The Zabludowicz Collection – which celebrates its 20th anniversary this year – is presenting four solo exhibitions of sculpture, taking place simultaneously at its North London home in a former Methodist chapel. They combine new site-specific works with pieces selected from the 3,000 works spanning 40 years of modern art which are held by the Collection. Each of the artists contributing engages in a distinctive way with the question of how to make sculpture today, while at the same time a number of threads can be seen which link their approaches. A central concern is an evocation of the human body and its fragile, messy nature, as well as the passing of time.
Becca Pelly-Fry is Director of Griffin Gallery and Global Artist Outreach Programme Manager for ColArt. Based in London, Griffin Gallery supports emerging artists through its diverse programme of exhibitions and its annual art prize, Griffin Art Prize. Above the gallery space are two fully equipped artists’ studios available for short and long term residencies, and adjoining the studios is the Innovation and Development Laboratory where new artists’ materials are developed for Winsor & Newton, Liquitex, Conté á Paris and more. Pelly-Fry speaks to Aesthetica about her interest in new artists and the hurdles they have to overcome to succeed.
This summer The Hepworth Wakefield presents the first reinvention of Allan Kaprow’s Yard to be realised in the UK. First installed outside the Martha Jackson Gallery back in 1961, Kaprow’s seminal “Environment”, or “Happening” will be hosted by The Calder, The Hepworth’s latest contemporary art space. Set across 600 square metres on the ground floor of a former 19th century textiles mill in the gallery garden, the project will comprise of thousands of tyres, which visitors are encouraged to play with, rearrange and rediscover.
This new exhibition at the Marian Goodman Gallery presents a selection of artists curated by other artists. Bringing together 23 artists of different ages and from various countries including Cuba, England, Holland, Kosovo, Albania and Taiwan, Some Artists’ Artists showcases a multitude of voices in which resonances and dissonances emerge.
Following its unveiling at the Venice Art Biennale last year, Ron Arad’s Last Train project makes its way to London. Ron Arad (b.1951) opens his Camden studio to showcase the large-scale diamond engravings created by a range of artistic collaborations.
In the countdown to the Aesthetica Art Prize call for submissions deadline on 31 August 2014, we look in focus at artists from the latest award. Conceptual artist Marie Brenneis was featured in the Video, Installation & Performance category with Deliberate Digression an installation that incorporates wearable sculptures exploring themes of fantasy and conformity.
London-based artist, Tom Price (b. 1973), heads across the ocean for his first solo exhibition in the USA. Debuting new work at The Nelson-Atkins Museum of Art, his show explores the notions of presence and absence and the idea that these two states are dependent on one another whilst at the same time appear conflicting. Emphasising the notion of contrast, he utilises natural coal and synthetic resin in his work which features hollow bodies and voids of coal alongside large columns of internally-fractured resin.
Hollie Mackenzie explores the notion of the impossible Utopia by creating her own version of a dystopian landscape in the form of melting sculptures. Longlisted for the Aesthetica Art Prize in 2013 with her piece Downfall (2012), Mackenzie has been awarded a Royal British Society of Sculptors (RBS) Bursary Award. A further nine sculptors received these awards, selected from over 300 applications.
Recently, Londoners and visitors might have found themselves sitting on concrete benches, which resemble half open books. Benches not only look like a book, they are fully dressed up by different depictions that resemble and celebrate the literary heritage of London. For the Summer 2014 the National Literary Trust and Wild in Art are the promoters of the project Books about Town whose purpose isn’t just limited to the celebration of the rich literary background that London offers, as it aims to engage the public through the joy of reading, via art.
The Royal Scottish Academy of Art & Architecture (RSA) has unveiled the latest details of its £200,000 programme of support for artists working across the whole spectrum of the visual arts in Scotland. The organisation has a proud tradition of promoting excellence in contemporary art and architecture. As well as the three main monetary awards, their programme offers funding opportunities for artists to undertake residencies at venues across Scotland, as well as scholarships which allow undergraduates to spend time studying in Florence, Italy.
A group of six artists have collaborated to create a unique site-specific exhibition and performance piece on the island of Vardø at the extreme north-eastern part of Norway. Taking place in such a secluded location, only a few knew about the project and made a pilgrimage North from Oslo to experience the work on Vardø – also the site of Norway’s most sever witch trials that saw 91 individuals executed in trials spanning 92 years.
The Gemeentemuseum Den Haag presents ZomerExpo 2014 Light, the largest national sales exhibition held at the museum showcasing a selection of artworks from an open call registration. The annual event is a fantastic display of artworks spanning all genres, representing the breadth of work being produced today.