With a title which references the infamous Black Dahlia murder in 1940s Hollywood, Last Seen Entering The Biltmore is a group exhibition which considers the idea of artifice and theatricality and particularly draws attention to the idea of the theatrical “backstage” as a threshold where transformation takes place. It also addresses the wider subject of the mediation of experience, whether by the theatre curtain or the computer screen.
The Aesthetica Art Prize is an opportunity to advance your profile on the international art scene and is open to all artists worldwide. We welcome entries from all age ranges and experience levels, from upcoming talents to established practitioners. One & Other highlight the opportunities presented by the 2015 Aesthetica Art Prize awards.
Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement. There are 100 practitioners included and they span across all media from sculpture and installation to video and performance.
Art history is replete with romantic mythologies, few more potent than the artist as obsessive maker, working round the clock in his studio or in the landscape, as was the case with one of modern art’s most famous obsessives, Paul Cezanne, around whom Magnus Quaife’s solo show, Like a Child Running a Stick Along a Fence at Works | Projects, is framed.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. Running until 6 July, the event is Britain’s newest international art fair, showcasing work by emerging and established artists from over 50 leading national and international galleries. Part of the the cultural programme for the UK’s International Festival for Business, the inaugural edition of the fair opens with a VIP launch and preview opening night on 3 July.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios opened their private working spaces and courtyard – bustling with performance artists, educational workshops, stalls, bars, and DJ beats – to the public. Housing 150 artists, Bow Road Studios consist of a renovated Nunnery (now also a gallery space); its surrounding four-storey buildings, and the recently converted biscuit factory, P1 Studios.
For the London Design Festival 2014, Jeremy Maxwell Wintrebert has joined forces with Champagne Perrier-Jouët to create a unique glass piece called Human Nature to be installed at the Victoria & Albert. Born in Paris but raised on the west coast of Africa, Wintrebert draws on his experience of the world to produce delicate and beautiful glass works. Creating his works at a small factory in Waldsassen, Bavaria, the artist speaks to Aesthetica about his hopes to establish a permanent studio in France and his plans for the V&A.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Visitors voted for their favourite artwork in the group show between 4 April and 22 June, which presented the finalists from the Aesthetica Art Prize along with a further 92 artworks from the longlist displayed on monitors within the gallery.
The Aesthetica Art Prize is open for entries, with a new prize of £5,000 for the Main Prize Winner in addition to group exhibition, publication in an anthology of 100 top emerging artists and editorial coverage in Aesthetica Magazine. Artists in a significant point in their career have a unique opportunity to further their engagement in the international art world. The Press reports on the importance of this new award.
The theme for the fifth edition of PhotoIreland Festival is Truth, Fact, Fiction, Lies. Looking at how photography is used for storytelling, the festival presents 27 photographers exhibiting in various venues around the city centre.
The Louise Alexander Gallery in Sardinia presents Arik Levy’s first solo show at the gallery. Uncontrolled Nature features a collection of new work in combination with older pieces and Levy showcases a wide range of sculptures that exist like a trail of landmarks alongside paintings and other artworks. Shown for the first time are RockTripleShift and RockTripleFusion Vertical, his ambitious new pieces displaying contrast between fusion and separation – a representation of both the horizontal and the vertical.
Peter Bunnell’s 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practise, through its presentation of photographic images arranged in a sculptural manner, and it also gave valuable national exposure to photography as a highly-innovative contemporary art discipline. As well as capturing the revolutionary mood of the times, by showcasing artists working at the vanguard of what was occurring socially, politically, and technologically, it was an exhibition whose legacy continues to exert an influence on photographic practice today.