Berlin-based artist Kathrin Sonntag’s new installation I See You Seeing Me See You will be showcased until 4 April at Cooper Gallery, University of Dundee. The piece consists of everyday objects including mirrors, display cases, tulips and paint all re-contextualised into an intriguing ensemble. Items from museum and taxidermy collections also feature, such as glass prosthetic eyes for the blind and animal eye.
Showcasing innovative and outstanding pieces, the Aesthetica Art Prize Exhibition features shortlisted works from artists in the following categories: Photographic and Digital Art; Three Dimensional Design and Sculpture; Painting and Drawing, and Video, Installation and Performance. This year’s show opens at York St Mary’s, York, in collaboration with York Museums Trust on 4 April and runs until 22 June. The shortlisted artists include Amedeo Abello & Federico Morando and Inés Molina Navea for Photographic & Digital Art; Deb Covell and Elke Finkenauer for Painting & Drawing; Harriet Lewars and Ingrid Hu for Three Dimensional Design & Sculpture and Julia Weißenberg and Sybille Neumeyer for Video, Installation & Performance.
One Foot in Front of the Other is the latest album to be released by Gabby Young and Other Animals, and will be available from 28 April. One Foot In Front of the Other covers the musical styles fans will be accustomed to and, as with the previous two albums, continues to defy labels, effortlessly moving between moments of jazz, opera, folk and cabaret. We speak with Gabby Young about her recent projects, aspirations and future plans.
Premiums Interim Projects is the Royal RA Schools’ annual exhibition. Running until 19 March, the showcase features work from 16 postgraduate students in their second year of study. Located in the galleries in Burlington Gardens, it provides an opportunity for audiences to view new work by emerging artists at the interim point of their postgraduate study at the UK’s first art school.
This new exhibition, featuring graduating RCA Contemporary Art Students, explores the indistinct spaces that reside between chatter and silence. Open 6 until 23 March at the Royal College of Art galleries, it features the likes of John Cage, Alexandrina Hemsley and Lina Lapelytė.
Michel François is renowned for being a conceptual artist in the fields of sculpture, film, paintings, print and photography. His work illustrates the artists conviction that the meaning of art is determined through its combination with others in relation to an exhibition space. This exhibition, which will be running from 30 April until 22 June 2014, will be integrated throughout the whole Ikon Gallery.
A group exhibition, featuring work from John Akomfrah, Phoebe Boswell and Rashaad Newsome, will run from 7 March until 10 April at the Carroll / Fletcher gallery in Central London. Drawing on issues of identity, class, race and gender, these three artists explore the construction of identity on both a personal and cultural level, working in mixed mediums to tell their own narratives and those of the people around them.
Tate Liverpool presents Keywords, an exhibition building on Raymond Williams’ study of the vocabulary of culture and society. Published in 1976, Williams’ Keywords has become a seminal work in the study of English, as well as the fields of cultural studies and visual culture. The book contains over 130 short essays on words such as ‘Violence’, ‘Country’, ‘Criticism’, ‘Media’, ‘Popular’ and ‘Exploitation’, providing an account of the word’s current use, its origin and the range of meanings attached to it.
Five key organisations across Bristol join forces to present Bristol New Music from 21 February until 23 February. Colston Hall, Arnolfini, Spike Island, St George’s Bristol and the University of Bristol work together to bring the very best international new music to the city, while working to create opportunities for emerging regional artists. Over the weekend in February there will be a stimulating programme of events to showcase a variety of musical talents.
Steeped in the tradition of landscape art, walking has been at the heart of many art practices and performances for generations. This exhibition, focusing on both literal and metaphorical artists’ walks and journeys, is the first to examine the astonishingly varied ways in which artists since the late 1960s have used the universal act of taking a walk as a means to explore new realms of creativity. Walk On – From Richard Long to Janet Cardiff, 40 Years of Art Walking opens on 8 February, and brings together the work of almost 40 artists including 2 and 3 dimensional pieces, video and performance.
The Worst of Scottee is a confessional and it’s set out as such: Scottee sits inside a photobooth, profile to the audience and we observe as he tells his story to this modern confession booth. Although his body is in profile we see his face via a video monitor on the side of the machine and he does turn to interact with the audience as he sings. He’s a talented singer and the staging is simple but effective. When he does finally leave the photobooth towards the end of the show to stand in front of the audience there is almost a sense of gratitude: the video is compelling and clever but the story is so human and raw that you want to see him in person.