Heather Ross: Constants in Practice, Royal Scottish Academy, Edinburgh.

Review by Colin Herd In July 2010, the painter Heather Ross (b.1983) won the Alastair Salvesen Travel Scholarship, a funding opportunity aimed at young artists…

Inverting Preconceptions of Materials, Ideas and Craft: Jerwood Makers Open, JVA, London.

Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Jerwood Makers Open is a…

My Hands are Tied: You Seem The Same Always, The Common Guild, Glasgow

Review by Alistair Q Vince Lombardi, the 1960s American Football coach once said “The price of success is hard work, dedication to the job at…

United by Difference: Michelangelo Pistoletto’s The Mirror of Judgement: Serpentine Gallery, London.

Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London. The Serpentine Gallery currently boasts…

The Simplicity of Existence: Daisy Boman: Encounter: Halcyon Gallery, New Bond Street.

Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Daisy Boman’s second exhibition entitled…

The Secret Garden: Serpentine Gallery Pavilion 2011, Designed by Peter Zumthor, Hyde Park, London.

Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Each year the Serpentine Gallery…

Fundamental Stages of Being: Presence, Absence, Kingsland Road Studio, London.

Review by Alex Tieghi-Walker Tucked underneath an ordinary yellow-bricked housing development, like so many now trailing the canal in East London, is a rather extraordinary…

Broadening Access to the Visual Arts: Q&A with Nathan Engelbrecht, Director of EB&Flow Gallery, London.

Interview by Bethany Rex EB&Flow opened this spring in Shoreditch with an aim to build long term relationships with artists from a formative stage in…

Degree Shows 2011: Aesthetica’s Round-Up

Our June/July issue has just hit the shelves, which covers the latest opening at the Guggenheim Bilbao, ArtAngel’s new commission at MIF and features Bruce…

Mark Leckey’s Fusion of Technology and Theatricality: SEE, WE ASSEMBLE, Serpentine Gallery, London.

Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London Turner Prize winner of 2008…

Re-examined Territories: the British Council present Mike Nelson, Venice Biennale

Venice is the biggest date in the art world diary and Mike Nelson’s installation, conceived and created in the British Pavilion is no different. Nelson…

New Connections Within The Polyphonic Whole: Janet Cardiff, Fabrica Gallery, Brighton

Review by Amy Knight Sound has, perhaps more than any other sensory stimulation, a transcendental power that can immerse the listener in an all-encompassing awareness…

Ian Hamilton Finlay | Definitions at Victoria Miro, London

By Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Ian Hamilton Finlay’s show currently at…

Contemporary Lighting Design: WOKA, Vienna

WOKA was born in 1900, they produce handmade reproductions of exclusive lighting-fixtures from the early 20th century. Handmade in Vienna, with original tools using the…

Manipulations of Form, Weight and Volume: Michael Sailstorfer, Modern Art Oxford

Review by Matt Swain Modern Art Oxford hosts Michael Sailstorfer’s first solo presentation in the UK, comprising mixed-media sculptural interventions exploring notions of flight, movement…

Contemporary sculpture in Croatia + Hungarian reflections, Hungarian National Gallery

Review by Adam Harangozó For the opening event of the Croatian Culture Months, the Hungarian National Gallery has arranged a rich exhibition from the works…

It’s Gonna Work Out Fine: Lisa Slominski, Tenderpixel, London

Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The space at Tenderpixel…

Mark Wallinger at carlier | gebauer as part of Gallery Weekend Berlin

Mark Wallinger opens tomorrow in Berlin as part of Gallery Weekend with new works. This is the artist’s fourth show at carlier | gebauer. The…

THE CONCISE DICTIONARY OF DRESS OPENS TODAY

The Concise Dictionary of Dress is probably one of the most fascinating installations on right now in London. Combining two of my favourite topics art…

Jenny Holzer at BALTIC opens today

A major new exhibition of work by Jenny Holzer opens today in Gateshead at BALTIC Centre for Contemporary Art. The exhibition, in one word, is…