Requiem is visible, yet has a significant invisible component. The work is a self-contained sculpture suspended between walls: two identical synthesizers pinned apart by metal rods which create a drone field. The sound continually expands throughout the space, transforming the building into a giant audio installation.
Requiem, 2012. Assemblage: keyboards, metal rods, sound. Dimensions variable. Image copyright the artist. Photo: Emily Sandrussi.
