An-My Lê captures current concerns around war and immigration whilst alluding to the past; The Silent General references Walt Whitman’s Specimen.

Cindy Sherman: Once Upon a Time, 1981 – 2011 at Mnuchin Gallery, New York, features more than two dozen works spanning the breadth of 30 years.

Richard Mosse’s Heat Maps has won the Prix Pictet 2017. The accolade was awarded by Prix Pictet Honorary President, Kofi Annan, at the V&A.

As part of the 2017 Photo London Commissions, William Klein has been asked to develop a new 18-metre mural for the space.

Art can connect people from a variety of cultures, backgrounds and socio-economic situations. This is called upon as one of the topics at Future Now 2017.

Now in its third year, Photo London has become a powerhouse for international galleries to showcase the revolution of an ever-expanding medium.

Ahead of a panel on the future of photography at the upcoming Symposium, Thomas Dukes expands on the concept of visual arts in the digital landscape.

The 16 practitioners who have been shortlisted for this year’s Aesthetica Art prize discuss contemporary themes and methods of working at Future Now.

As a collateral event of the 57th Venice Biennale, the Museo Correr shows 26 of Shirin Neshat’s portraits from The Home of My Eyes alongside new film, Roja.

Lead airplanes dominate a 1500-square-metre space and converse with a series of paintings in Anselm Kiefer’s installation at Copenhagen Contemporary.

A series of new work by Theo Simpson will be presented at the Webber Gallery Space booth at Photo London, from 18-21 May.

Shanghai Project’s Seeds of Time takes its title from the documentary of the same name, which shares the exhibition’s call for action regarding climate change.

Esther Hovers’ False Positives features intelligent surveillance systems – cameras that are able to detect deviant behaviour within public spaces.

The first major solo exhibition dedicated to the British artist Damien Hirst in Italy since his 2004 retrospective opens across two Venetian venues.

Anne-Marie Filaire’s Temporary Security Zone at Mucem features a body of work that is dense, engaged, rigorous and monumental.

At the heart of Future Now is the understanding that bringing artists together encourages discussion, our portfolio reviews reflect this.

The inaugural Nigerian Pavilion comes to the Venice Biennale featuring the work of three leading Nigerian artists and exploring themes of identity.

Joel Meyerowitz: Towards Colour documents a seminal movement away from monochrome into the search for tonal complexity.

Jane Gottlieb’s compositions are a saturated depiction of cities and nature, reworking recognisable locations into hallucinatory snapshots.

This year’s Belfast Photo Festival challenges the colour binaries of pink and blue that are commonly assigned to newborns at birth.