Viva Arte: 10 to See
The 57th Venice Biennale, VIVA ARTE VIVA will feature 120 artists from 51 countries, as well as 85 National Participations in the Giardini Pavilions.
The 57th Venice Biennale, VIVA ARTE VIVA will feature 120 artists from 51 countries, as well as 85 National Participations in the Giardini Pavilions.
Fabrica Director Liz Whitehead brings Ipek Duben’s multi-screen film installation THEY/ONLAR to to the Brighton-based gallery after seeing it at SALT, Istanbul.
The European Media Art Festival collates a diverse selection of artists and contributors under the title of Push: Living in the Hyper Information Age.
documenta 14 and the National Museum of Contemporary Art collaborate on a programme that spans both both institutions and their founding cities.
Elger Esser’s current focus is on the countries of the near East; Morgenland was created during his travels in Lebanon, Egypt and Israel from 2004 to 2015.
Edinburgh Art Festival announces details of its 14th edition, including partner exhibitions and pop-up events by contemporary and modern artists.
The fifth Aesthetica Art Prize Exhibition opens 26 May and continues until 10 September at York Art Gallery, showcasing the 16 shortlisted artists.
The 33rd edition of the annual ICP Infinity Awards will once again celebrate outstanding achievements in visual culture on 24 April.
The Glasgow School Of Art presents a retrospective of Franki Raffles, drawing on three main bodies of work from the Edinburgh-based photographer.
Making Heimat, Germany. Arrival Country, Atlas of Refugee Housing takes stock of the various types of housing available in German arrival cities.
New York’s Rubin Museum of Art presents Henri Cartier-Bresson: India in Full Frame, to coincide with the 70th anniversary of Magnum Photos.
Art Beijing, opening on 29 April, brings an energetic selection of regional and international exhibitors to the fore for its 12th consecutive exhibition.
Viviane Sassen’s Of Mud and Lotus engages in a conversation on transformation, procreation and fecundity at Stevenson Gallery in Johannesburg.
Currently on view at Edel Assanti, London, is Gordon Cheung’s Unknown Knowns, taking inspiration from Donald Rumsfeld’s theory of knowledge.
The work of British artist Gillian Wearing and French photographer Claude Cahun are displayed together for the first time at the National Portrait Gallery.
Excavating layers of urban developments and ruinous archaeological sites, Maeve Brennan’s The Drift (2017) traces shifting economies in contemporary Lebanon.
In The Centrifugal Soul, artist Mat Collishaw draws on various forms of illusion in a series of new sculpture, installation and paintings.
From Selfie to Self-Expression at Saatchi, London, asks questions about the changing notion of photography, portraiture and the digital era.
Hamiltons gallery, London, presents Roger Ballen’s most recent and highly anticipated body of work The Theatre of Apparitions for the first time as a series.