s work of fashion photographer Horst and the evolution of colour photography throughout Russia in the 20th Century. We also explore new projects from current artists Andrew Kerr in Glasgow and Max Beckmann Hamburg and photographer Paul Graham in New York.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Juno Calypso works with self-portraiture to explore the artificial construction of femininity. Her fictional character, Joyce, allows her to combine personal experience with critical studies into modern rituals of beauty and seduction.
In 2010, David Chancellor won the Taylor Wessing National Portrait Prize with his iconic portrait of fourteen year old girl, Josie Slaughter, riding horseback with her trophy of a hunted dead buck. This image, Huntress with Buck, forms part of Hunters, the UK’s most comprehensive exhibition of Chancellor’s work to date and is due to go on display at Impressions Gallery, Bradford on 7 October.
For 10 years Berwick Film & Media Arts Festival has continued in its aim to turn the small northern town into one big screen. Over the decade festival-goers have been given the opportunity to watch hundreds of international film premieres in a plethora of unique settings, besides the varied special events that last year saw performance artist, Sidsel Christensen, balanced precariously above the River Tweed. For their 10th year, festival organisers have not only produced a glossy anniversary catalogue, TEN, but they also prepared a spectacular Opening Gala with two UK premieres from Momcilo Mrdakovic and Ben Russell.
Open for Business is a vast collection of over 100 dynamic and diverse images from nine leading Magnum photographers, including Martin Parr, Chris Steele-Perkins, Stuart Franklin, David Hurn and Peter Marlow will provide a behind-the-scenes look at contemporary manufacturing in the UK. Amongst the work are never-before-seen photographs from Chris Steele-Perkins and Mark Power, whist it is also the UK premiere of renowned street photographer Bruce Gilden’s colour works.
The Marseillaise(s) / fifteen years of collecting focuses on the artistic growth and development of five photographers: Valérie Belin, Jacqueline Hassink, Naoya Hatakeyama, Sarah Jones and Rob Nypels. Each artist has curates a gallery of their choice, starting with their most recent works and moving to include older pieces of their own work which are held by the Huis Marseille collection. The result is five retrospectives, each artist illustrating their own personal and artistic development over the last fifteen years.
Within the cavernous space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife. At first, mistakable for an abandoned theatre set, this stock photography menagerie is artist and poet Heather Phillipson’s most recent “head-sick” into a gallery space, forming an immersive terrain of film, audio and sculptural works.
Taking over the third floor of The Wapping Project Bankside’s second Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.Not only working in photography, over her twenty year career, Juul Kraijer’s meticulous, exploratory methods have yielded a body of work of over four hundred drawings, as well as sculpture and video.
Nestled in a small gallery adjacent to Manchester Art Gallery’s shop is a display of obscurely beautiful contemporary jewellery, which teeters on the edge of being fearsome. Old saw blades hold pearls and diamonds, while strings of broken bottle necks and spectacle eye glasses have been transformed into necklaces. Far from anyone’s usual expectations of jewellery, this is the world of contemporary artist Bernard Schobinger.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today. This year, the event branches out beyond the National Museum Cardiff to include Chapter Arts Centre, Cardiff and ffotogallery, Penarth, with a programme of performance, music, site-specific installations, film, lectures and seminars.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Þorsteinn Cameron’s work takes a look at technology’s influence in modern society. While dealing with a wide spectrum of modern mediums, Cameron’s practice has remained firmly grounded in the natural landscapes of Iceland.
This is the first US solo exhibition of German photographer Mona Kuhn’s newest large-scale colour series, Acido Dorado. These photographs of nudes aim to show the human body in its most natural state, timeless and free from cultural and generational stereotypes.
Nick Cave’s self proclaimed role as a messenger is amply evident from his exhibition titled Made By Whites For Whites at the Jack Shainman Gallery, New York. In a recent conversation at the gallery with Denise Markonish, the curator of MASS MoCA that will host his large scale solo exhibition in 2016, Cave spoke of his social responsibility as an artist that marks a new direction and departure from his lavish, well-known Soundsuits.