V&A: Undressed
Undressed: A Brief History of Underwear tells the story of garment design, considering the practical, personal and sensory roles it plays in protecting and enhancing the body.
Undressed: A Brief History of Underwear tells the story of garment design, considering the practical, personal and sensory roles it plays in protecting and enhancing the body.
Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.
The National Gallery of Victoria, Melbourne, explores Viktor&Rolf’s notion of wearable art through a selection of their most iconic works.
Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.
Club 57: Film, Performance, and Art in the East Village, 1978-1983 explores the scene-changing and interdisciplinary life of downtown New York.
Between Art and Fashion: The Collection of Carla Sozzani opens at Galerie Azzedine Alaia, Paris, chosen by the Director of the Musée d’Art Moderne.
A major new exhibition at the V&A seeks to encapsulate a monumental time, both in British culture and internationally: the late 1960’s. You Say You Want a Revolution?
It must now be regarded as a tradition that a British art college education entails a prolonged immersion and exercise in extraordinary interdisciplinary innovation. Leeds College of Art is no different.
Filling all three galleries at the Camden Arts Centre is Nigerian fashion designer’s Duro Olowu’s debut curatorial venture. Making and Unmaking is a collection of beautiful and/or interesting items.
Weaving sustainability with multi-functionality, Mode in Flux presents a vision for fashion’s future within an unstable environmental landscape.
Second Self brings together the work of two emerging photographers, Juno Calypso and Carolina Mizrahi at Arusha Gallery, Edinburgh.
Vogue: A Century of Style at Manchester Art Gallery gives visitors a lens through which to look at the magazine’s British incarnation and the culture it evolved in. On view until 30 October.
Lyndesy Ingram gallery, London, hosts a new show featuring polaroids collected over two decades from behind the scenes of Miles Aldridge’s fashion shoots.
The Metropolitan Museum of Art’s costume institute invites viewers to question the fashion world’s accepted opposition of hand versus machine.
Fashion and Freedom at the Manchester Art Gallery sees established designers present works in response to the social changes women went through in WWI.
Journalist Ellen Köhrer and expert Magdalena Schaffrin produce the first fashion publication that illustrates how green has become the new black.
Playtime is Ad Minoliti’s first UK exhibition and is paired with a solo exhibition of two large paintings by Dale Lewis. Both exhibitions address what it is to have a gendered or non-gendered body in the digital age.
Can fashion create a better future? A new show surveys the inspiring possibilities that emerge when creativity and technology join forces.
The Metropolitan Museum of Art’s Costume Institute Spring 2016 exhibition, manus x machina, will explore the impact of new technology on fashion and the creation of avant-garde collections.
