Slovakian artist Natalia Evelyn Bencicova (b. 1992) works mostly in digital photography and is currently studying at the University of Applied Arts in Vienna. Having an interest in both individual and wider collective feelings, she conveys undercurrents of socialism in the featured series Asymptote. Within these ctional scenarios, anonymous figures create patterns of uniformity which allude to their own integration with architecture. Through stirring symmetry and cold, faded palettes, indistinguishable characters become part of the construction. Leaning across bannisters and draping themselves against walls, they create an emotional architecture in which arms and legs are at once mechanistic and melancholy. This unsettling world depicts jarring relationships between organic and concrete forms, and personal autonomy versus a community mentality; there is no conclusion in the hauntingly nostalgic imagery. www.evelynbencicova.com.
Infrastructures as Influence
With a deep interest in fashion and costume design, Meiyi Yang explores the relationship between jewellery and clothing as they relate to the human body.
Coming Clean is a searingly honest series of self-portraits taken by the renowned photographer Graham McIndoe, exploring the world of substance abuse.
Kaveh Golestan, Photo London 2015
Kaveh Golestan (1950-2003) was killed by a landmine near Klfi, Iraqi Kurdistan, at the age of 52 while he was covering the war for the BBC. Such an end says a lot about the photographer who, throughout his life, pioneered street photography and photojournalism, paving the way for an entire generation of Iranian artists.