Pictorial Clarity
An exhibition of Axel Hütte’s early work tracks his restrained creative practice and interest in architectural forms, spanning 1978-1995.
An exhibition of Axel Hütte’s early work tracks his restrained creative practice and interest in architectural forms, spanning 1978-1995.
Nicolas Dhervillers’ cinematic Detachment series offers the Anabaptist Amish community a new narrative.
The impact and evolution of technology is foregrounded in the 30th anniversary edition of London Art Fair.
Deichtorhallen Hamburg brings together a selection of Alec Soth’s intimate portraits of everyday suburban life
Edmund Clark’s The Mountains of Majeed is a reflection on the end of “Operation Enduring Freedom” in Afghanistan at Flowers Gallery, London.
Jiri Svestka Gallery offers dialogues between emerging practitioner Katarína Poliačiková and iconic photographer Stephen Shore.
James Casebere’s innovative investigations into the nature of constructed spaces are inspired by world-renowned architect Luis Barragán.
Gregor Sailer’s work uncovers a complex and uncanny world of façades hidden in the contemporary landscape.
An exhibition of German photographer Andreas Gursky’s monumental work marks the reopening of Hayward Gallery, London.
Devoid of human activity, Candida Höfer’s abstracted images of grand architectural structures are pervaded by a sense of absence.
Wout Berger’s Poisoned Landscape series at Nederlands Fotomuseum examines the peculiar and deceiving beauty of polluted environments.
Gillian Wearing’s large-scale photographic installation at The Institute of Contemporary Art, Boston, is entering its final month.
Haus der Kunst, Munich, brings together over 130 works that foreground Thomas Struth’s social concerns.
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Peter Bialobrzeski’s photographic series Die zweite Heimat explores the social condition of contemporary Germany through depictions of everyday places.
The selection for 2-3 December exposes realities about the contemporary experience, delving into current issues and holding up a mirror to society.
Emerging photographer Julian Faulhaber’s series, LDPE, captures brand new public spaces that are untouched by human intervention.
The December / January issue is about ideas. The notion that progress is continuous, and that we can change things if we want to, is a powerful statement.