This weekend is full of fascinating exhibitions, utilising all sorts of media. Sebastian Errazuriz uses a 3D printer to create his sculptures, while Sonic Social in Sydney harnesses sound to create site-specific works and Stan Douglas’ Mise en scène blurs the line between photography, performance and film. Marina Abramović continues the 512 hours she’ll spend in the Serpentine this summer, using her body and her presence as media. In New York, Some Artists’ Artists brings together work in a variety of media, chosen by some of the most influential artists working today.
Synesthesia is a combination of interactive digital innovation and timeless fashion. Teaming up with Fred Perry for the Spring/Summer 2014 campaign, the website is an exploration of the phenomena of synesthesia, when one sensory response induces a sensation in another. The product of Olya Korsun, Anya Oderyakova and Poon Sap’s creative thinking, the team intend to both entertain and educate visitors to the website. We speak to Fashion Director, Anya Oderyakova, and Art Director, Olya Korsun, about the initiation of the project and how to match colours with sounds.
The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences and further their involvement in the international art world. This year the Main Prize winner, as chosen by an impressive panel of judges including curators, artists and the Editor of Aesthetica Magazine, Cherie Federico, will be awarded £5,000 prize money courtesy of Hiscox – presenting career-boosting opportunities for the artist.
The Aesthetica Art Prize, which is now open for entries, is an annual award given by the international art and culture publication Aesthetica Magazine, distinguished by its dynamic content, merging compelling critical debate and stunning images, to engage with all aspects of visual art and culture. The Aesthetica Art Prize celebrates excellence in art from across the world and offers both budding artists and established practitioners the opportunity to showcase their work to wider audiences and further their involvement in the international art world.
Aesthetica Issue 59 is now available to purchase online and in stores internationally. The new edition explores the idea of the unexpected and the notion that what actually happens is different from what was originally planned. Inside this issue, we start with Barbara Kruger’s new major site-specific installation at Modern Art Oxford, alongside her iconic 1980s paste-ups that continue to critique our consumerist culture.
The creative hub of East London, the Old Truman Brewery arts and media quarter on Brick Lane, plays host once again to Europe’s largest graduate art, design and fashion show, Free Range. The exhibition showcases the breadth of work being produced by the UK’s army of young creatives – both to the public and to the creative industries on the look-out to spot rising new talents.
Degree Show season is upon us once more and art students up and down the UK are in the process of preparing their final projects for examination. The concluding exhibitions offer a public audience an insight into the brightest new talents at work in the art industry. From Edinburgh to Plymouth, London to Norwich, Aesthetica takes a look at the best emerging artists.
Mei Liu is the Design Director of fashion house Priory of Ten. Born in Northern China, Liu has lived in Canada and the USA. Priory of Ten was formed in 2012 and aims to produce quality pieces exuding harmony and balance. Before she moved into fashion, Liu worked at PricewaterhouseCoopers (PwC) after acquiring a business degree from the University of Toronto. She speaks to Aesthetica about her future collections and the impact of her education upon her design work.
Today there is one month left to visit the Aesthetica Art Prize Exhibition at York St Mary’s – York Art Gallery’s contemporary art space. Featuring eight artists working in media from photography to film and painting to installation, the show represents the breadth and quality of work being produced today in the UK and internationally. The finalists hail from New Zealand, Chile, Germany, Italy and Britain; and the works of a further 92 international artists is displayed on monitors with the gallery. To celebrate this landmark exhibition in contemporary international art, we highlight works within the Video, Installation and Performance category, which can all be viewed here via YouTube and Vimeo.
Japanese photographer Nobuyoshi Araki (b. 1940) has spent the entirety of his life capturing the female form. With his wife as his central muse, the artist has shot over 250 books of women, flowers and city landscapes. Unconcerned with taking photographs for a commercial purpose, Araki is content to just show his final works to friends and he prefers to aim his lens at the things he loves and the places he is familiar with. However, his art is due to be appreciated by many more people as an overview of his provocative practice is now documented in Taschen’s Araki by Araki.
Karen Mabon’s designs are beautiful, bold and brash. All hand-illustrated, her silk scarves combine delicate drawing with playful and quirky aesthetics. With designs that cover everything from a British garden to a stationary cupboard, Mabon transforms everyday clothing into works of art. Her pieces have appeared in the likes of Cosmopolitan, Elle UK, Vogue and Harper’s Bazaar and she also produces clothing and jewellery. We speak to Mabon about her journey into the fashion industry and her favourite designers.
Bringing together simplicity, contemporary design and experimental form, Isabel Wong is a luxury womenswear designer based in London. Interested in translating conceptualism into wearable products, Wong is often inspired by paradox and enigma. She is also concerned with innovation and sustainability and often utilises unusual materials in her pieces. Aesthetica speaks to Wong about her design process and British fashion.