Transitory Nostalgia
The Photographers’ Gallery presents the Polaroid work of Wim Wenders. The exhibition explores the relationship between time and object.
The Photographers’ Gallery presents the Polaroid work of Wim Wenders. The exhibition explores the relationship between time and object.
Human activity and its power to transform the world is the theme at the heart of Ali Kazma’s practice. Jeu de Paume, Paris, offer a view into his perspectives.
6-8 October. This week’s selection comprises world-renowned galleries, exhibitions and events with the larger goal of connection and collaboration.
Future Shock examines our decisive moment in history and looks to the challenges and possibilities of the future through the work of 10 artists.
The October / November issue looks at practitioners who are responding to the current global situation in intelligent and meaningful ways.
15-17 September. The selection for this week holds contemporariness at its core; from innovation and design solutions, to new paths of individuality.
The fourth edition of Haus der Kunst’s Capsule programme sees artist Polina Kanis expand on a practice consisting mainly of single-channel videos.
Generation Loss constitutes a shimmering cave where mirrored projections, overlapping screens and digital shields choreograph steadily and firmly.
Even immobile objects are in flux. This is one of the insights of Steve McQueen’s Static, a film that instigates new perspectives on the Statue of Liberty.
The Drift, by London and Beirut-based artist Maeve Brennan follows the stories of a handful of inhabitants of modern-day Lebanon.
The dream-like filmmaking of Kahlil Joseph gets its first solo presentation in New York, including a new black and white piece inspired by Roy DeCarava.
Join AAP shortlisted artists Webb-Ellis as they discuss the notion of multiple worlds achieved through documentary, performance and video.
In this era of accelerating post-truth and digital manipulation, where fact converges with fiction, we must ask ourselves – what is going on?
Australian born Jules Wright nurtured original female talent through the Women’s Playhouse Trust and founded the Wapping Project in 1981.
The 1980s were a turbulent time in Britain; this decade is the focus of The Place is Here, an exhibition set between the South London Gallery and MIMA.
With the weekend in sight, time and space for contemplation is on the horizon. The 5 to See for 14 – 16 July traces the common links in humanity.
Isaac Julien’s Looking for Langston (1989 / 2017) is a landmark film that explores the private world of poet, social activist and columnist Langston Hughes.
Devotional Document (Part I), at Nottingham Contemporary is Wu Tsang’s first solo show in the UK, evoking performative states of impossibility.
Our 5 To See for 30 June – 2 July invites us to reach out to those around us; Susan Hefuna’s performance looks at locality; Otobong Nkanga explores the land.
