This year’s edition of The Other Art Fair, New York, brings together image-makers interested in the intricacies of the contemporary experience.

Life in Motion: Egon Schiele/Francesca Woodman, opens at Tate Liverpool, exploring the expressive nature of the human body.

As part of La Triennale di Milano, an exhibition tracks Italian artist and photographer Luigi Ghirri’s engagement with architecture.

VR and Data-Influenced Artworks: The New Language of Software, a panel discussion at the Future Now Symposium, looks at new languages.

“I came to see the buildings as fossils of a time past.” Danny Lyon’s The Destruction of Lower Manhattan documents a period of transition.

Fabio Lattanzi Antinori’s Fortune Tellers investigates negotiation with information systems. The piece is shortlisted for the Aesthetica Art Prize 2018.

Art Beijing returns, celebrating China’s rich artistic landscape and engaging with themes such as digitalisation, sustainability and community.

Beirut Design Week 2018 responds to the theme of Design and the City, reflecting the city’s ever-changing urban landscape.

Thames and Hudson’s The Spirit of Bauhaus historicises the movement’s origins, reminding readers of the roots which led to an ongoing legacy.

Shortlisted for the Aesthetica Art Prize 2018, Shauna Frischkorn contemplates how photography acts as a tool to evaluate the world around us.

What does it mean to be in suspense? A collective show from Le Bal, Paris, offers a thoughtful and provoking take on the matter.

Sam Johnson finds satisfaction in creating beauty through perceivable mundanity. The images introduce viewers into Jungian landscapes.

Exhibitions opening towards the end of April encompass the breadth of contemporary photographic practice.

German photographer Michael Wolf’s first complete photographic series goes on display at Flowers Gallery, London.

The arts industry, like any other, still carries a certain amount of imbalance. Ahead of Future Now, Amira Gad, Serpentine Gallery, looks directly at the issue.

The design for the new National Museum of Qatar by Jean Nouvel is inspired by the desert rose, featuring a series of interlocking discs.

The digital age has changed our perceptions of physical space. Leading practitioners swap traditional media for the language of technology .

Trevor Paglen’s practice reflects on surveillance, shedding light on state operations whilst engaging with its impact on everyday life.

A solo show of works by Trine Søndergaard at Bruce Silverstein Gallery, New York, offers dialogues between past and present.

Daniel Alexander’s series, examines the Commonwealth War Graves Commission, considering its enduring legacy.