The alternate title of the Contemporary African Art Fair is a neat reference to its unification of the continent’s 54 constituent countries. Yet though the titular focus of the fair may be continental, its reach is global: 1:54 sees an astounding geographical array of galleries, from Abidjan to Seattle via Cape Town, meet in London to exhibit their artists. The sense of cultural exchange is almost overwhelming, the proliferation of visual stimuli replicated aurally in the French, Italian and Danish that can be heard drifting along the corridors.
A selection of new work by Enrique Martínez Celaya is currently on show at Parafin. In The Seaman’s Crop, the Cuban-American artist’s first exhibition in London since 2010, Martínez Celaya presents a collection of painting, sculpture and installation made during a recent residency at Dartmouth College, New Hampshire.
The leading international contemporary art fair, Frieze London, returns to the heart of the UK’s capital, London’s Regent’s Park, for its 12th edition. Sponsored by Deutsche Bank and designed by Universal Design Studio, this autumn’s fair sees a few changes with the inclusion of two specialist sections: Focus, a celebration and fostering of emerging galleries up to 12 years old, and Live, a haven for performance or participatory-based work. Also new to 2014, is the fair’s novel allegiance to public space, using themes of contract, texture and tone. Design highlights of the fair’s bespoke housing include a timber-lined entrance courtyard and dedicated ancillary spaces.
Palais de Tokyo, Paris, continues to enhance it’s international agenda with Inside China – L’intérieur du Géant, running alongside the major exhibition, Inside, and opening 20 October. Curator, Jo-ey Tang, traveled across China and Southeast Asia to select five Chinese artists to be presented alongside three French artists including the renowned Nadar. Tang speaks to Aesthetica about the outstanding creatives he found and the origins of the project.
The Other Art Fair places the spotlight on emerging artists and connects art lovers of all tastes and experience, directly with 130 of the most talented and unrepresented artists. Running 16-19 October at the Old Truman Brewery on Brick Lane, the fair presents thousands of pieces of art, starting from just £50. In addition to the various stands on display, the event is an art experience in its own right, featuring an immersive theatre with Non Zero One, art and live music performances, kids create area, Crate Brewery Bar, Soho House’s Dirty Burger pop up and much more.
Throughout the month of October, London is bustling with the annually anticipated Frieze London Art Fair. Alongside the stimulating programme of contemporary art exhibits and events, we take a look at the must see exhibitions opening during Frieze. Highlights include Tate Modern’s retrospective on Sigmar Polke, Marian Goodman’s inaugural show from the celebrated Gerhard Richter, and the launch of Dominique Lévy with a juxtaposing exploration of Post-war artists Castellini, Judd and Stella.
The Turner Prize is an annual arts event never to be missed, and this year the shortlisted artists – Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell – have the added prestige of appearing at Tate Britain alongside an exhibition showcasing the work of the great J.M.W. Turner himself.
In a sprawling megalopolis like Mexico City it can be a pain to get from one place to the next, making it complicated to coordinate group gallery openings. However, with the explosion of contemporary art in the Mexican capital galleries are becoming more integrated, connecting through mutual interests when its not possible to connect by proximity.
The work of Japanese artist Shinro Ohtake appears in a solo exhibition at Parasol Unit, London, this autumn. Running 12 October – 12 December, the presentation showcases Ohtake’s extensive, diverse and innovative body of work. With a practice spanning 30 years, the artist has positioned himself as one of the most important creative forces in contemporary Japanese art. His expansive output is based primarily around the activity of cutting and pasting, but also includes drawing, pasted works, painting, sculpture and photography, as well as experimental music and videos.
Aesthetica Issue 61 is now available to purchase online and in stores internationally. The new edition considers progress and change. There are a few questions around this including how much time needs to pass before something needs to change, or is it simply the case that progress is continuous? The key element is to recognise developments, keeping your eyes and ears open. This is particularly important in the art world because when you start tracking artists and noticing trends, this is when things start to get exciting, especially when those trends are just under the radar.
Wysing Arts Centre celebrates its 25th birthday with a residency programme focusing upon ‘the future,’ exploring future potential through what we know of the past. In response to an open call, almost 300 artists applied to take part in the residency, The Future, and the final selection includes: Olivier Castel, Julia Crabtree and William Evans, Jesse Darling, and Alice Theobald.
Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today. This year, the event branches out beyond the National Museum Cardiff to include Chapter Arts Centre, Cardiff and ffotogallery, Penarth, with a programme of performance, music, site-specific installations, film, lectures and seminars.
This is the first US solo exhibition of German photographer Mona Kuhn’s newest large-scale colour series, Acido Dorado. These photographs of nudes aim to show the human body in its most natural state, timeless and free from cultural and generational stereotypes.
Nick Cave’s self proclaimed role as a messenger is amply evident from his exhibition titled Made By Whites For Whites at the Jack Shainman Gallery, New York. In a recent conversation at the gallery with Denise Markonish, the curator of MASS MoCA that will host his large scale solo exhibition in 2016, Cave spoke of his social responsibility as an artist that marks a new direction and departure from his lavish, well-known Soundsuits.
RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. Through a rare selection of early vintages prints and original contact sheets, as well as paintings and collages by artists such as Günter Brus, Otto Muehl, Hermann Nitsch, and Rudolf Schwarzkogler, and curated by Hubert Klocker, the exhibition is a representative survey of the formative years of Vienna Actionism.
Established in 2002, Korea International Art Fair (KIAF) has become one of the leading art fairs in Asia. The event was initiated by Galleries Association of Korea and offers an opportunity for visitors to take a look at the best artists and institutions at work in the industry. In addition to the numerous exhibitors involved, KIAF presents a range of connected programmes to provide a more detailed overview of the market. Running 25-29 September this year, the fair displays the artists of today, while predicting the creatives of tomorrow.
In a town whose faded seaside glamour is both complimented and disturbed by a swath of public art, it is only at low tide that the feverish digging can commence. A swatch of beach that in the morning looks like the realisation of a grim prophecy in a Morrissey song is by late afternoon swamped by an ecstatic crowd. Michael Sailstorfer has buried £10,000 worth of gold bullion in the unforgiving sands of the Old Harbour.
With his London debut, Berlin-based Australian artist James Reka explores the splendour of the dancing female form using fluid lines to create a hypnotic and dynamic movement. The title of the show derives from John Milton’s 1645 poem L’Allegro, in which to “trip the light fantastic” alludes to those who dance without inhibition – and Reka’s characters do just this.
From Nowt to Summat is a new installation by Aesthetica Art Prize finalist Deb Covell, opening at mima, Middlesbrough, on 18 September. The work has been produced as part of her Artist’s Open Studio event at mima (until 12 September) and is also accompanied by Absolute Zero, an exhibition of Covell’s work in the area outside our education space, Project Space 2 Gallery, until 18 September.
This year, 55 artists join the assembly of Bloomberg New Contemporaries, chosen by the UK organisation which supports emergent art practice from British Art Schools. New Contemporaries provides a critical platform for recent fine art graduates by means of this annual, nationally touring exhibition – of which previous exhibitors include Jake & Dinos Chapman, Tacita Dean, Mona Hatoum, Damien Hirst, David Hockney and Mike Nelson.
GM Architects: Museum of Civilizations is Nominated for an Award at The World Architecture Festival, Singapore
The Museum of Civilizations, presented by GM Architects at Venice Biennale of Architecture 2014, has been nominated for an award at The World Architecture Festival in Singapore. The World Architecture Festival is the world’s largest festival and live awards competition dedicated to celebrating, and sharing architectural excellence from across the globe.
City Visions: A season of films, talks and debates exploring modern cities, Barbican Cinema, Barbican Centre, London
50% of the earth’s population live in urban centres, a figure that is predicted to rise to over 75% by 2050; City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing memorable images of urban decay and deprivation. The season engages with conversations around architecture, urban planning and globalisation, and will run alongside the Barbican Art Gallery exhibition Constructing Worlds: Photography and Architecture in the Modern Age.
Daniel Buren is widely considered to be France’s greatest living artist and one of the most influential and important figures in contemporary art for the last 50 years. This summer Buren has transformed the west façade of BALTIC into a kaleidoscope of colour, visible outside and also inside the galleries, where Buren exhibits a major large-scale commission.
The 31st Bienal de São Paulo will deal with things that don’t exist, it is a poetic call to the promise of art, and addresses these things that don’t exist in several ways: how to talk about them, how to learn from them, how to live with them, how to struggle with them.
To celebrate ten years of existence, Dover Street Market holds The Next Ten Years: a series of events, installations and special products. For the duration of September, the basement and second floor of Dover Street Market will be totally transformed, the Rose Bakery will be enlarged and artists design four new fitting rooms. Furthermore, an event space on the first floor, an expanded jewellery section and wallet display will be given over to Louis Vuitton for the entire A/W14 season.
Louise Bourgeois: A Woman Without Secrets currently on display at Middlesbrough Institute of Modern Art showcases the work of one of the greatest and most confessional artists of the 20th century. Most people associate the artist’s name with her overwhelming spider sculptures but there really is so much more to the works of the “woman without secrets”.
The artists to be shortlisted for the Turner Prize in its 30th year are Duncan Campbell, Ciara Phillips, James Richards and Tris Vonna-Michell. The Prize was founded in 1984 promote discussion of new developments in contemporary British art, and this year’s shortlist reflects the diversity of the UK art scene today.
There is still time today to enter Aesthetica’s creative opportunities for artists and writers. The Aesthetica Art Prize, now in its eighth year, celebrates excellence in contemporary art from around the world. Artists at any stage in their career working in all media are invited to submit works that demonstrate innovation, creativity and technical skill. The Aesthetica Creative Writing Award supports and publishes literary talent on an international scale, selecting finalists for publication in the Aesthetica Creative Writing Annual. We present the prizes available for both awards, which make them essential events to take part in this year.
Dario Vidal, a graduate from Kymenlaakso University of Applied Sciences in Finland, is a designer who empathises more with numbers than with letters. Algorithms, formulas and statistics are part of his professional practices which he uses as a form-finding technique for his works. He is keen on designing unique objects rather than throw-away mass-produced artefacts and his work Untitled featured in the Aesthetica Art Prize longlist.
Lacey Contemporary Gallery is set to open this autumn in Notting Hill London. Placing its artists at the heart of the business, director Andrew Lacey intends to provide a positive environment for his practitioners to work in, allowing them to flourish and evolve over the years. Working with emerging and established artists, the gallery aims to offer those working with them a complete business service so they are able to focus solely on their art. We speak to Lacey about his favourite historic artists and his hopes for the new space.
There’s still time to enter the Aesthetica Art Prize, which is open for entries until 31 August. The Aesthetica Art Prize is a celebration of excellence in contemporary art from across the world, and submissions are welcome from artists at all stages of their career working in any medium.
The LAPADA (The Association of Art and Antiques Dealers) Art and Antiques Fair, one of London’s most prestigious annual art and antiques events, returns to the historic heart of London, staged within the leafy surroundings of Mayfair’s Berkeley Square. Over the past six years, the LAPADA Fair has become known as a “one stop shop” for the most sought after works from trusted LAPADA members. Prices of artworks range from £500 to £500,000 and above, so the Fair’s annual 20,000 visitors can include first time buyers as well as the most discerning of collectors.
There is still time to enter the Aesthetica Art Prize, which welcomes submissions from artists at all levels working across media from photography to painting, installation to sculpture and performance to artists’ film. A celebration of excellence in contemporary art, the Aesthetica Art Prize supports and nurtures rising talent from across the world and prizes include group exhibition, editorial coverage in Aesthetica Magazine and £5,000 courtesy of Hiscox.
To mark its 10th anniversary, Istanbul Modern is home to the first ever group exhibition to explore the interaction between visual arts, sound and music in Turkey from the late Ottoman period to the present.
Elke Finkenauer featured in the Aesthetica Art Prize Exhibition 2014 with her selected piece Draw A Line Somewhere. This work is a reflection upon the many facets of human nature. No-one who achieves huge success does so alone. Whereas a monument commemorates only heroic qualities, the piece can be considered as an “anti-monument” which instead celebrates the mundane reality of the “everyperson.” It reveals a certain softness, fluidity, brightness and darkness, all compressed into one whole.
This weekend seize the opportunity to experience the innovative and ground-breaking in contemporary art. From Polish artist Pawel Althamer’s first exhibition in China at Ullens Contemporary Art Centre to Henri Matisse’s “cut-outs” at the Tate Modern , there is something for everyone on offer in the world’s leading galleries. Read on to see our five recommended shows.
Pamela Bowden is a fine artist with a background in archaeology and ethnography. Her experience as an ethnoarchaeological ceramicist led her to explore concepts of time, fragility and the impermanent nature of life. She has participated in group shows as well as two solo exhibitions, and is currently undertaking research at South Gloucestershire and Stroud College.
Shortlisted for the Aesthetica Art Prize, Deb Covell exhibited a selection of pieces from her series Black and White Paintings throughout spring and summer 2014 in the Aesthetica Art Prize 2014 group show at York St Mary’s – York Art Gallery’s contemporary art space. In the run up to the current call for entries close on 31 August, we look at Covell’s practice as a source of inspiration and as a dynamic contribution to the contemporary art scene – intriguingly crossing the boundaries between painting and sculpture.
MANIFESTA 10, The European Biennial of Contemporary Art, The State Hermitage Museum, St. Petersburg, Russia
Manifesta originated in the post-communist period in the 1990s with the aim of balancing the information gap between the East and West, North and South. Offering audiences an opportunity to exchange knowledge and rethink the platforms and influences of art and its expressions, Manifesta considers both the poetic and political nature of art and contextualises the contemporary with the historical. Operating within contested areas allows the biennial to demonstrate the way in which art can aid understanding within this complex world and Manifesta encourages a critical dialogue.
The Aesthetica Art Prize invites submissions from artists at all stages in the career, working in any medium and celebrates innovation and excellence in technical skill. Entries are open until 31 August 2014. Selected works for the latest edition of the Prize, spanning film, photography, sculpture and painting are presented here as demonstrations of the breadth and quality of works being produced today; and we highlight the longlisted artists’ achievements since the award. These include Henry Iddon, Ana Catarina Pereira, Wycliffe Stutchbury and Wilson-Eflerová (Kye Wilson and Helena Eflerová).