Exhibiting women’s fashions from the 1950s, Age of Glamour will open the now extensively refurbished Fashion Galleries at Lotherton Hall. This new, 21st century space features interactive technology.

Andrew Whaley’s play, The Rise and Shine of Comrade Fiasco transports the audience back to Zimbabwe in 1986. The piece focuses on Comrade Fiasco, who claims to be a freedom fighter.

In a career spanning more than 50 years, Mimmo Rotella experimented with a number of different working methods, trying to overcome traditional languages of expression and representation.

Curated by Turner Prize winning artist Jeremy Deller, Love is Enough explores the relationship between two artists whose lives and artistic practices belonged to different centuries.

Recently awarded a Creative Wales Major Award by the Arts Council of Wales, internationally-renowned artist Brendan Stuart Burns presents his first solo show in London with intimate studies in oil.

The story behind the latest sculptures of Daniel Silver at Frith Street Gallery makes the work all the more compelling. It sounds like an old wives’ tale: Silver found ancient marble in a stone yard.

This exhibition at Sims Reed offers an overview of the career of Bridget Riley, one of Britain’s most significant Postwar artists, taking a selection from the artist’s complete catalogue of prints.

Acclaimed artist Andy Holden has teamed up with Roger Illingworth, Johnny Parry, John Blamey and James MacDowell to form an experimental band breaking the boundaries between art and music.

American artist Sarah Sze is known for large scale works that penetrate walls, hang from ceilings, delve into the ground, and stretch across museums.

Now in its 16th year and continuing to grow in both scale and ambition, Art Rotterdam is the international art fair that turns the circuit’s attention to up-and-coming talent. From 5-8 February.

Schmied and Valiente are photographers whose focus has consistently been the social space. Both artists spend time living in the locations that they photograph, yet their approaches are very different.

The first major UK solo show of French photographer, Iris Della Roca, comprises a selection of prints taken throughout her six-year transatlantic series, which sees children born into poverty transform their lives through the lens of the camera.

There is a tension in Sarah Gillespie’s work between an otherworldly stillness and the innate energy of nature. Landscapes, birds and insects are captured with a sense of detail that arrests the passing of time.

Housed within the Henry Moore Institute the visitor finds a retrospective exhibition dedicated to the interlacing professional practices of Dorothy Annan (1908-83) and Trevor Tennant (1908-80).

Unlike many juried art fairs in the West led by a committee that evaluates the quality of work being displayed, the India Art Fair has been indiscriminately open to galleries across the globe.

In a major two-part solo exhibition at South London Gallery and Spike Island, French artist Isabelle Cornaro presents a series of installations which explore the cultural heritage attached to objects.

For her second solo exhibition, Mary Ramsden has created new abstract compositions that embed the tension between action and redaction, noise and quiet, attraction and repulsion.

Julio Le Parc’s solo show at Palais de Tokyo in Paris in 2013 was a blockbuster that the French capital will remember for a long time. Now, the artist presents his first major UK exhibition in London.

A student of Paul McCarthy, Jason Rhoades lived and worked in Los Angeles and built what he claimed was the world’s largest sculpture at the Deichtorhallen in Hamburg, Germany in 1999.

Now in its eighth edition, the UK’s leading artist fair, The Other Art Fair, opens on 23 April at its new location in Bloomsbury, London.