Light, Shadow, Sculpture
Illusions, reflections and tricks of the light are entrancing. From mirrored sculptures to neon, these Aesthetica Art Prize finalists do exactly that.
Illusions, reflections and tricks of the light are entrancing. From mirrored sculptures to neon, these Aesthetica Art Prize finalists do exactly that.
“Life imitates art far more than art imitates life.” European Cultural Centre’s exhibition in Venice examines the world through this lens.
Herd immunity. Minimise the spread. Stockpile. Staycation. Quarantine. Bindi Vora’s photomontages explore the language of the Covid-19 pandemic.
Five Aesthetica Art Prize finalists have found inventive ways of turning information into something more: installations, photographs and sculptures.
Pioneering sculptor Ruth Asawa believed in the power of art to change lives. Modern Art Oxford explores her dedication to education and advocacy.
Fujiko Nakaya is best known for making sculptures out of water. For six decades, she has challenged definitions of art – formulating ethereal clouds.
Architizer’s annual A+Awards show how democratic design can have a positive impact on everyday life, highlighting the world’s most innovative buildings.
In 1990, the art world was entering a new era. As Pashmin Art Consortia celebrates its 32nd anniversary, we look back at this period of change.
Mónica Alcázar-Duarte – an Aesthetica Art Prize finalist – makes searing work about the embedded relationship between real-world and digital bias.
Lennart Brede’s portraits aim “to get a rare glimpse of what lies beneath the surface” – to reveal the raw and real behind our everyday existence.
France’s annual summer photography festival returns with a searing programme featuring more than 160 artists. Here are exhibitions to look out for.
South Korean artist and designer JeeYoung Lee fills a gallery with 400 hand-crafted Ginkgo leaves – and suspends a paper boat from the ceiling.
Power! Light! at Kunstmuseum Wolfsburg highlights bold artworks in which light is used to make sense of political, social and ecological situations.
“Photography preceded cinema, but does this imply that photography is the parent of cinema?” Here, five Aesthetica Art Prize finalists explore this question.
Artists. Programmers. Architects. Engineers. teamLab are the globally acclaimed collective behind today’s most popular immersive installations.
Memory, loss and family are central to Heather Evans Smith’s latest series, which is filled with visual metaphors surrounding the colour blue.
The Songlines of the Seven Sisters is a creation story central to Australia. Now, Berlin’s Humboldt Forum offers a multisensory encounter with the tale.
In 1992, a strange pine tree appeared in Denver, Colorado. Its goal: to remain as invisible as possible, camouflaging an antenna in plain sight.
“Technology is blamed for all manner of societal ills, but it’s what we do with this tool that matters.” Richard Mosse’s images are on show in Germany.
