Galvanise:
The December/January Issue
This issue of Aesthetica is dedicated to perseverance, resilience and determination. In the face of anything, we have power to change.
This issue of Aesthetica is dedicated to perseverance, resilience and determination. In the face of anything, we have power to change.
“The pandemic has taught us what the real value of art is.” ING Discerning Eye returns to London and online, highlighting the future of contemporary art.
Yorkshire Sculpture Park fills the Weston Gallery with Annie Morris’ rich, towering sculptures, combining play and intimacy.
Anicka Yi has long explored the thresholds of human, animal and robotic intelligence. Now, she has filled Tate Modern’s iconic Turbine Hall.
Thomas Demand painstakingly re-stages highly political locations in paper and cardboard. He photographs and then destroys them.
The Black History Month 2021 theme is Proud to Be. Here are 10 key arts exhibitions, online resources and events to explore this month and beyond.
Frieze returns to London with three concurrent fairs, offering new perspectives on conflict, desire, pollution and how to reshape the canon.
2021 has seen the return of some of the world’s most popular art fairs. But what do these creative gatherings look like in a post-lockdown world?
“The sea and its ecosystems encompass us all.” Art appears across South Korea’s beaches, questioning our relationships with the non-human world.
We preview five of the most exciting contemporary art podcasts, from deep dives into the lives of women artists to 20th century sculpture.
Never has it been more important to consider our relationship with the natural world. Artists from our 2021 longlist bring the landscape into focus.
Elmgreen & Dragset’s new installation asks more questions than it answers, as part of Copenhagen Contemporary’s exhibition The Art of Sport.
Karen Navarro calls upon photography, collage and sculpture to investigate the concepts of race, gender and belonging, and how they converge.
Signs and Symbols: Issue 102 considers the difference between “looking” and “seeing” –
how we view ourselves and the world around us.
A new book delves into sculptor Sarah Sze’s complex and mesmerising visualisations of the human world – and the systems we use to measure it.
Jessica Backhaus arranges tiny paper cut outs in the Berlin summer sun. As the shapes begin to curl and bend, she captures their dance-like forms.
Ernesto Neto’s work dissolves the boundary between art and audience, highlighting the entwinement of our fate with that of other creatures.
“If I didn’t have to cook, wash up, nurse children ad infinitum I should carve and carve and carve…” wrote Barbara Hepworth. A new book explores her life.
This summer, Yorkshire Sculpture International returns with a programme of shows and events. There’s a strong digital element throughout.
