Within the cavernous space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife. At first, mistakable for an abandoned theatre set, this stock photography menagerie is artist and poet Heather Phillipson’s most recent “head-sick” into a gallery space, forming an immersive terrain of film, audio and sculptural works.
Taking over the third floor of The Wapping Project Bankside’s second Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.Not only working in photography, over her twenty year career, Juul Kraijer’s meticulous, exploratory methods have yielded a body of work of over four hundred drawings, as well as sculpture and video.
Nestled in a small gallery adjacent to Manchester Art Gallery’s shop is a display of obscurely beautiful contemporary jewellery, which teeters on the edge of being fearsome. Old saw blades hold pearls and diamonds, while strings of broken bottle necks and spectacle eye glasses have been transformed into necklaces. Far from anyone’s usual expectations of jewellery, this is the world of contemporary artist Bernard Schobinger.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today. This year, the event branches out beyond the National Museum Cardiff to include Chapter Arts Centre, Cardiff and ffotogallery, Penarth, with a programme of performance, music, site-specific installations, film, lectures and seminars.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Þorsteinn Cameron’s work takes a look at technology’s influence in modern society. While dealing with a wide spectrum of modern mediums, Cameron’s practice has remained firmly grounded in the natural landscapes of Iceland.
This is the first US solo exhibition of German photographer Mona Kuhn’s newest large-scale colour series, Acido Dorado. These photographs of nudes aim to show the human body in its most natural state, timeless and free from cultural and generational stereotypes.
Nick Cave’s self proclaimed role as a messenger is amply evident from his exhibition titled Made By Whites For Whites at the Jack Shainman Gallery, New York. In a recent conversation at the gallery with Denise Markonish, the curator of MASS MoCA that will host his large scale solo exhibition in 2016, Cave spoke of his social responsibility as an artist that marks a new direction and departure from his lavish, well-known Soundsuits.
RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. Through a rare selection of early vintages prints and original contact sheets, as well as paintings and collages by artists such as Günter Brus, Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler, and curated by Hubert Klocker, the exhibition is a representative survey of the formative years of Vienna Actionism.
Established in 2002, Korea International Art Fair (KIAF) has become one of the leading art fairs in Asia. The event was initiated by Galleries Association of Korea and offers an opportunity for visitors to take a look at the best artists and institutions at work in the industry. In addition to the numerous exhibitors involved, KIAF presents a range of connected programmes to provide a more detailed overview of the market. Running 25-29 September this year, the fair displays the artists of today, while predicting the creatives of tomorrow.
Jenny Holzer has used government documents as a source for her work since 2004, and she has used language as her primary medium since the late 1970s. Whether this be placed on electronic signs or stone benches, Holzer’s text investigates how ideas are transformed from argument or opinion into fact.
Including works which have never been exhibited as well as paintings, films, sculptures, notebooks, slide projections and photocopies from across five decades, Alibis: Sigmar Polke 1963-2010 will be the first exhibition to fully encompass the enormously varied range of materials with which Polke worked.
In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars and showcase their fresh ideas and new concepts. Joachim Fleinert bases his practice on found photography. Inspired by the flea market rifling that defined his childhood, Fleinert loves to search for lost stories and lives in imagery. Fleinert speaks to us about the way he transforms old photography and his upcoming projects.