FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business.

In 2011 Susan Hiller took London by storm with a massive retrospective at Tate Britain and new works at the Timothy Taylor Gallery.

During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition.

Guest curated by Dina Nasser Khadivi and featuring a major new commission, this exhibition marks the opening of YARAT Contemporary Art Space in Baku.

Photographer J. Shotti works at the intersection between life and art. His first solo project, a collection of instant film images entitled EVERY TWO WEEKS.

Bali-based American artist, Ashley Bickerton returns to Singapore after his successful show Junk Anthropologies, with new stitched-canvas works which appertain to his signature funk style.

For the fourth year in a row 130 emerging designers from 30 countries will come together in the largest public fashion exhibition of its kind.

Artists have been recreating their own image for centuries, from advertisement and preserving legacy, to figurative studies, political commentary and biographical exploration, self-representation has shaped Western art.

The second show at Dominique Lévy’s new London space will map the progression of the abstract white relief geographically and through time, with a focus on the 1930s to 1970s.

For his first solo exhibition at the Alan Cristea Gallery, Turner Prize winner and Royal Academician Richard Long will exhibit a series of new, monumental carborundum relief prints.

In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today.

The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work.

Formed by Heinz Mack and Otto Piene of the Kunstakademie Düsseldorf, the ZERO movement rejected the gestural language of abstract expressionism and instead sought for an artistic purity in the wake of the trauma of the Second World War.

Group exhibition, Playtime, is the final Cornerhouse group exhibition before they make their move into HOME in May 2015. The show sees a selection of artists including Rosa Barba, Niklas Goldbach, Andy Graydon and many more.

Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of kitsch and womanhood.

A pioneer of “Op” and kinetic art, artist Julio Le Parc’s ongoing contribution to contemporary art is currently being celebrated at the Serpentine Galleries in London. In Issue 52, Aesthetica looked at a landmark exhibition of Le Parc’s work at Palais de Tokyo, Paris.

From 7 March Yorkshire Sculpture Park will reunite an expansive selection of work by British sculptor Henry Moore with the park’s vast, rolling landscape.

Transmitting Andy Warhol is a dazzling exhibition which enables the viewer to discover more about the Pop Art pioneer and founder of the influential Studio 54 movement, whose radical designs transformed the modern art world.

The enigmatic, almost totemic, structures currently on view at Pilar Corrias in London, are the new body of work by Brazilian artist Tunga. Entitled “La Voie Humide” (translated The Humid Way), this is his second show at the gallery.

The organic sculptures and magical universe of Brazilian artist Ernesto Neto take over the gallery at Guggenheim Bilbao, allowing audiences to engage with art using their senses.

The winner of the Poetry category for the 2014 Aesthetica Creative Writing Award is Charles Fishman, discusses the inspiration behind his winning poem and what future projects he has lined up.

One of the most innovative artists of the second half of the 20th century is given his first solo exhibition in London at Richard Saltoun Gallery. Filliou’s work challenged the role of art in everyday life.

Berlin-based Japanese artists Futo Akiyoshi, Kouichi Tabata and Takahiro Ueda hold the first group show to take place within White Rainbow gallery. Each artist creates works surrounding the themes of time, space and psychology.

This group show curated by Peter J. Amdam brings together artists who accentuate how art operates in an era of new media, and in a world which is both human and non-human at the same time.

Looking at human-induced climate change and exploring apocalyptic fears, Song for Coal considers the Industrial Revolution as an ongoing process. The project coincides with the end of the 30-year anniversary of the UK miners’ strike.

Pupils from 12 schools take over Impressions Gallery with photographic tableaux re-imagining the past, and playful contemporary portraits which explore history and social identity.

Featuring the work of South African photographer Mikhael Subotzky and artist Patrick Waterhouse, this photographic project documents five years in the lives of the inhabitants of Ponte City.

Curated by Francesca Pola, this exhibition features a selection of significant sculptural works exemplifying the influential six decade career of Italian artist Agostino Bonalumi (1935-2013).

Comprised of 100 photographs assembled over the last five years, The Plot Thickens celebrates the 35th anniversary of Fraenkel Gallery, San Francisco. The exhibition revels in the richness of the photographic medium.

Jonathan Monk replays, revises and re-examines works of Conceptual and Minimal art by acts of witty, ingenious and irreverent appropriation.

For Maria Friberg’s first solo show with Pi Artworks, the gallery has curated a series of photographic and video works that span the last 10 years. Friberg belongs to a generation of Scandinavian artists often referred to as the Nordic Miracle.

Corinne Demas is an award-winning author with 30 books to her name, including five novels, two short story collections, a collection of poetry, and numerous books for children.

Manual Cinema’s Mementos Mori is a feature-length cinematic shadow play that combines overhead projectors, intricate paper puppets, sound effects, a live onstage chamber ensemble, and live actors to discuss digital culture.

In her first major solo presentation in a public London institution, UK-based painter Katy Moran presents a survey of her work from the past 10 years of her practice, curated by Ziba Ardalan, Founder/Director of Parasol unit.

For Sun/Screen, Penelope Umbrico used an iPhone to re-photograph images cropped from thousands of sunset images shared online, this process of capturing images directly from the computer screen creates a moiré pattern.

The next exhibition in the Jerwood Visual Arts’ Encounters series will be curated by The Grantchester Pottery, an artist collaboration between sculptor Giles Round and painter Phil Root.

Sirenes is a Norway-based artist who, in 2011, had her first solo exhibition in Oslo. Now, she has exhibited around the world and in various publications. She has always been fascinated by colours.

With his trademark stripes, printed shirts, slim-cut suits and quirky trims, Paul Smith has created an inimitable style that transcends each season’s trends and flippancies, always with quality at its core, always with humour in its design.

Organised by Jeu de Paume in collaboration with the City of Tours, this is the first show in France dedicated exclusively to Hungarian photographer Nicolás Muller; bringing together a hundred images and documents from the archives kept by his daughter Ana Muller.

The beginning of the 20th century was an era of new technology, artistic ingenuity and creative entrepreneurship — comparable to today’s world where developments in the field of digital imagery succeed one another rapidly.

For his latest series Australian photographer, Murray Fredericks, travelled alone with a bicycle and trailer, carrying his large format camera and supplies to capture an area of Southern Australia in severe weather conditions; taking a physical and mental toll in order to collect the perfect frames.

Designed by Frank Gehry and having opened to the public in 2014, Fondation Louis Vuitton is now launching the second phase of its inaugural programme with an exhibition of work by artist and inventor of Little Sun, Olafur Eliasson.

Mapping the City is an innovative exhibition of works by over 50 rising stars and internationally recognised artists from the street and graffiti art scenes who seek to inspire their audience.

Portuguese artists João Maria Gusmão and Pedro Paiva will present a magical, immersive film installation. Their kaleidoscopic world created by 27 16mm films and two camera obscura works, takes viewers on an imaginative journey into science, philosophy and religion.

Thirteen large-format photographs from conceptual artist Hiroshi Sugimoto’s ongoing Diorama series, executed between 1976 and 2012, feature far-flung landscapes which initially seem to be documents of the natural world.

This exhibition in the Marais district of Paris looks at Bettina, the signature model of the 1950s, in photographs and sketches from an array of practitioners. The work studies her life, beginning with her childhood spent in Normandy.

This is to be the first UK exhibition dedicated to the artist Robert Heinecken (1931–2006), widely regarded as one of America’s most influential post-war photographers and a pioneer of 20th century photographic experimentation.

In collaboration with Foundation for Art and Preservation in Embassies (FAPE), Don Gummer is to present a sculpture for the US Embassy in Moscow, Russia, as part of its Site-Specific Collection.

For its 65th anniversary, Bloomberg New Contemporaries arrives at the ICA for the fifth time and selectors Marvin Gaye Chetwynd, Enrico David and Goshka Macuga have chosen works by 55 of the most promising artists emerging from UK art schools out of 1,400 submissions.

For Sophie Calle’s first solo exhibition in China, the artist has covered an entire wall with images from her Cash Machine project. The piece first originated in 1988 and was extended 15 years later.