Inside the Aesthetica Art Prize Anthology, works from exciting new and emerging artists from around the world are displayed with an accompanying biography and artist’s statement. There are 100 practitioners included and they span across all media from sculpture and installation to video and performance.
Art history is replete with romantic mythologies, few more potent than the artist as obsessive maker, working round the clock in his studio or in the landscape, as was the case with one of modern art’s most famous obsessives, Paul Cezanne, around whom Magnus Quaife’s solo show, Like a Child Running a Stick Along a Fence at Works | Projects, is framed.
In conjunction with the opening of the Liverpool Biennial this weekend, Liverpool Contemporary Arts Fair launches at World Museum today. Running until 6 July, the event is Britain’s newest international art fair, showcasing work by emerging and established artists from over 50 leading national and international galleries. Part of the the cultural programme for the UK’s International Festival for Business, the inaugural edition of the fair opens with a VIP launch and preview opening night on 3 July.
During the evening of Friday 27 June and the following Saturday afternoon, the artists of Bow Road Studios opened their private working spaces and courtyard – bustling with performance artists, educational workshops, stalls, bars, and DJ beats – to the public. Housing 150 artists, Bow Road Studios consist of a renovated Nunnery (now also a gallery space); its surrounding four-storey buildings, and the recently converted biscuit factory, P1 Studios.
For the London Design Festival 2014, Jeremy Maxwell Wintrebert has joined forces with Champagne Perrier-Jouët to create a unique glass piece called Human Nature to be installed at the Victoria & Albert. Born in Paris but raised on the west coast of Africa, Wintrebert draws on his experience of the world to produce delicate and beautiful glass works. Creating his works at a small factory in Waldsassen, Bavaria, the artist speaks to Aesthetica about his hopes to establish a permanent studio in France and his plans for the V&A.
Votes have been counted for the Aesthetica Art Prize People’s Choice Award, and we are delighted to announce that Sybille Neumeyer is the winner. Visitors voted for their favourite artwork in the group show between 4 April and 22 June, which presented the finalists from the Aesthetica Art Prize along with a further 92 artworks from the longlist displayed on monitors within the gallery.
The Aesthetica Art Prize is open for entries, with a new prize of £5,000 for the Main Prize Winner in addition to group exhibition, publication in an anthology of 100 top emerging artists and editorial coverage in Aesthetica Magazine. Artists in a significant point in their career have a unique opportunity to further their engagement in the international art world. The Press reports on the importance of this new award.
The theme for the fifth edition of PhotoIreland Festival is Truth, Fact, Fiction, Lies. Looking at how photography is used for storytelling, the festival presents 27 photographers exhibiting in various venues around the city centre.
The Louise Alexander Gallery in Sardinia presents Arik Levy’s first solo show at the gallery. Uncontrolled Nature features a collection of new work in combination with older pieces and Levy showcases a wide range of sculptures that exist like a trail of landmarks alongside paintings and other artworks. Shown for the first time are RockTripleShift and RockTripleFusion Vertical, his ambitious new pieces displaying contrast between fusion and separation – a representation of both the horizontal and the vertical.
Peter Bunnell’s 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practise, through its presentation of photographic images arranged in a sculptural manner, and it also gave valuable national exposure to photography as a highly-innovative contemporary art discipline. As well as capturing the revolutionary mood of the times, by showcasing artists working at the vanguard of what was occurring socially, politically, and technologically, it was an exhibition whose legacy continues to exert an influence on photographic practice today.
Part of the Southbank Centre’s Festival of Love, The Human Factor will bring together major works from 25 leading international artists across the last 25 years. The artists involved have all fashioned new ways of using the figure in contemporary sculpture and confront the question of human representation today. The exhibition focuses on sculpture that explores a variety of social, political, cultural and historical concerns and it incorporates diverse references from science fiction to war monuments.
Spencer Finch has on the wall of his studio a postcard of a watercolour by Turner. Impressed by its dynamic of figuration and abstraction, and the fluidity of the watercolour echoing the motions of the sea, Finch seems always to have had Turner in mind with his own manipulations of the elements. Taking as his starting point Turner’s A Wreck (possibly related to Longships Lighthouse, Land’s End) (1834-40), Finch has selected from the Tate collection works on paper by Turner of the Margate coast. Displayed in a dimly lit corridor before you enter the exhibition, these works are a window onto the very world that Finch employs – a world of ever-changing light.
This summer the Lisson Gallery collaborates with Berengo Studio to present an exhibition that coincides with the occasion of the 14th International Architecture Biennale in Venice. The show examines the complex spheres of the public realm and the built environment, existing beyond the walls of the museum or gallery space. In this manner public art can help define the landscape it inhabits, functioning either harmoniously or in dialogue with its environment.
This summer the Camden Arts Centre dedicates all of its galleries and gardens to a large-scale, major exhibition of work by Shelagh Wakely (b.1932 – d.2011). One of the UK’s most influential artists, the exhibition provides the rare opportunity to experience the ephemeral magic of Wakely’s work.
Ai Weiwei is a master craftsman. Over the years, some critics have suggested he is a great activist but not a good artist. However, Weiwei’s work in porcelain, marble and wood, in particular, is astonishingly complex and comparable in vision and execution to the design talents of Leonardo Da Vinci. Running at the Brooklyn Museum until 10 August, Ai Weiwei: According to What? surveys a wide selection of the artist’s work from 1983 to the present.
German artist Sybille Neumeyer stunned judges with her eloquent piece, Song for the Last Queen (2013) in the Aesthetica Art Prize, a beautiful light installation comprised of 7,614 bees collected from a naturally collapsed beehive framed within vials of natural honey. Captivating at first glance, the work also invites audiences to reflect upon global issues and imbalances in our ecosystem; at once appreciating the pure and natural beauty of raw materials while confronting the growing gap between consumption and food production, as bees face an ever-rising risk of decline. We speak to Neumeyer about her practice and what inspired her to enter the Aesthetica Art Prize.
Leeds Art Gallery presents its new sculpture collection, showcasing a number of recent acquisitions for the first time. The display is designed to explore the relationship between sculture and narrative, unlocking the stories that surround key works in the Leeds collection. All sculptures contain stories, whether they are the result of the artist’s thinking, the process of making, display or reception, or the context in which the works are experienced. Inevitably, these narratives influence the ways in which the art is perceived and, in turn, help to shape our understanding of the world.
The Aesthetica Art Prize is a celebration of excellence in art from across the world and offers artists the opportunity to showcase their work to wider audiences and further their involvement in the international art world. This year the Main Prize winner, as chosen by an impressive panel of judges including curators, artists and the Editor of Aesthetica Magazine, Cherie Federico, will be awarded £5,000 prize money courtesy of Hiscox – presenting career-boosting opportunities for the artist.
This spring and summer, the Aesthetica Art Prize exhibition presents eight shortlisted artists contributing outstanding works to contemporary art and will continue to run until 22 June showcasing artistic talent from around the world in a ground-breaking group show.
Art Basel brings together contemporary works in its expansive art fair with 300 participating galleries from across the globe. Running 19-22 June, the event includes the highest quality of art in a wide range of forms, such as painting, sculpture, drawing, installation, photography and video. Every year Art Basel attracts tens of thousands of visitors, entertaining everyone from art enthusiasts to collectors. We take a look at five of the galleries participating and the artists represented on their stands this year.
Aesthetica is inviting visitors to cast their vote for the Aesthetica Art Prize People’s Choice Award. The exhibition, housed at York St Mary’s – York Art Gallery’s contemporary art space, runs until 22 June and presents the work of eight shortlisted artists. Following on from the official announcement of the winners of the Main Prize and Student Prize Awards, Sybille Neumeyer and Harriet Lewars respectively, Aesthetica is giving audiences the opportunity to choose their winner. Additionally, voters are entered into the Free Prize Draw with a chance of winning an exclusive evening in York, including a meal for two at Le Cochon Aveugle, cinema tickets for Reel and champagne cocktails at 1331.
Ilya and Emilia Kabakov had set their Strange City under the glass-and-steel passages of Grand Palais. Commissioned by the Monumenta, the exhibition proposes a double total installation: these are already known to Kabakov’s viewers and are situated in featureless pavilions of a total city installation formed under the cupola of the Grand Palais. It is explicitly echoed in the forms of The Dome, positioned at the entrance of the city. Inspiration for this soaring colour-changing installation takes its roots from the theory of the Russian musician, Alexander Scriabin, who created a colour organ, “clavier à lumières”, appropriated the synesthetic system, and who was influenced by Newton’s Opticks and theosophical theories of Jean Delville and Helena Blavatsky.
Throughout the summer and autumn, the Serpentine Galleries will once again present Park Nights, an annual series of live art events, incorporating poetry, music, film, literature and performance. It takes place on selected Friday evenings in the Serpentine Pavilion 2014, which has been designed by architect Smiljan Radic.
The works of a familiar face from the recent past are paying London a visit to mark the centenary anniversary of their creator’s birth. Despite his initial training as an architectural draughtsman, Lynn Chadwick (1914-2003) is widely known today as a sculptor and began to participate in several exhibitions (such as those at Gimpel Fils gallery) in the late 1940s and 1950s. His work is now on display at Blain|Southern, London, until 28 June.
The Aesthetica Art Prize exhibition is a dynamic display of innovative artworks from artists all over the world, spanning genres from painting to drawing, video to installation and three dimensional design to sculpture. Running until 22 June, the Art Prize exhibition presents an opportunity to engage with today’s leading contemporary artists in a major group show.
START is a focused art fair, limited to 44 young galleries showcasing new artists from around the world. The aim is to give young galleries a global platform to display their artists’ work at an important stage in their development and to bring them to the attention of a culturally engaged audience. This year the international line-up includes exhibitors from Australia, Turkey, South Africa, Malaysia, Indonesia, Japan, South Korea, India, Italy, Myanmar, the UK and the USA.
Unbound: Contemporary Art After Frida Kahlo at the Museum of Contemporary Art Chicago, running until 5 October, illuminates how the ideas at the heart of Mexican Surrealist Frida Kahlo’s paintings still resonate with contemporary artists around the world. The exhibit juxtaposes two of Kahlo’s works with sculptures, video, paintings, photographs and drawings which explore the many facets of identity.
The Aesthetica Art Prize, which is now open for entries, is an annual award given by the international art and culture publication Aesthetica Magazine, distinguished by its dynamic content, merging compelling critical debate and stunning images, to engage with all aspects of visual art and culture. The Aesthetica Art Prize celebrates excellence in art from across the world and offers both budding artists and established practitioners the opportunity to showcase their work to wider audiences and further their involvement in the international art world.
Aesthetica Art Prize Talks: Mark Doyle, Head of Collector Development North for the Contemporary Art Society
The series of contemporary art talks at the Aesthetica Art Prize Exhibition concludes with a discussion led by Mark Doyle, Head of Collector Development North for the Contemporary Art Society. Topics discussed include the Contemporary Art Society’s aim to widen the appreciation and understanding of contemporary art. Join Doyle on Wednesday 4 June at York St Mary’s – York Art Gallery’s contemporary art space in the setting of the Aesthetica Art Prize Exhibition, from 12.30pm. The talk is free to attend and open to all.
The London Festival of Architecture (LFA) takes place throughout June, presenting a city-wide celebration of the capital’s extraordinary buildings and landmarks. 2014 is the 10th year of the festival, and its role has consistently developed to include transforming public perception of architecture from a niche interest to a recognition of it as a vital element of the UK’s cultural, economic, social and financial framework.
Degree Show season is upon us once more and art students up and down the UK are in the process of preparing their final projects for examination. The concluding exhibitions offer a public audience an insight into the brightest new talents at work in the art industry. From Edinburgh to Plymouth, London to Norwich, Aesthetica takes a look at the best emerging artists.
Ai Weiwei in the Chapel marks the world famous artist’s first exhibition in a British public gallery since Sunflower Seeds at Tate Modern in 2010. On display at the Yorkshire Sculpture Park, Wakefield, until 2 November, the show is found in the park’s newly refurbished 18th century chapel following a £500,000 restoration. The presentation is accompanied by poetry readings from the works of celebrated poet Ai Qing, Ai Weiwei’s father.
Cherie Federico is the Editor of Aesthetica Magazine, and judge for the Aesthetica Art Prize. She will be leading the fourth talk in the series held at York St Mary’s as part of the Aesthetica Art Prize exhibition – a dynamic and innovative display of outstanding contemporary art from around the world, running until 22 June.
GENERATION is an ongoing nationwide series of exhibitions celebrating 25 years of contemporary art in Scotland. Toby Paterson’s show, organised by FCA&C with the Scottish Touring Exhibitions Consortium, is one of the first exhibitions to have opened as part of the project, which sees over 100 artists exhibiting works in more than 60 venues across Scotland throughout 2014.
Today there is one month left to visit the Aesthetica Art Prize Exhibition at York St Mary’s – York Art Gallery’s contemporary art space. Featuring eight artists working in media from photography to film and painting to installation, the show represents the breadth and quality of work being produced today in the UK and internationally. The finalists hail from New Zealand, Chile, Germany, Italy and Britain; and the works of a further 92 international artists is displayed on monitors with the gallery. To celebrate this landmark exhibition in contemporary international art, we highlight works within the Video, Installation and Performance category, which can all be viewed here via YouTube and Vimeo.
A retrospective of the work of Walerian Borowczyk (1923-2006) is due to go on display at the ICA, London, this week. The Listening Eye highlights the artist’s extensive work in filmmaking, painting and sculpture. Primarily know from his erotic films such as Immoral Tales (1974) and The Beast (1975), Borowczyk also produced a number of animations, including Les Jeux des Anges (1964), Le Dictionnaire de Joachim (1965) and Le Théatre de Monsieur & Madame Kabal (1967). We speak to Associate Curator at the ICA, Juliette Desorgues, about what audiences can expect from the exhibition and their partnership with the BFI.
The third in the series of free lunchtime talks taking place as part of the Aesthetica Art Prize is led by University of York Lecturer and Art Historian, James Boaden. From 12.30pm to approximately 1pm on Wednesday 21 May, join Boaden at York St Mary’s – York Art Gallery’s contemporary art space, as he talks about the evolution of artists’ film, drawing upon the works in the exhibition.
Numerous galleries are throwing open their doors this weekend, after lying dormant for the winter months, and there’s some wonderful, fresh exhibitions to be seen. Tate St Ives looks back at its own history in its first show this year and Jupiter Artland explodes in to the season with three shows in its Edinburgh location. The politically charged works of Judy Chicago in New York, and Neal Fox in Paris, address important issues in their own innovative styles, while Rob Tucker’s playful paintings glorify the prosaic. Read on to find out more about our recommended exhibitions for the next two days.
Ai Weiwei is one of the leading cultural figures of his generation and consistently displays great courage in placing himself at risk to affect social change through art. His work often challenges the political systems in place in China and he was secretly detained in 2011, spending 81 days accompanied only by his interrogators and the scant furnishings of his cell.
There’s some great art to be found in cities the world over this weekend and we select a list of the top five exhibitions. In Paris, Bill Voila’s video work engulfs the Grand Palais, while photography is the concern in London, as artists look to the medium for formal experimentation as well as political debate. In New York, iconic furniture design is displayed next to a selection of fine art, creating yet another intriguing and innovative discussion within the white space of an art gallery. Make sure you pop in and join the conversation.