The Modern Lens is the largest display of photographic works ever to be exhibited at Tate St Ives, looking at developments in international photography from the 1920s to the 1960s through the work of pioneering artists from across Europe, the Americas and Japan.
The work of the late photographer Francesca Woodman (1958-1981) is renowned for its distinct and innovative vision. Her black and white imagery exudes a unique sense of mystery and beauty that at once compels and disarms her audiences. With such a short career, it is always astounding to see how much Woodman managed to achieve in her practice and how important this work remains today.
The Fondation Louis Vuitton is a new Parisian centre for contemporary French and international artistic creation, contained within a building commissioned by Bernard Arnault, and designed by the American architect Frank Gehry. The building resembles a cloud of glass: twelve large transparent sails covering a main body, itself formed from an assembly of pure white blocks. Sunken into the ground, the Fondation appears to float within the surrounding Jardin d’Acclimatation whose trees and greenery will play light tricks with and be mirrored by its vast panes.
This weekend’s exhibitions take us down memory lane in the world of photography, as we look back at the life’s work of fashion photographer Horst and the evolution of colour photography throughout Russia in the 20th Century. We also explore new projects from current artists Andrew Kerr in Glasgow and Max Beckmann Hamburg and photographer Paul Graham in New York.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Juno Calypso works with self-portraiture to explore the artificial construction of femininity. Her fictional character, Joyce, allows her to combine personal experience with critical studies into modern rituals of beauty and seduction.
For 10 years Berwick Film & Media Arts Festival has continued in its aim to turn the small northern town into one big screen. Over the decade festival-goers have been given the opportunity to watch hundreds of international film premieres in a plethora of unique settings, besides the varied special events that last year saw performance artist, Sidsel Christensen, balanced precariously above the River Tweed. For their 10th year, festival organisers have not only produced a glossy anniversary catalogue, TEN, but they also prepared a spectacular Opening Gala with two UK premieres from Momcilo Mrdakovic and Ben Russell.
The Marseillaise(s) / fifteen years of collecting focuses on the artistic growth and development of five photographers: Valérie Belin, Jacqueline Hassink, Naoya Hatakeyama, Sarah Jones and Rob Nypels. Each artist has curates a gallery of their choice, starting with their most recent works and moving to include older pieces of their own work which are held by the Huis Marseille collection. The result is five retrospectives, each artist illustrating their own personal and artistic development over the last fifteen years.
Within the cavernous space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife. At first, mistakable for an abandoned theatre set, this stock photography menagerie is artist and poet Heather Phillipson’s most recent “head-sick” into a gallery space, forming an immersive terrain of film, audio and sculptural works.
Taking over the third floor of The Wapping Project Bankside’s second Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.Not only working in photography, over her twenty year career, Juul Kraijer’s meticulous, exploratory methods have yielded a body of work of over four hundred drawings, as well as sculpture and video.
Nestled in a small gallery adjacent to Manchester Art Gallery’s shop is a display of obscurely beautiful contemporary jewellery, which teeters on the edge of being fearsome. Old saw blades hold pearls and diamonds, while strings of broken bottle necks and spectacle eye glasses have been transformed into necklaces. Far from anyone’s usual expectations of jewellery, this is the world of contemporary artist Bernard Schobinger.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today. This year, the event branches out beyond the National Museum Cardiff to include Chapter Arts Centre, Cardiff and ffotogallery, Penarth, with a programme of performance, music, site-specific installations, film, lectures and seminars.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Þorsteinn Cameron’s work takes a look at technology’s influence in modern society. While dealing with a wide spectrum of modern mediums, Cameron’s practice has remained firmly grounded in the natural landscapes of Iceland.