Embracing Collaboration
Seventeen film directors, choreographers, actors, animators and visual artists collaborate to transform Australia’s bestselling novel into a kaleidoscopic piece of filmic theatre.
Seventeen film directors, choreographers, actors, animators and visual artists collaborate to transform Australia’s bestselling novel into a kaleidoscopic piece of filmic theatre.
Italian filmmaker Uberto Pasolini researches the social lives of others by way of fish and chip shops and funeral parlours to reflect upon the life of a man who works for the dead.
In Nottingham Contemporary’s latest exhibition, 20 international artists reflect upon the ecological, economic, political, and cultural crises of our modern world.
In We Never Dream Alone, works by Sidsel Christensen, Andrew Leventis and Lisa Slominski see the borders between real and unreal, fact and fiction, virtual and visceral, and blurred and explored.
The UK’s premier fair for Modern and contemporary British art opens for its private view. Situated in the Business Design Centre, Islington, the 27th edition of the London Art Fair runs 21-25 January.
Exciting, contemporary and devoid of delineation, Nástio Mosquito defies categorisation and points towards a new culture of art that combines pop, performance, fine art and politics.
Kevin Cooley considers our evolving relationship with technology, nature, and ultimately each other. The underlying conceptual framework of his work is how these forces contend with each other.
FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business.
During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition.
For the fourth year in a row 130 emerging designers from 30 countries will come together in the largest public fashion exhibition of its kind.
In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today.
The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work.
Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of kitsch and womanhood.
This group show curated by Peter J. Amdam brings together artists who accentuate how art operates in an era of new media, and in a world which is both human and non-human at the same time.
Manual Cinema’s Mementos Mori is a feature-length cinematic shadow play that combines overhead projectors, intricate paper puppets, sound effects, a live onstage chamber ensemble, and live actors to discuss digital culture.
For Sun/Screen, Penelope Umbrico used an iPhone to re-photograph images cropped from thousands of sunset images shared online, this process of capturing images directly from the computer screen creates a moiré pattern.
The beginning of the 20th century was an era of new technology, artistic ingenuity and creative entrepreneurship — comparable to today’s world where developments in the field of digital imagery succeed one another rapidly.
Portuguese artists João Maria Gusmão and Pedro Paiva will present a magical, immersive film installation. Their kaleidoscopic world created by 27 16mm films and two camera obscura works, takes viewers on an imaginative journey into science, philosophy and religion.
For Sophie Calle’s first solo exhibition in China, the artist has covered an entire wall with images from her Cash Machine project. The piece first originated in 1988 and was extended 15 years later.
