A major new exhibition at the V&A seeks to encapsulate a monumental time, both in British culture and internationally: the late 1960’s. You Say You Want a Revolution?

There are two days left to enter the Aesthetica Art Prize. In the call for entries countdown, we speak to previously longlisted artist Shaelene Murray who works within a feminist art practice.

It must now be regarded as a tradition that a British art college education entails a prolonged immersion and exercise in extraordinary interdisciplinary innovation. Leeds College of Art is no different.

Filling all three galleries at the Camden Arts Centre is Nigerian fashion designer’s Duro Olowu’s debut curatorial venture. Making and Unmaking is a collection of beautiful and/or interesting items.

Weaving sustainability with multi-functionality, Mode in Flux presents a vision for fashion’s future within an unstable environmental landscape.

Second Self brings together the work of two emerging photographers, Juno Calypso and Carolina Mizrahi at Arusha Gallery, Edinburgh.

Vogue: A Century of Style at Manchester Art Gallery gives visitors a lens through which to look at the magazine’s British incarnation and the culture it evolved in. On view until 30 October.

Lyndesy Ingram gallery, London, hosts a new show featuring polaroids collected over two decades from behind the scenes of Miles Aldridge’s fashion shoots.

The Metropolitan Museum of Art’s costume institute invites viewers to question the fashion world’s accepted opposition of hand versus machine.

Fashion and Freedom at the Manchester Art Gallery sees established designers present works in response to the social changes women went through in WWI.

Journalist Ellen Köhrer and expert Magdalena Schaffrin produce the first fashion publication that illustrates how green has become the new black.

Playtime is Ad Minoliti’s first UK exhibition and is paired with a solo exhibition of two large paintings by Dale Lewis. Both exhibitions address what it is to have a gendered or non-gendered body in the digital age.

Can fashion create a better future? A new show surveys the inspiring possibilities that emerge when creativity and technology join forces.

The Metropolitan Museum of Art’s Costume Institute Spring 2016 exhibition, manus x machina, will explore the impact of new technology on fashion and the creation of avant-garde collections.

Having graduated just nine years ago, Dutch designer Iris van Herpen has already achieved the seemingly impossible when it comes to 3D printing.

We review artist and design Rad Hourani’s multidisciplinary exhibition at Arsenal Contemporary Art Center, Montreal. Hourani’s work celebrates neutrality as a defining human trait.

Designer Hussein Chalayan builds a new world on stage for Gravity Fatigue, combining fashion, architecture and dance at sadler’s wells.

One of the most enduring fashion icons of all time, Audrey Hepburn has captivated generations with her unique elegance and style. The National Gallery’s current exhibition covers her early film success to her lasting media image.

Hamiltons Gallery, London, presents Polaroids, a diverse selection of colour and black and white photographs from the archive of renowned Italian fashion photographer Paolo Roversi.

The judges for this year’s Aesthetica Art Prize, currently open for entries, include Karin Askham, Dean of the school of Media, London College of Communication who established the UK’s first BA and MA courses in fashion photography.