The 31st Bienal de São Paulo will deal with things that don’t exist, it is a poetic call to the promise of art, and addresses these things that don’t exist in several ways: how to talk about them, how to learn from them, how to live with them, how to struggle with them.
Initially realised in 1972 at The Student Cultural Centre in Belgrade, White Space was a room lined with white paper containing a tape recording of Marina Abramović repeatedly saying the words “l love you”. This work has never been recreated, until now, as it forms the centrepiece of a display of rare, historic Abramović works.
To celebrate ten years of existence, Dover Street Market holds The Next Ten Years: a series of events, installations and special products. For the duration of September, the basement and second floor of Dover Street Market will be totally transformed, the Rose Bakery will be enlarged and artists design four new fitting rooms. Furthermore, an event space on the first floor, an expanded jewellery section and wallet display will be given over to Louis Vuitton for the entire A/W14 season.
There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery, Wirral, before it closes on 21 September. Exploring the paintings, drawings and photographs of the Pre-Raphaelite star, the exhibition marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s chief muse. Uniting rarely displayed works, the showcase details the artist’s fixation with Morris and his depiction of her as the ultimate femme-fatale.
Photographer Rotimi Fani-Kayode was a highly influential figure in 1980s black British and African contemporary art, and although his career was cut short by his untimely death at the age of 34, Fani-Kayode remains one of the most significant names in the history of black photography.
In his Festival lecture The Culture of Violence in the Twentieth Century, Alan Kramer points out that, unlike the Germans, the English did not during World War I rely on prisoners of war as a labour force. Not only this, but English POWs were treated comparably well. As Professor of European History at Trinity College Dublin, Kramer is precisely one of those who, in the words of Albert Camus, “make history.” Yet as Festival Director Jonathan Mills quotes in full from Camus in his introductory statement in the Festival programme, “It is the destiny of the artist not to serve those who make history, but to serve those who are its victims.”
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Corinne Silva’s vibrant photographs examine the use of the still and moving image in suggesting metaphysical space. Her visual language engages with the limits of lens-based media and its potential to explore the evolving relationship between politics, landscape and art histories. Silva speaks to us about her Imported Landscapes series and her dual use of photography and film.
Louise Bourgeois: A Woman Without Secrets currently on display at Middlesbrough Institute of Modern Art showcases the work of one of the greatest and most confessional artists of the 20th century. Most people associate the artist’s name with her overwhelming spider sculptures but there really is so much more to the works of the “woman without secrets”.
The Aesthetica Short Film Festival (ASFF) is delighted to announce it is now a BAFTA recognised festival, an achievement that is unprecedented for a festival in its fourth year. This latest accolade stands testament to the creativity and bold programming of ASFF, which has now firmly established itself as a dynamic player on the film festival circuit.
This September Sam Eugène’s second solo exhibition opens at Art Galleries Europe in London. A Digital Fauve introduces a brand new artist genre: Digital Fauvism. The form comes from the influence of les Fauves, a group of influential artists at work in the early 20th century. Eugène restores the techniques of the masters but adapts them for his individual practice as he merges Fauvism with photography and digital media.
The artists to be shortlisted for the Turner Prize in its 30th year are Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell. The Prize was founded in 1984 promote discussion of new developments in contemporary British art, and this year’s shortlist reflects the diversity of the UK art scene today.
Turner Prize nominee Marvin Gaye Chetwynd and American photographer Anne Collier mark the 20th anniversary of Studio Voltaire with their first solo presentations to take place within one of London’s public galleries. Chetwynd will present her largest commission to date, Hermitos Children 2, within a large-scale installation whose props and interiors will immerse visitors within her world of 16th century wandering troupes and wild, costumed, carnivalesque live performances.