Cig Harvey returns to Aesthetica with images from You an Orchestra You a Bomb, a new photobook that pays attention to the fragile present.

A major retrospective offers audiences an unprecedented understanding of an artist whose vision has been shaped by accelerating worlds.

Tekla Evelina Severin is an interior architect who since 2010, has been working in the multidisciplinary fields of art direction, set design and photography.

At Light’s Edge provides desolate views of American landscapes illuminated by eerie distress signals – messages coming from above or vice-versa.

The experimental landscape of Kate Bellm’s imagination is dreamlike and vivid, celebrating notions of youth, freedom and nature.

Mária Švarbová’s Swimming Pool fills places of recreation with a sense of emptiness and static stillness.

Holden Luntz Gallery explores a wealth of dynamic fashion imagery, expanding the boundaries of the medium.

IWM North reflects upon the proceedings in the Syria. The four-part programme invites visitors to consider their association to the country.

Capturing locations including Hong Hong, Paris, Tokyo and Chicago, Michael Wolf documents every day life in mega-cities.

György Gáti’s abstracted images of architectural forms offer fresh dialogues about the urban landscape.

Simon Roberts’ images explore the shared idiosyncrasies of a nation by documenting the events that define the British social landscape.

International Center of Photography presents The Day the Music Died, British photographer Edmund Clark’s first solo museum exhibition in the US.

Fotomuseum’s latest exhibition, Unwired, by Jacqueline Hassink, extends an interest in networks of global socioeconomic power in digital media.

Irene Scheinmann is an artist that ventures into digital worlds, combining bold, geometric forms with the open possibilities of technology.

The selection for 25-26 November investigates self-definition, uncovering what it means to be formed by experience, locale and popular culture.

The practice of influential photographic duo Bernd and Hilla Becher is characterised by an objective uniformity,

André Cepeda’s work examines urban architectural forms using light and geometry in surprising, spatially resonant ways.

Unsettling and revealing, Sasha Rudensky’s images traverse the contemporary landscape, exploring the aftermath of the Cold War.

Taking the city as a subject, Wayne Sorce’s images document the urban landscapes of Chicago and New York in the 1970s and 1980s.

SCOPE Miami Beach is recognised worldwide for its forward-thinking approach and focus on emerging practitioners and galleries.