Emmanuelle Moureaux’s ‘Slices of Time’ responds to the Greenwich Peninsula – encouraging audiences to reflect on the here and now.

Each day, more than three billion images are shared on social networks. Jeu de Paume examines the production of these photographs.

Photographer Lottie Davies recreates the fictional journey of William Henry Quinn – a character deeply affected by the events of WWII.

Jamal Nxedlana’s images are rooted in an Afro-Surrealist style, “creating an alternative image repertoire to tackle biased views of Africa.”

How do designers shape the way we understand the world around us, as we tackle the climate emergency, political tensions and digital ethics?

Expanding the dimensions of traditional photography, Haser uses paper-folding techniques, collage and mixed media to blur distinctions.

Data plays a huge role in our lives today. Emmanuelle Moureaux creates an immersive installation that assesses how numbers are related to memory.

After half of Claudia Andujar’s family were killed in WWII, she dedicated five decades to photographing and raising awareness of the Yanomami people.

Alex Fruehmann’s dark and dramatic expanses immerse the viewer in the hyperreal, inviting them to revel in the negative space.

Diane Arbus revolutionised portraiture, producing distinctive, direct images that celebrated diversity and humanity. A new show opens at AGO.

Mirror images. Checker-board clothing. Identical models. Twins is an immersion into the eccentric and playful world of photographic duo LM Chabot.

Olga Urbanek’s photographs are clever and considered juxtapositions of form, colour and texture, placing individuals in unexpected scenarios.

Cornelia Parker has spent the last 40 years making installations that make sense of the volatile, violent and precarious world in which we live.

Aleksander Małachowski works at the intersection of photography, geometry and symmetry. His minimal images focus on the spaces that we inhabit.

This year’s Deutsche Börse Photography Foundation Prize highlights how imagery can be used to question ideas of truth in the information era.

Cerith Wyn Evans’ bold, linear neon sculptures utilise light and shadow to explore truth in a climate of fake news and digital misinformation.

The Aesthetica Art Prize returns with artworks making sense of our changing world, responding to digital identities and global constructs.

Yara El Turk is a Lebanese interior designer whose art series Metamorphosis of Reality focuses on mystery by using different materials, which emanates the idea of a persistent mutation of thoughts and emotions.

Amidst a climate emergency, The Art of Earth Architecture questions how natural materials can contribute to a sustainable future.

James Turrell’s latest colour-changing light works, on view at London’s Pace Gallery, offer a moment of quiet in a fast-paced world.