Pupils from 12 schools take over Impressions Gallery with photographic tableaux re-imagining the past, and playful contemporary portraits which explore history and social identity.

Featuring the work of South African photographer Mikhael Subotzky and artist Patrick Waterhouse, this photographic project documents five years in the lives of the inhabitants of Ponte City.

Curated by Francesca Pola, this exhibition features a selection of significant sculptural works exemplifying the influential six decade career of Italian artist Agostino Bonalumi (1935-2013).

Comprised of 100 photographs assembled over the last five years, The Plot Thickens celebrates the 35th anniversary of Fraenkel Gallery, San Francisco. The exhibition revels in the richness of the photographic medium.

Jonathan Monk replays, revises and re-examines works of Conceptual and Minimal art by acts of witty, ingenious and irreverent appropriation.

Manual Cinema’s Mementos Mori is a feature-length cinematic shadow play that combines overhead projectors, intricate paper puppets, sound effects, a live onstage chamber ensemble, and live actors to discuss digital culture.

For Sun/Screen, Penelope Umbrico used an iPhone to re-photograph images cropped from thousands of sunset images shared online, this process of capturing images directly from the computer screen creates a moiré pattern.

The next exhibition in the Jerwood Visual Arts’ Encounters series will be curated by The Grantchester Pottery, an artist collaboration between sculptor Giles Round and painter Phil Root.

With his trademark stripes, printed shirts, slim-cut suits and quirky trims, Paul Smith has created an inimitable style that transcends each season’s trends and flippancies, always with quality at its core, always with humour in its design.

Organised by Jeu de Paume in collaboration with the City of Tours, this is the first show in France dedicated exclusively to Hungarian photographer Nicolás Muller; bringing together a hundred images and documents from the archives kept by his daughter Ana Muller.

The beginning of the 20th century was an era of new technology, artistic ingenuity and creative entrepreneurship — comparable to today’s world where developments in the field of digital imagery succeed one another rapidly.

For his latest series Australian photographer, Murray Fredericks, travelled alone with a bicycle and trailer, carrying his large format camera and supplies to capture an area of Southern Australia in severe weather conditions; taking a physical and mental toll in order to collect the perfect frames.

Designed by Frank Gehry and having opened to the public in 2014, Fondation Louis Vuitton is now launching the second phase of its inaugural programme with an exhibition of work by artist and inventor of Little Sun, Olafur Eliasson.

Mapping the City is an innovative exhibition of works by over 50 rising stars and internationally recognised artists from the street and graffiti art scenes who seek to inspire their audience.

Portuguese artists João Maria Gusmão and Pedro Paiva will present a magical, immersive film installation. Their kaleidoscopic world created by 27 16mm films and two camera obscura works, takes viewers on an imaginative journey into science, philosophy and religion.

Thirteen large-format photographs from conceptual artist Hiroshi Sugimoto’s ongoing Diorama series, executed between 1976 and 2012, feature far-flung landscapes which initially seem to be documents of the natural world.

This is to be the first UK exhibition dedicated to the artist Robert Heinecken (1931–2006), widely regarded as one of America’s most influential post-war photographers and a pioneer of 20th century photographic experimentation.

In collaboration with Foundation for Art and Preservation in Embassies (FAPE), Don Gummer is to present a sculpture for the US Embassy in Moscow, Russia, as part of its Site-Specific Collection.

For its 65th anniversary, Bloomberg New Contemporaries arrives at the ICA for the fifth time and selectors Marvin Gaye Chetwynd, Enrico David and Goshka Macuga have chosen works by 55 of the most promising artists emerging from UK art schools out of 1,400 submissions.

For Sophie Calle’s first solo exhibition in China, the artist has covered an entire wall with images from her Cash Machine project. The piece first originated in 1988 and was extended 15 years later.