“Love happens here” is a phrase found across London this month. The Photographers’ Gallery who show their solidarity with an offsite exhibition.

Offering a global perspective on digital and societal changes, these exhibitions document the pivotal transitions of an era.

Olga Lomaka plays with recognisable images and products of consumerism, pooling contrasting beliefs to give a second meaning to hidden symbols.

Founding directors of The Modern House Matt Gibberd and Albert Hill shine a new light on Modernist architecture from the 1920s to the present day.

The 1980s were a turbulent time in Britain; this decade is the focus of The Place is Here, an exhibition set between the South London Gallery and MIMA.

Kurt Tong’s (b. 1977) current exhibition The Queen, The Chairman and I, reflects upon the self as an amalgamation of disparate parts.

Gleaming Lights of the Souls by Yayoi Kusama remains a beautiful part of the Louisiana Museum of Modern Art.

Yusuke Sugiyama uses the concept of boundaries to explore the spaces in between; somewhere between abstraction and embodiment, reality and memory.

A new, wide-ranging exhibition from the Los Angeles Department of Cultural Affairs attempts to tackle some of the biggest issues facing cities today.

American photographer Emma Elizabeth Tillman (b. 1986) evokes everyday nuances in her debut series Disco Ball Soul (2017).

Nu’a Bön is a Hawai’i-born artist influenced by spiritulaity. He explores sacred places and sites of human conflict in the sumi-e style.

Hanna Tuulikki’s startling and lyrical Air falbh leis na h-eòin | Away with the Birds, is grounded in the ecological rather than the fantastical.

Karl Kobitz’s collection of some of Milan’s most architecturally intriguing entryways or “Ingressi”, is a visually impressive work.

White Cube’s latest exhibition reveals how there is a vast and raging female presence amongst those associated with the surrealist movement.

Photofairs Shanghai is Asia Pacific’s leading contemporary art fair dedicated to photography and moving image.

States of America (2017) is the the largest overview of North American documentary photography in recent years.  

Huis Marseille, Amsterdam, brings together a collection of Jamie Hawkseworth’s images offering a nuanced and empathetic portrayal of England.

MACK publish stills from Richard Mosse’s Incoming, a film that captures the refugee crisis through thermographic weapons and imaging technology.

Unseen Amsterdam is devoted to identifying, and fostering the talents of emerging and established innovators.

 Into the Light (2017) ultimately dissembles traditional notions of architecture, subverting the ways in which viewers engage with liminal spaces.