French artist Lauren Marsolier (b. 1972) – now based in Los Angeles – has developed a style that alleviates the world of specific details. Perceptual compositions alienate viewers through bright and equivocal landscapes, which are haunted by unidentifiable sources of lighting. Through this style of post-production and tonal minimalism, the featured locations are rendered simultaneously familiar and anonymous. Transition – Part 3, for example, is an ode to fictional spaces. Unending horizons and at blocks of colour evoke a limbo-like state: the audience cannot recognise a particular place. Devoid of noticeable characteristics and with empty skylines, the artist’s portfolio questions the role of our surroundings within the psyche. She has exhibited at the Los Angeles County Museum of Art and the Phoenix Art Museum, and in 2013 was featured alongside Mitch Epstein, Robert Adams and Edward Burtynsky, amongst others, at Somerset House, London. www.laurenmarsolier.com.
Devised by the Resistance and Deportation History Centre, Les Jours Sans plunges viewers into the life of the French during and after World War II.
Tamas Dezso, Notes for an Epilogue, The Photographers’ Gallery
Tamas Dezso’s Notes for an Epilogue and Here, Anywhere are on-going bodies of work depicting a time of transition in rural Romania and Hungary following the fall of Communism in the late 1980s.