Living in today’s world of gratuitous violence, high technology and professionally formulated plans for the future one may not find it surprising that our methods and ideas have historical roots in Fascism. The Guggenheim’s Italian Futurism, 1909–1944: Reconstructing the Universe explores the brutality and brilliance that went into the constantly evolving field of Futurist art whose legacy continues to evolve, and has influenced people like architect Le Corbusier and technologist Steve Jobs.
Turkish artist Burak Delier’s exhibition Freedom Has No Script including a new commission by Iniva opened at Rivington Place last week. The artist explores the relationship between capitalism and art, mixing seriousness and wit to critique society in a way that is relevant to his native Turkey and beyond. We caught up with Delier to ask him some questions about the essence of his art and his understanding of his own work.
This April there are a number of outstanding art exhibitions on display across the world, and we take a look at the best shows open this weekend. Munich’s Haus der Kunst focuses on the wide-ranging works of Ellen Gallagher, while the city gates open in Glasgow for the start of the sixth international festival. Catch the first weekend of the Saatchi Gallery’s re-joining of Africa and Latin America in Pangaea, or follow the themes of social unrest with Welcome to Iraq at South London Gallery, and across the Atlantic there’s SFMOMA’s Public Intimacy, a revelation of the politics entwined in the everyday of South Africa.
German artist Sybille Neumeyer was announced as the winner of the Main Prize for the Aesthetica Art Prize 2014 at the exhibition preview last night. Her stunning light installation Song for the Last Queen (2013) is comprised of 7,614 bees – one eighth of the colony – that were collected from a naturally collapsed bee hive and placed as a rhythm of black spots in honey creating a silent score.
The Aesthetica Art Prize 2014 launches today with a preview and will be open to the public tomorrow, running from 4 April to 22 June. In anticipation of tonight’s opening, we speak to last year’s winner Damien O’Mara who took home the Main Prize award with his photographic piece Trespasser Series.
Helen Paris is a picture of elegance in this new performance from Curious. In fact, the entire piece is elegantly carved: with deep red furniture, black dresses and classical overtures, it’s the very epitome of a Sunday Times afternoon. Exploring notions of age and the inevitable reduction of life, Best Before End is a touching rendition of what it means to grow older.
Opening on 22 May, this year’s photography exhibition from the Prix Pictet will go on show at the V&A in London. The exhibition marks a collaboration between the Prix Pictet and the V&A museum, which was the first museum in the world to begin collecting photography as an art form. The show, which will feature eleven of the world’s leading photographers, is set around the theme of ‘consumption’ and will be on display to the public until 14 June.
Newly extended due to popular demand is the exhibition at London’s Design Museum, Hello, My Name is Paul Smith, that will run until 22 June. Looking at the work of this British Designer, the exhibition highlights at the impressive selection of work from this iconic men’s wear designer.
The Aesthetica Art Prize Exhibition opens this week on 3 April at York St Mary’s, York. Celebrating innovative and outstanding artworks, the display features shortlisted pieces from artists in the following categories: Photographic and Digital Art; Three Dimensional Design and Sculpture; Painting and Drawing, and Video, Installation and Performance. The presentation highlights artistic talent from locations including Germany, New Zealand, Italy, Chile and the UK. We take a closer look at the eight selected individuals.
Aesthetica Issue 58 April/May is now available online and in stores. We are at a particularly good time for artistic output. It’s not a coincidence that this reflects the extraordinary things that are happening in the world. The first 14 years of this millennium have progressed so exponentially, it’s simply staggering. It’s a moment of reflection, but also one of anticipation; the artists of today are helping us to make sense of it all.
The UK’s original contemporary graphic arts festival, Pick Me Up, returns for the fifth year. Celebrating graphic art in all its various formations, the event transforms the walls of Somerset House into a visually stimulating masterpiece as it brings together some of the best artists working in this practice from across the world. Aimed at being the antithesis of a traditional art fair, Pick Me Up is a fun and informal festival featuring quirky studio spaces in which audiences can shop for affordable artwork from the great and good of graphic arts, and a daily, lively line-up of events which encourage both budding and bonafide artists of all ages to get involved.
It’s one of life’s niggles that food never looks quite as good as it does in the picture. Be it glamorised packaging or botched recipe attempts, so often one is left thoroughly underwhelmed. This ambivalence is the theme for The Art of Dining‘s latest pop-up restaurant Say Cheese – The world of Martin Parr in five courses, a unique photo-culinary experience offering some very interesting twists on some quintessentially English dishes.