Virtual Identities
Are you really my friend? at MASS MoCA reaches into the deeper questions of contemporary society: how our very existence is changing due to technology.
Are you really my friend? at MASS MoCA reaches into the deeper questions of contemporary society: how our very existence is changing due to technology.
The Future Remains: Revisiting Revolution from the Calvert 22 Foundation reflects on the nature of social transformation and of writing history itself.
Gillian Wearing’s Rock ‘n’ Roll 70 at the ICA, Boston, consists of digitally enhanced portraits in an investigation of technology and modern day society.
Copiously applied oil paint forms the thick, textural layers of Jason Martin’s new works at Lisson Gallery, London, pushing boundaries into sculpture.
NGV Melbourne have commissioned a dynamic reinvention of the suburban car wash built in the Grollo Equiset Garden this spring.
A major solo exhibition at the National Gallery of Victoria, Melbourne, showcases the work of Bill Henson, whose practice is characterised by powerful images.
To celebrate the developing world of digitalisation, Kunsthal Rotterdam represent an impressive range of over 30 pieces from the Brown Family Collection.
To kick-start Camden Art Centre’s 2017 programme, Joachim Koester takes over three gallery spaces with an immersive installation of film, digital video, photography and audio, spanning a 12 year career.
The Prix Marcel Duchamp brings together the most innovative contemporary artists in France and to encourage new artistic forms at the Centre Pompidou, Paris.
Moich Abrahams discusses the dialogues between contemporary practice and the digital age, including spontaneity and the longevity of painting.
William Eggleston Portraits at the National Gallery of Victoria, Melbourne, surveys the career of the ground-breaking American artist who is regarded as a pioneer of colour photography.
Francis Alÿs is included in The Ruya Foundation’s National Pavilion of Iraq at the 57th Venice Biennale in May 2017, encompassing the notion of conflict.
The most extensive UK show to date from Tony Cragg is at Yorkshire Sculpture Park, Wakefield, this March. A Rare Category of Objects consists of pieces from up to five decades of the artist’s career.
Throughout January 2017 Pipilotti Rist’s Open My Glade (Flatten) 2000-2017 is mounted across 60 synchronised electronic billboards in Times Square.
Fondazione Prada finally opens Osservatorio, a reconverted space dedicated to photography and visual languages.
The DOX Centre for Contemporary Art, Prague, has recently revealed a unique architectural intervention perched atop the organisation’s campus.
2017 sees the 35th edition of Art Brussels, one of Europe’s most significant fairs. Since its inception, the festival has evolved into an influential event.
Hitoshi Tsuboyama tests a neutral approach to space, bringing together a Western three-dimensional style with an oriental planar style of painting.
Universidad de Ingeniería y Tecnología (UTEC) by Grafton Architects has been announced as the first winners of the RIBA Prize for the world’s best building.
