Turner Prize nominee Marvin Gaye Chetwynd and American photographer Anne Collier mark the 20th anniversary of Studio Voltaire with their first solo presentations to take place within one of London’s public galleries. Chetwynd will present her largest commission to date, Hermitos Children 2, within a large-scale installation whose props and interiors will immerse visitors within her world of 16th century wandering troupes and wild, costumed, carnivalesque live performances.
There is still time today to enter Aesthetica’s creative opportunities for artists and writers. The Aesthetica Art Prize, now in its eighth year, celebrates excellence in contemporary art from around the world. Artists at any stage in their career working in all media are invited to submit works that demonstrate innovation, creativity and technical skill. The Aesthetica Creative Writing Award supports and publishes literary talent on an international scale, selecting finalists for publication in the Aesthetica Creative Writing Annual. We present the prizes available for both awards, which make them essential events to take part in this year.
Fierce is an international festival of live art centred in Birmingham, 2 – 12 October. The festival embraces a diverse range of contemporary artforms and multidisciplinary collaborations, including theatre, dance, music, installations, activism, digital practices and parties. Fierce reimagines the city with performances in out-of-the-ordinary spaces, such as a mechanic’s garage, a former metal factory and Moseley’s Grade 2 listed swimming baths.
Lacey Contemporary Gallery is set to open this autumn in Notting Hill London. Placing its artists at the heart of the business, director Andrew Lacey intends to provide a positive environment for his practitioners to work in, allowing them to flourish and evolve over the years. Working with emerging and established artists, the gallery aims to offer those working with them a complete business service so they are able to focus solely on their art. We speak to Lacey about his favourite historic artists and his hopes for the new space.
There is still time to enter the Aesthetica Art Prize, which welcomes submissions from artists at all levels working across media from photography to painting, installation to sculpture and performance to artists’ film. A celebration of excellence in contemporary art, the Aesthetica Art Prize supports and nurtures rising talent from across the world and prizes include group exhibition, editorial coverage in Aesthetica Magazine and £5,000 courtesy of Hiscox.
MANIFESTA 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia
Manifesta originated in the post-communist period in the 1990s with the aim of balancing the information gap between the East and West, North and South. Offering audiences an opportunity to exchange knowledge and rethink the platforms and influences of art and its expressions, Manifesta considers both the poetic and political nature of art and contextualises the contemporary with the historical. Operating within contested areas allows the biennial to demonstrate the way in which art can aid understanding within this complex world and Manifesta encourages a critical dialogue.
The Natural History Museum of London is a space of gargantuan proportions. The main entrance leads to a cavernous hall that comfortably houses the skeletal frame of a Diplodocus. Several feet away, on the landing of a pronged staircase, sits an oversized, marble statue of Charles Darwin. This is the scene that served as the backdrop to my initial encounter with vocalist, bassist, producer and actress Shingai Shoniwa of the Noisettes fame. She descended the staircase to deliver a bombastic show for a private, formal event that made the massive fossil and the historical giant she was sandwiched in between look like mere toys in her presence.
The Aesthetica Art Prize invites submissions from artists at all stages in the career, working in any medium and celebrates innovation and excellence in technical skill. Entries are open until 31 August 2014. Selected works for the latest edition of the Prize, spanning film, photography, sculpture and painting are presented here as demonstrations of the breadth and quality of works being produced today; and we highlight the longlisted artists’ achievements since the award. These include Henry Iddon, Ana Catarina Pereira, Wycliffe Stutchbury and Wilson-Eflerová (Kye Wilson and Helena Eflerová).
Over 150 leading authors and artists from more than 30 countries come together for South-East Asia’s most exciting literary event, Ubud Writers & Readers Festival (UWRF). Sir VS Naipaul, Amitav Ghosh and Eimear McBride are some of the names to be taking part in this celebration of global issues, big ideas and extraordinary stories.
As the final month to enter the Aesthetica Art Prize is upon us, we catch up with last year’s longlisted artist Karl Singporewala to discover how being selected for the Prize has furthered his creative practice. Selected for his work Dial M for Monument, Singporewala now exhibits this piece in a group show for the HIX Award 2014, hosted by the Cock ‘n’ Bull Gallery in Shoreditch, London. Designed by Damien Hirst and judged by Tracey Emin among other leading art professionals, the prize presents a month long exhibition of the 20 finalists throughout August.
Johny Dar approaches his artistic practice from an innovative angle, painting directly onto his models’ bodies. Dedicated to pushing the boundaries of what is perceived as art, he works across fashion, bodypainting, books, art installations, multimedia and events. His project Dare blends clothing and paint, placing his models in a catwalk show that appeared at Berlin Fashion Week earlier this year. We speak to Dar about his interest in collaborative projects and his audience.
The latest edition of the Aesthetica Art Prize featured outstanding artists working in video, installation and performance. These practitioners are breaking new ground within their given fields, and we are delighted to showcase their selected works, while each artist brings us up to date with their progress since being longlisted for the Aesthetica Art Prize.
Remote, beautiful – and increasingly endangered – the Arctic has long been a subject of fascination for many and a source of inspiration for artists. SALT is an ambitious concept to create arts and cultural experiences in the northernmost regions of our planet. It will invite world-famous artists to the Arctic Circle to create works which respond to the breathtaking landscapes, nature and history of the Arctic – while always aiming to treat the landscape with care and respect.
Questioning the world around us is a continuous necessity and the desire to challenge everyday systems reinvigorates daily life. This special 60th edition of Aesthetica celebrates innovation and we take a look at a number of practitioners that are breaking new ground within their given fields. Inside this issue we start with a retrospective of French artist Annette Messager at the Museum of Contemporary Art Australia. For over five decades she has given ordinary objects new meaning in her large-scale installations.
Exciting times lie ahead as we move into the phase of one month left to submit your work to the Aesthetica Art Prize. Cass Art highlights this Prize as a must for emerging artists wanting to make a significant impact upon the art world today. With prizes ranging from up to £5,000 to editorial coverage in Aesthetica Magazine, which has an impressive readership of 168,000 worldwide, this is a unique opportunity to generate greater exposure. Read Cass Art’s recommendations here.
We are delighted to present the Judging Panel for the Aesthetica Art Prize 2015. The Prize is open for submissions until 31 August 2014. Spanning the arts, film, music and cultural industries, our judges lend their expertise to support the next generation of leading practitioners. The panellists will be looking for innovative artworks that display excellence in technical skill and ability. The Judging Panel includes the following art-world professionals.
Artist Filmmaker and Designer Sarah Jane Palmer was selected for the Aesthetica Art Prize longlist with her film Net. The work is an ongoing performance/installation in which she continues to produce a net drawing on a 10-metre paper roll during her residency at the Lace Market Gallery in Nottingham. Net is part of a body of work based on research into Nottingham’s historic lace trade and Palmer’s own ancestral connections to lace design.
In the countdown to the Aesthetica Art Prize call for submissions deadline on 31 August 2014, we look in focus at artists from the latest award. Conceptual artist Marie Brenneis was featured in the Video, Installation & Performance category with Deliberate Digression an installation that incorporates wearable sculptures exploring themes of fantasy and conformity.
The Piano Brothers are not brothers by blood but by divine, energetic and rich music that is accessible to everyone. Bound together by the love of all-encompassing music, Dominic Anthony Ferris and Elwin Hendrijanto began performing together in 2009 whilst studying at the Royal College of Music. In the last five years they have worked hard to become one of the most sensational piano duos in London’s notoriously difficult to rise and shine music scene through their innovative outlook on how music, life and people should be brought together under one roof.
A group of six artists have collaborated to create a unique site-specific exhibition and performance piece on the island of Vardø at the extreme north-eastern part of Norway. Taking place in such a secluded location, only a few knew about the project and made a pilgrimage North from Oslo to experience the work on Vardø – also the site of Norway’s most sever witch trials that saw 91 individuals executed in trials spanning 92 years.
The Gemeentemuseum Den Haag presents ZomerExpo 2014 Light, the largest national sales exhibition held at the museum showcasing a selection of artworks from an open call registration. The annual event is a fantastic display of artworks spanning all genres, representing the breadth of work being produced today.
One of the UK’s most ambitious art exhibitions, the third edition of Folkestone Triennial commissions a number of internationally recognised artists to create a collection of new artworks that will be exhibited in Folkestone’s public spaces under the title, Lookout. Among the artists included in this year’s Triennial are Yoko Ono, Andy Goldsworthy, Pablo Bronstein, Tim Etchells and Sarah Staton.
Phyllida Barlow is one of those artists who came under the spot light after a long career, endless experimentations and efforts. During the last decade her body of work has rapidly emerged and been showcased across the UK, Europe and the USA. As a teacher at the Slade School of Fine Art from where she stopped working in 2009 to focus solely on her own projects, her students included, amongst others, Turner Prize-winners Rachel Whiteread (1993) and Douglas Gordon (1996) as well as Turner Prize nominees Tacita Dean (1998), Steven Pippin (1999) and Angela de la Cruz (2010).
The notion of an entire wing of the Guggenheim Bilbao being dedicated to Film & Video phased me at first. Though increasing numbers of modern art installations seem to feature moving imagery, never had I encountered a space dedicated solely to the form. Don’t get me wrong: I consider myself a card-carrying cinephile. However, I am aware that, as the notion of ”art” becomes more porous, its boundaries, if it is to maintain its integrity, require policing, a point restated forcefully by Grayson Perry in his Reith Lectures. Surely this is a problem as much for cinematic as for fine art: where does film stop being cinema and start being “Film & Video”?
There’s nothing much to see at Marina Abramović’s durational performance piece at the Serpentine Galleries. It consists of the artist in a smallish, empty room filled with one or two simple objects, and members of the public who are permitted to stay with her as long as they want. She will inhabit the space, reliving the same simple experiences, six days a week for over two months.
The Aesthetica Art Prize is an opportunity to advance your profile on the international art scene and is open to all artists worldwide. We welcome entries from all age ranges and experience levels, from upcoming talents to established practitioners. One & Other highlight the opportunities presented by the 2015 Aesthetica Art Prize awards.
Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement. There are 100 practitioners included and they span across all media from sculpture and installation to video and performance.
Art history is replete with romantic mythologies, few more potent than the artist as obsessive maker, working round the clock in his studio or in the landscape, as was the case with one of modern art’s most famous obsessives, Paul Cezanne, around whom Magnus Quaife’s solo show, Like a Child Running a Stick Along a Fence at Works | Projects, is framed.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. Running until 6 July, the event is Britain’s newest international art fair, showcasing work by emerging and established artists from over 50 leading national and international galleries. Part of the the cultural programme for the UK’s International Festival for Business, the inaugural edition of the fair opens with a VIP launch and preview opening night on 3 July.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios opened their private working spaces and courtyard – bustling with performance artists, educational workshops, stalls, bars, and DJ beats – to the public. Housing 150 artists, Bow Road Studios consist of a renovated Nunnery (now also a gallery space); its surrounding four-storey buildings, and the recently converted biscuit factory, P1 Studios.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Visitors voted for their favourite artwork in the group show between 4 April and 22 June, which presented the finalists from the Aesthetica Art Prize along with a further 92 artworks from the longlist displayed on monitors within the gallery.
It has become a rite of passage for the contemporary poet: the attempt to rewrite classical – specifically, Hellenic – literature for the modern day. Yet though the projects seem comparable, their impulses are often wildly different. In recent years, they have ranged from the translational (Heaney’s The Burial at Thebes) to the wildly unpredictable (Hughes’s Oresteia) to the strongly interpretative (Logue’s War Music). All are united, however, in their subtlety, the way in which they adapt without abusing their poetic license. In this sense, Simon Armitage is a worthy new addition to the poet-cum-classicist Hall of Fame.
The Aesthetica Art Prize is open for entries, with a new prize of £5,000 for the Main Prize Winner in addition to group exhibition, publication in an anthology of 100 top emerging artists and editorial coverage in Aesthetica Magazine. Artists in a significant point in their career have a unique opportunity to further their engagement in the international art world. The Press reports on the importance of this new award.
This weekend is full of fascinating exhibitions, utilising all sorts of media. Sebastian Errazuriz uses a 3D printer to create his sculptures, while Sonic Social in Sydney harnesses sound to create site-specific works and Stan Douglas’ Mise en scène blurs the line between photography, performance and film. Marina Abramović continues the 512 hours she’ll spend in the Serpentine this summer, using her body and her presence as media. In New York, Some Artists’ Artists brings together work in a variety of media, chosen by some of the most influential artists working today.
The theme for the fifth edition of PhotoIreland Festival is Truth, Fact, Fiction, Lies. Looking at how photography is used for storytelling, the festival presents 27 photographers exhibiting in various venues around the city centre.
This summer the Camden Arts Centre dedicates all of its galleries and gardens to a large-scale, major exhibition of work by Shelagh Wakely (b.1932 – d.2011). One of the UK’s most influential artists, the exhibition provides the rare opportunity to experience the ephemeral magic of Wakely’s work.
The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences and further their involvement in the international art world. This year the Main Prize winner, as chosen by an impressive panel of judges including curators, artists and the Editor of Aesthetica Magazine, Cherie Federico, will be awarded £5,000 prize money courtesy of Hiscox – presenting career-boosting opportunities for the artist.
This spring and summer, the Aesthetica Art Prize exhibition presents eight shortlisted artists contributing outstanding works to contemporary art and will continue to run until 22 June showcasing artistic talent from around the world in a ground-breaking group show.
Art Basel brings together contemporary works in its expansive art fair with 300 participating galleries from across the globe. Running 19-22 June, the event includes the highest quality of art in a wide range of forms, such as painting, sculpture, drawing, installation, photography and video. Every year Art Basel attracts tens of thousands of visitors, entertaining everyone from art enthusiasts to collectors. We take a look at five of the galleries participating and the artists represented on their stands this year.
There are those that argue that talent is not innate. Rather, it is the ironclad will to keep on practicing in the face of impossibilities. Then there are others who garner talent by being born talent adjacent. Tunday Akintan is one such musician who is lucky in both ways.