The Other Art Fair Bristol
One of the UK’s best-loved fair to meet and buy art direct from fresh talent and undiscovered artists, The Other Art Fair (TOAF), returns to Bristol’s waterside Arnolfini this weekend. From 22-24 July.
One of the UK’s best-loved fair to meet and buy art direct from fresh talent and undiscovered artists, The Other Art Fair (TOAF), returns to Bristol’s waterside Arnolfini this weekend. From 22-24 July.
The UK’s largest annual festival of visual art returns to Edinburgh on 28 July with a dynamic programme of partner exhibitions and pop-up events taking place across the Scottish capital.
Löwenbräukunst and Helmhaus are amongst the main exhibition venues at Manifesta 11 2016, including installation, video, sculpture and photography works exploring diverse ideas.
The Common Guild, Glasgow, announces details of a new performance, entitled At Twilight: A play for two actors, one dancer, eight masks, staged in conjunction with its summer exhibition, At Twilight.
Opening a new exhibition at Baltic, Gateshead, Aesthetica talk to Caroline Achaintre about her influences and labour-intensive practice.
Adriana Salazar’s installations displace the boundaries between life and death. Moving Plant #32 features a bamboo branch sourced from the Himalayan Gardens in Ripon.
Fondation Beyeler’s summer exhibition focuses on the idea of balance in the works of pioneering American sculptor Alexander Calder and playful, Swiss duo Peter Fischli and David Weiss.
As one of the most important artists of her generation, Mona Hatoum withholds important political sentiments and a poetically charged oeuvre.
In Museo Atlantico, Jason deCaires Taylor responds to the ongoing humanitarian crisis that has left millions of refugees seeking for shelter.
Val Wecerka’s practice demonstrates a curiosity with both form and content. We catch up with her to discuss the stimuli behind her diverse oeuvre.
Manifesta’s 11th edition runs until 18 September. The nomadic festival was initiated in response to the new social, political and cultural reality that emerged in the aftermath of the Cold War.
With a wry sensibility, Leeds-born Marcus Harvey explores what it means to be British, deconstructing identity through a collision of humour and art.
Hauser & Wirth unites the practices of Kurt Schwitters and Hans Arp, in the context of works by the Joan Miró, in a new show to mark the centenary of the Dada movement in the city of its birth.
This year, the UK’s largest contemporary art festival, Liverpool Biennial, sees 42 artists creating work at locations across the city, from Tate Liverpool to Cains Brewery to local supermarkets.
The impulse to preserve and save objects, which is fundamental to the whole enterprise of museums, galleries and other collections, comes under scrutiny in the New Museum’s latest multi-floor exhibition.
At Pace London, the gallery has come alive with Louise Nevelson’s ingenious forethought that was at the epicentre of illustrious career and life.
This summer Hauser & Wirth Zürich celebrates the work of the late American sculptor, painter and draughtsman, David Smith. The artist transformed the innovations of European modernism into a richly diverse new artistic language.
Works of Alexander Calder and Fischli/Weiss, from the early and late-twentieth century are now in dialogue, thanks to the Fondation Beyeler.
Conceptual Art in Britain 1964–1979, currently on show at Tate Britain, explores a pivotal period in British art history. We speak to Andrew Wilson, Curator, about this landmark exhibition and its accompanying publication.