Spatial Form in Social and Aesthetic Processes: Concrete Geometries, AA, London.

Review by Nathan Breeze Concrete Geometries is an ongoing research initiative at the Architectural Association directed by Marianne Mueller and Olaf Kneer. Derived from ‘Concrete…

Journeys & Location: Frank Bowling RA, ROLLO Contemporary Art, London.

Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Six years after being elected…

New Connections Within The Polyphonic Whole: Janet Cardiff, Fabrica Gallery, Brighton

Review by Amy Knight Sound has, perhaps more than any other sensory stimulation, a transcendental power that can immerse the listener in an all-encompassing awareness…

Sam Knowles, Fearful Sphere, at Simon Oldfield Gallery, London

Sam Knowles’ first solo exhibition, Fearful Sphere opens tonight in London. Knowles’ (b.1983) practice deals with metaphysical concerns, and the notion that the world…

Ian Hamilton Finlay | Definitions at Victoria Miro, London

By Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Ian Hamilton Finlay’s show currently at…

Vija Celmins, Television and Disaster (1964 – 1966), LACMA, LA.

Review by Jareh Das Los Angeles County Museum of Art presents an intimate exhibition of Vija Celmins works, focusing on the artist’s time in Los…

The Wider Narratives of the Middle East: Rabih Mroué, The People Are Demanding, Iniva, London.

Review by Jareh Das Lebanese artist, theatre director, playwright and actor, Rabih Mroué presents his first UK solo show at iniva which centres around ongoing…

Predominantly Political Art? Peter Kennard, At Earth, Raven Row, London

Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Painters George Shaw and Karla…

Contemporary Lighting Design: WOKA, Vienna

WOKA was born in 1900, they produce handmade reproductions of exclusive lighting-fixtures from the early 20th century. Handmade in Vienna, with original tools using the…

Francis Alÿs: A Story of Deception, MoMA, New York.

Francis Alÿs: A Story of Deception at The Museum of Modern Art and MoMA PS1 opens on 8 May, drawing upon MoMA’s unique and important…

Experiments in Space Exploration: Secret Satellites, Belfast Exposed.

Review by Angela Darby For the exhibition Secret Satellites curated by Karen Downey, the Belfast Exposed gallery has been divided into three distinct sections. The…

Arab Spring: Hesam Rahmaniam, Paradise Row, London.

Review by Jessica Jones-Berney It is with acerbic wit that Iranian-born artist Hesam Rahmanian deplores the rapidly unravelling fabric of his native land, consumed by…

Contemporary sculpture in Croatia + Hungarian reflections, Hungarian National Gallery

Review by Adam Harangozó For the opening event of the Croatian Culture Months, the Hungarian National Gallery has arranged a rich exhibition from the works…

Cross-generational Dialogues: Margaret Harrison & The Girls, PayneShurvell, London

Review by Laura Barone,, a candidate for the MA in Art History at Richmond the American International University in London. It’s only April, but what…

The Outsider: Still Lives, Robert Lenkiewicz, Royal West of England Academy, Bristol

Review by Regina Papachlimitzou Speaking in relation to the second major controversy he triggered in a course of a creatively chaotic life (namely, his deal…

Contemporary Russian Discourse: Practice For Everyday Life, Calvert 22, London.

Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Calvert 22 is a not…

Joan Miró at Tate Modern: The Ladder of Escape

Review by Ruby Beelsey The latest in a string of blockbuster shows at Tate Modern, Joan Miró needs no introduction. As one of the defining…

Perspectives On A Charged Political Present: Huang Yong Ping and Wael Shawky, Nottingham Contemporary

Interview by Bethany Rex Nottingham Contemporary is one of the largest and most ambitious contemporary art spaces in the UK. Designed by Caruso St John…

Concepts of Memory and Time: Gary Simmons, Simon Lee Gallery, London

Review by Sarah Richter a candidate for the MA in Art History at Richmond the American International University in London. Haven’t we all wondered if…

V&A: Exhibition Road Competition

Review by Nathan Breeze If you’re a regular visitor to the V&A you would have noticed a gradual and ambitious series of renovations and expansions…