Emma McKeagney

Emma McKeagney’s assemblages, arrangements and structures are interested in the relationship between artist and material. Tracking how this interaction develops throughout a process, Glacial Till; removed, refined, dried, dissolved brings the methodology of refining clay into the exhibition space. Glass, steel, jersey and other materials integrate with the clay as tools and aids.

Glacial Till; removed, refined, dried, dissolved, 2017. Dimensions vary.