Serbian artist Nikola Olic reimagines environments as disorientating and dimensionless, inviting viewers to examine urban and decontextualised structures.
This year’s Lyon Biennale questions the meaning of modernity in our ever-shifting world. It forms the second installment of what will become a themed trilogy.
The Emotive Lens
Ed van der Elsken favoured the street over any other subject. His images evoke a sense of modernity, “hunting” for moments that represented the city.