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GM Architects: Museum of Civilizations is Nominated for an Award at The World Architecture Festival, Singapore

The Museum of Civilizations, presented by GM Architects at Venice Biennale of Architecture 2014, has been nominated for an award at The World Architecture Festival in Singapore. The World Architecture Festival is the world’s largest festival and live awards competition dedicated to celebrating, and sharing architectural excellence from across the globe.

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20/21 British Art Fair, London

The 20/21 British Art Fair opens today at the Royal College of Art, London. It is the only fair to specialise in Modern and Post-War art, but also feature work up to the present day. The college is often dubbed “the spiritual home of British art” and is the ideal setting for the fair. Running 10-14 September, the fair presents 55 exhibitors, who offer an inclusive collection of paintings, prints, drawings, photography, sculpture from the Modern (1900-1945), Post-War (1945-1970), and Contemporary (1970 onwards) periods. The intimate and friendly atmosphere appeals to the young, the first time buyer and the dedicated collector.

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Unseen Photo Fair Westergasfabriek, Amsterdam

An established annual celebration of new photography, Unseen focuses on brand new photography talent as well as unseen work by established photographers. This year the fair takes place in the dramatic, vast expanse of Amsterdam’s Westergasfabriek which will house over 50 galleries from across the UK, Europe and Asia.

9. Nadav Kander, Chongqing IV (Sunday Picnic), Chongqing Municipality, 2006

City Visions: A season of films, talks and debates exploring modern cities, Barbican Cinema, Barbican Centre, London

50% of the earth’s population live in urban centres, a figure that is predicted to rise to over 75% by 2050; City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing memorable images of urban decay and deprivation. The season engages with conversations around architecture, urban planning and globalisation, and will run alongside the Barbican Art Gallery exhibition Constructing Worlds: Photography and Architecture in the Modern Age.

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Adriano Costa: Touch Me I Am Geometrically Sensitive, Sadie Coles HQ, London

Most air traffic between London and Sao Paolo this summer was one way, well at least until the England football team limped out of the World Cup against Costa Rica on the 24th of June. Those fans who stayed out in Brazil beyond the remit of their original objective to support the England team may have been lucky enough to witness a match which in many ways eclipsed the tournament and provided a compelling portrait of Brazil itself. The selecao’s 7-1 humiliation by Germany epitomised the Brazilian tradition of collapsing the boundaries between art and rubbish, poetry and tragedy.

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Daniel Buren, Catch as catch can BALTIC Centre for Contemporary Art, Gateshead

Daniel Buren is widely considered to be France’s greatest living artist and one of the most influential and important figures in contemporary art for the last 50 years. This summer Buren has transformed the west façade of BALTIC into a kaleidoscope of colour, visible outside and also inside the galleries, where Buren exhibits a major large-scale commission.

David Farrell, Louis Armstrong, London, 1970. Courtesy of Osborne Samuel

David Farrell: Iconic Images of the Greatest Artists from the 20th Century, Osborne Samuel, London

This exhibition currently on display is the first survey of works by David Farrell (1919-2013) since his death earlier last year, and showcases images of famous sitters from Louis Armstrong and Laurence Olivier, to Anthony Caro, Margot Fonteyn and the Rolling Stones. The British photographer is internationally renowned for his iconic images of the greatest musicians, actors, authors, dancers and artists of the 20th century, as well as documentary works depicting domestic life in Britain and anonymous street subjects.

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Review of Nalini Malani: You Can’t Keep Acid in a Paper Bag, Kiran Nadar Museum of Art, New Delhi

Spanning nine months and encompassing five decades of the artist’s oeuvre from 1969 to 2014, You Can’t Keep Acid in a Paper Bag is an iconic exhibition for several reasons. Not only is it the first comprehensive retrospective of Nalini Malani’s work to be exhibited in India – bringing home several installations and projects that have never been shown in her home country – it is also one of the largest solo exhibitions to be held at the Kiran Nadar Museum of Art (KNMA).

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31st Bienal de São Paulo: How to talk about things that don’t exist, São Paolo, Brazil

The 31st Bienal de São Paulo will deal with things that don’t exist, it is a poetic call to the promise of art, and addresses these things that don’t exist in several ways: how to talk about them, how to learn from them, how to live with them, how to struggle with them.

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Marina Abramović: White Space at Lisson Gallery, London

Initially realised in 1972 at The Student Cultural Centre in Belgrade, White Space was a room lined with white paper containing a tape recording of Marina Abramović repeatedly saying the words “l love you”. This work has never been recreated, until now, as it forms the centrepiece of a display of rare, historic Abramović works.

Celebrating the 10th Anniversary of Dover Street Market, London

To celebrate ten years of existence, Dover Street Market holds The Next Ten Years: a series of events, installations and special products. For the duration of September, the basement and second floor of Dover Street Market will be totally transformed, the Rose Bakery will be enlarged and artists design four new fitting rooms. Furthermore, an event space on the first floor, an expanded jewellery section and wallet display will be given over to Louis Vuitton for the entire A/W14 season.

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Rossetti’s Obsession: Images of Jane Morris, Lady Lever Art Gallery, Wirral

There’s still time to catch Rossetti’s Obsession: Images of Jane Morris at Lady Lever Art Gallery, Wirral, before it closes on 21 September. Exploring the paintings, drawings and photographs of the Pre-Raphaelite star, the exhibition marks the centenary of Morris’ death and looks at the role she played as Dante Gabriel Rossetti’s chief muse. Uniting rarely displayed works, the showcase details the artist’s fixation with Morris and his depiction of her as the ultimate femme-fatale.