Slovakia-born Mária Švarbová (b. 1988) completed her studies in conservation, restoration and archaeology before dedicating herself to photography in 2010. Since then her photographs have focused on minimalism and purity, conveying emotional messages embedded within compositions. Images from The Tribune, SWIMM, No Diving and SWIMMING POOL feature places of recreation and leisure with unsettling emptiness and static sentiments. Still water and transfixed bodies are colour-coordinated, as if manufactured. Vintage costumes mirror red warning signs plastered onto the glossy tiled walls, which, combined with figures held mid-motion, create disconcerting images filled with an eerie despondence. This seeming state of limbo is further exaggerated by pool-goers’ reflections in the water; their well-practised poses are devoid of sensation or human response. This chilling group of works turns familiar places of enjoyment into tonal desolation. www.mariasvarbova.com.
Drawn to bold structures, Jürgen Schrepfer explores cityscapes with his camera, uncovering moments of artistic beauty in the modern metropolis.
A retrospective of Robert Heinecken at MoMA explores an artist whose work questions and subverts the imagery associated with popular media.
Currently based in New York and San Francisco, Russian-born artist Kristina Varaksina creates works which are highly sensitive towards human emotion.
The fourth instalment of the Colombo Art Biennale (CAB) runs this December, the most significant contemporary art festival in Sri Lanka.
A group show of emerging artists opens at Pioneer Works, New York, showcasing 10 Canadian and American practitioners who are forging new approaches to the photographic form.