Kevin Cooley considers our evolving relationship with technology, nature, and ultimately each other. The underlying conceptual framework of his work is how these forces contend with each other.
Prolific outsider artist Mary Barnes (1923-2001) is represented in an exhibition featuring paintings and drawings spanning her artistic career which began in the 1960s in Bow, East London.
For his first London exhibition, internationally acclaimed photographer Hugh Arnold presents Agua Nacida (water born), a truly unique collection of hauntingly beautiful large-scale nudes.
FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business.
In 2011 Susan Hiller took London by storm with a massive retrospective at Tate Britain and new works at the Timothy Taylor Gallery.
During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition.
Guest curated by Dina Nasser Khadivi and featuring a major new commission, this exhibition marks the opening of YARAT Contemporary Art Space in Baku.
Photographer J. Shotti works at the intersection between life and art. His first solo project, a collection of instant film images entitled EVERY TWO WEEKS.
Bali-based American artist, Ashley Bickerton returns to Singapore after his successful show Junk Anthropologies, with new stitched-canvas works which appertain to his signature funk style.
Artists have been recreating their own image for centuries, from advertisement and preserving legacy, to figurative studies, political commentary and biographical exploration, self-representation has shaped Western art.
The second show at Dominique Lévy’s new London space will map the progression of the abstract white relief geographically and through time, with a focus on the 1930s to 1970s.
For his first solo exhibition at the Alan Cristea Gallery, Turner Prize winner and Royal Academician Richard Long will exhibit a series of new, monumental carborundum relief prints.
In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today.
The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work.
Formed by Heinz Mack and Otto Piene of the Kunstakademie Düsseldorf, the ZERO movement rejected the gestural language of abstract expressionism and instead sought for an artistic purity in the wake of the trauma of the Second World War.
Group exhibition, Playtime, is the final Cornerhouse group exhibition before they make their move into HOME in May 2015. The show sees a selection of artists including Rosa Barba, Niklas Goldbach, Andy Graydon and many more.
Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of kitsch and womanhood.
A pioneer of “Op” and kinetic art, artist Julio Le Parc’s ongoing contribution to contemporary art is currently being celebrated at the Serpentine Galleries in London. In Issue 52, Aesthetica looked at a landmark exhibition of Le Parc’s work at Palais de Tokyo, Paris.
From 7 March Yorkshire Sculpture Park will reunite an expansive selection of work by British sculptor Henry Moore with the park’s vast, rolling landscape.
