American photographer Lori Nix (b. 1969) shoots fading libraries, abandoned hair salons, neglected classrooms, empty bars and silent shops in her series The City (2005-2015). However, Nix has not actually visited these locations; instead, she has meticulously crafted the scenery in miniature form in her New York apartment. Lighting, scale and space are all carefully balanced to recreate the world on a tabletop. The final images capture a stand-off between urban materiality and the realm of the natural. Overflowing with minute detail, each photograph features the remnants of human existence, revealing a forgotten newspaper on a train carriage, an array of vibrant trainers on a shelf or some pickled items in a biology study room. For this apocalyptic collection, Nix imagined a city of the future where an ominous force has driven the location’s inhabitants out, reflecting her concerns regarding our thoughtless destruction of the environment. www.lorinix.net.
A new data-driven artwork by Aesthetica Art Prize artist Henry Driver is showcased as part of Collusion’s Bury St Edmunds project.
Don’t Miss, Stuart McAlpine Miller, Hay Hill Gallery
Stuart McAlpine Miller graduated from Glasgow School of Art in 1990. Having worked to develop his unique style, Miller is concentrating his attentions on an exciting new series of work.