Lilian Nejatpour’s practice questions technological invasiveness and sentimentality. She considers how these two very distinct modes operate alongside each other when they are re-situated in romantic conversation. In particular, how digital forms evolve as anthropological mannerisms, and become naturalised as anxious etiquettes of the human body.
Image: Inertia She’s the Fastest Moving Object, 2016.
Confidence Treadmill, latex and oil.