Keith Arnatt has occupied a key position in the history of British conceptual art for almost 50 years. Absence of the Artist, Arnatt’s second exhibition with Sprüth Magers and his first in the London gallery, brings together a range of important work conceived between 1967-72, key years when Arnatt made Self-Burial (1969), Portrait of the Artist as a Shadow of his Former Self (1969-72) as well as The Absence of the Artist (1968). From 1 September.
Keith Arnatt, Absence of the Artist, Sprüth Magers, London
Ed Ruscha, Metro Mattresses, Sprueth Magers, Berlin
The motifs for Ed Ruscha’s new series Metro Mattresses were found on the streets of L.A.
Thomas Demand, Latent Forms, Sprueth Magers, London
Over the past two years, Thomas Demand has spent many hours in the Tokyo offices of renowned architects Kazuyo Sejima and Ryue Nishizawa.