Rebecca Reeve’s series Marjory’s World comments upon our increasingly urban existence – a sense of disconnect from the natural world.
This article appears in full in the current issue of Aesthetica Magazine.
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Currently on view at Edel Assanti, London, is Gordon Cheung’s Unknown Knowns, taking inspiration from Donald Rumsfeld’s theory of knowledge.
Unseen returns for its fifth edition, introducing a programme that will challenge, excite and inspire. We speak to Head of Artistic Affairs, Emilia van Lynden.
Malick Sidibé: The Eye of Modern Mali at Somerset House, London showcases 45 original prints taken in the aftermath of the Malian Independence in 1960.