Representative Measures
Edmund Clark’s In place of Hate is the product of a residency between Ikon and Europe’s only wholly therapeutic prison environment, HMP Grendon.
Edmund Clark’s In place of Hate is the product of a residency between Ikon and Europe’s only wholly therapeutic prison environment, HMP Grendon.
Artist Guido Guidi captures subtle changes of light, colour and form; transitory moments are fixed in time by the apt use of photographic apparatus.
Beetles+Huxley, London, are hosting the first ever London exhibition of Alec Soth’s Sleeping by the Mississippi, coinciding with a re-print from MACK.
Photographer Claudius Schulze’s imagery of man-made landscapes holds within it a desire for security from the forces of a sublime and powerful nature.
Raquel Carrolopez looks towards themes of isolation, individualism and society, blending archival photographs and personal objects.
Although it’s often forgotten when politically expedient, the story of humankind is a story of migrations. Reflecting a proliferation in these tales over recent years…
15-17 September. The selection for this week holds contemporariness at its core; from innovation and design solutions, to new paths of individuality.
Rafaela Fahn Schoffman is a London-based photographer who re-assesses the memory of landscapes through changed perspectives.
Aperture’s touring exhibition, Tiny: Streetwise Revisited, provides a moving education about one of the more complex sides of American life.
Carolina Arantes’ ongoing project, First Generation, has won the 2017 Firecracker Photographic Grant, an initiative to support women photographers.
Ellie Davies, Shortlisted Artist from the Aesthetica Art Prize,has been awarded at the 2017 Magnum Photography Awards.
Swab Barcelona brings together galleries from around the world to showcase young, emerging talent in contemporary art.
For her first institutional solo exhibition in London, Katharina Grosse creates a new work painted in situ at the South London Gallery. From 28 September.
Frieze Masters returns this October for its sixth edition, featuring highlights from the last 6,000 years of art history through more than 130 dealers.
Liza Dracup utilises the Yorkshire landscape as the locus of her practice. A new show at Impressions Gallery offers a series of nocturnal portraits.
Amidst the information maelstrom, MoMA looks back in time to the computer age, when technical thinking began to guide the hands of artists.
In Our Time at the Magnum Print Room, London, is a testament to the work, resonance and continued relevance of the agency over the past 70 years.
The fourth edition of Haus der Kunst’s Capsule programme sees artist Polina Kanis expand on a practice consisting mainly of single-channel videos.
Bernd and Hilla Becher systematically documented the soon-to-be-forgotten architectural forms of industry. Sprüth Magers reflects on this inventory.